Berlin

Marking the centenary of the Bauhaus’s founding, the Bauhaus-Archiv / Museum für Gestaltung’s exhibition at the Berlinische Galerie is presenting famous, familiar and forgotten Bauhaus originals and recounting the history behind the objects: Who is the woman sitting on the tubular-steel chair? Does the Haus am Horn have a secret twin? Why have the tea infusers which were created as prototypes for industrial production always remained one-of-a-kind pieces? The exhibition sheds light on how unique work and series, remake and original are inseparably linked in the history of the Bauhaus. Around 1,000 Bauhaus originals from the Bauhaus-Archiv’s collection will be on display,

Public space is under pressure – commercialized for economic interests, abused as a playground for event culture, and maneuvered into insignificance through private acts of self-staging. Is its original function as a forum for public life coming to an end? At the same time, there are ever more standards, regulations, and requirements designed to guarantee safety and functionality. Does this reduce the creative possibilities for new architecture to react to the specifics of the location? If so, how are buildings being affected by these processes?

The exhibition “InnenAussen” (InsideOutside) by :mlzd searches for answers to these questions. Their installa-tion, based on

A collaboration between ANCB and the Centre for the Future of Places at KTH Royal Institute of Technology, Stockholm.

Date: Saturday, 26 January 2019, 12-5 pm
Place: ANCB The Aedes Metropolitan Laboratory, Christinenstr. 18 – 19, 10119 Berlin.

n the past decade, we have witnessed a radical expansion of the space, remit, and role of the museum as a public institution. This has taken the form of an increasing shift from public space to public programme, from the spatial organisation of artefacts to the temporal organisation of events that places the museum’s activities solidly in line with the production of discourse, atmospheres, experiences,

With this exhibition of drawings by Hans Poelzig, the Museum for Architectural Drawing in cooperation with the Architecture Museum of the Technical University Berlin present the work of an architect who, with Walter Gropius, Bruno Taut, Mies van der Rohe and Peter Behrens, was undoubtedly one of the most important German architects of the first half of the 20th century.
His oeuvre was diverse as his personality was colourful: in parallel with his architecture, he painted and created stage designs and film sets. He was director of the School of Art and Design in Breslau and later taught at the