This week’s curated selection of Best Unbuilt Architecture highlights projects submitted by established firms. From a museum dedicated to Jewish history to a high-speed railway hub and a university student center, the following selection showcases a variety of concepts, design approaches, and programs developed by global architecture offices.
High-Rise Award (IHA) selected five buildings from Asia, Australia, Europe, and North America from 34 nominated high-rise buildings from 13 countries. Vancouver House by BIG, TrIIIple Towers in Vienna by Henke Schreieck Architekten, The Bryant in New York by David Chipperfield Architects, Singapore State Courts by Serie Architects+ Multiply Architects, and Quay Quarter Tower in Sydney by 3XN, are the 2022/23 finalist for exemplifying sustainability, and social aspects in a high-rise building.
In a new show at Kunst Haus Wien in Vienna, the Austrian artist continues his investigation of architecture where few civilians tread.
Domenig was one of Austria’s most radical architects and a major influence on many of architecture’s leading lights but remains widely unknown. A new exhibition aims to change that.
Vienna in Austria has topped the rankings of The Economist Intelligence Unit (EIU) 2022 Global Liveability Index, gaining back its previous position from 2019 and 2018, mostly for its stability and good infrastructure, supported by good healthcare and plenty of opportunities for culture and entertainment. Western European and Canadian cities dominated the top positions with Copenhagen, Denmark in second place and Zurich, Switzerland, and Calgary, Canada in third place. Adding 33 new cities to the survey, one-third of which are in China, bringing the total up to 172 cities, the classification excluded this year the city of Kyiv, due to Russia’s invasion of Ukraine.
If one were asked to picture a Catholic Church, the first image to come to mind would probably resemble a medieval gothic cathedral with buttresses, pointed arches, and a spire pointing toward the sky. On second thought, many more styles could easily be identified as catholic architecture: the simple yet grandiose structures of the Romanesque or maybe the ornate styles of Baroque and Rococo. An image more difficult to associate with sacred architecture is that of Modernism. The Roman Catholic Church is a particularly conservative establishment. Modernism, on the other hand, is revolutionary; it is rational, functional, and technical; it rejects ornaments and embraces innovation. Surprisingly, in the years after the end of the Second World War, places of worship defied expectations. Blocks of concrete, raw materials, angular shapes, and exposed structures have all been employed to break from tradition and create churches that barely resemble a church. This article will explore Modernist mid-century Church architecture with the support of images from Jamie McGregor Smith.
All architecture movements throughout history spur from shifts in society that demand a new style that better reflects the way that technology has advanced the practice and how people express their political, religious, and moral beliefs and practices. While some shifts occur over a period of several years, others are experienced as a sudden revolt. The Vienna Secession was undoubtedly the latter. At the end of the 19th century, a group of artists and architects aimed to explore what art should be as it pertained to filtering global influences in a way that could introduce new modernism.
Architecture collective AKT and Hermann Czech will be collaborating on the concept and design of the Austrian Pavilion at the 18th International Architecture Exhibition - La Biennale di Venezia. Titled "Beteiligung / Participation", the pavilion will be temporarily converted into a social experiment that explores themes such as public vs. private, accessible vs. inaccessible, and communal vs. individual through architectural interventions. The 18th International Architecture Exhibition will be held from May 20th until November 26th, 2023.
In this two-part episode of Design and the City - a podcast on how to make cities more livable – reSITE covers the 17th Venice Architecture Biennale, exploring the question of “How will we live together". Part-one looks into the works of the U.S, Nordic, and Luxembourg Pavilion curators, focusing on their use of timber construction as an answer to the exhibition's theme. Part-two features curator Hashim Sarkis and Greg Lindsay, along with the British and Austrian pavilion curators, as they explore the topic of accessibility.
Henning Larsen won the competition to design a new university building for the Management Center Innsbruck (MCI), the studio’s first project in Austria. Founded in 1995, the MCI outgrew its facility in the city centre, and the competition was meant to establish a new unified campus, gathering together the many faculties now scattered on different locations throughout Innsbruck. The design consists of an isolated object with no back or front featuring multi-story voids carved into each façade, establishing distinct relationships with the surroundings and framing views of the Alps.
