Austrian Architecture

3XN and GERNER GERNER PLUS have released details of their competition entry for the design of a new aquarium in Schönbrunn Zoo, Vienna. Developed in collaboration with aquarium specialists ATT, “Poseidon’s Realm” was designed to be “elegant, simple and mysterious, lying across the landscape like a great veil.” The scheme was awarded second place in an international competition for the aquarium’s design, with the winner yet to be announced.

In his latest photo series, "Viennametry," Hungarian photographer and printmaker Zsolt Hlinka captures the unexplored voids in Vienna’s patchwork of historical and contemporary architecture. After previously studying the symmetrical corner buildings of grandiose Budapest, Hlinka has moved north to Austria on his quest to find geometry and symmetry within the urban landscape.

For the ninth consecutive year, Vienna has placed first in Mercer rankings on cities with the best quality of life in the world. Despite the current economic volatility in the European continent, the Austrian capital joins eight other European cities in the top ten. 

For 10 years this December, Zaha Hadid’s Hungerburgbahn have graced the built environment of Innsbruck, Austria. Since its conception, over 4.5 million passengers have visited one of the four train stations connecting them from downtown Innsbruck to the Norkette Mountain to Hungerburg.

In a new solo exhibition of the work of Erwin Wurm in the artist's home city of Vienna, the "Fat House"—created in 2003—is being publicly displayed for the first time amid the baroque splendor of the Austrian capital's historic Upper Belvedere. The central exhibition of Wurm's work at 21er Haus comprises over forty "performative sculptures" and statues, examining "extraordinary examples of architecture and objects of daily use."

Described by Richard Meier as an architect whose "groundbreaking ideas" have "had a major impact on the thinking of designers and architects," Austrian artist, architect, designer, theoretician and Pritzker Prize laureate Hans Hollein has worked in all aspects of design, from architecture to furniture, jewelry, glasses, lamps—even door handles. Known in particular for his museum designs, from the Abteiberg Museum in Mönchengladbach to the Museum of Modern Art in Frankfurt to Vienna's Haas House, Hollein's work manifests a unique, fascinating take on 1950s Modernism.

The Harvard University Graduate School of Design in Massachusetts has announced the winners of the Richard Rogers Fellowship 2017. Launched in October 2016, the Fellowship seeks to act as an international platform assembling experts and practitioners from a broad range of disciplines, using the built environment to positively impact on the quality of human life. The six inaugural Fellows, selected from 200 applicants worldwide, will undertake three months of research at the Wimbledon House, a Grade II listed residence in London gifted to the School by world-renowned British architect Richard Rogers.

This article by Gabu Heindl, an Austrian architect and urbanist, was first published by Volume in their 50th issue, Beyond Beyond, the editorial of which is available to read here. Here, Heindl introduces the concept of "powerfully (precariously) positioned planning propositions" (PPPP) based on the Donaukanal project in Vienna.

The Villa Beer (1929-1930) is considered to be one of Josef Frank's—the great Austro-Swedish architect—most important built projects. As reported by DisegnoDaily, the architectural integrity of the house—which was originally commissioned by the industrialist Julius Beer and built in the Viennese suburb of Hietzing—is now under threat despite being proposed for protection by the Austrian government as a historic site in 2007.

Welcome to the fourth installment of The Long(ish) Read: an AD feature which presents texts written by notable essayists that resonate with contemporary architecture, interior architecture, urbanism or landscape design. Ornament and Crime began as a lecture delivered by Adolf Loos in 1910 in response to a time (the late 19th and early 20th Centuries) and a place (Vienna), in which Art Nouveau was the status quo.