Archicad 25 allows you to continue selections by switching between 2D and 3D views without reselecting items thanks to new and improved commands. Furthermore, you can also speed up your workflow by using overlapping elements and hiding the selected elements in the active view.
Heatherwick Studio has just been selected to design a new educational facility for a university in Bogotá, Colombia. Marking Heatherwick’s Studio’s debut in South America, the construction is set to begin in 2025. Located on the existing campus in central Bogotá, the new design school and makers’ space for Universidad EAN will become a home for the university’s school of sustainable design. The seven-story structure features a striking façade adorned with colorful artistic columns and open terraces.
This article was originally published on Common Edge.
The rise of generative AI has given every design educator sufficient reason to reconsider both what to teach and how to teach it. Training an architect is a long process, and mapping it onto an uncertain future is a daunting task. Researchers at OpenAI, DeepMind, Meta, and similar companies seem constantly surprised by the rapid development and sometimes unforeseen capabilities of their AI creations. If even the creators don’t know how fast the future will arrive, it would be hubristic for any of us to claim that AI will do X or AI won’t be able to do Y in the next decade, which is about how long it takes to really train an architect.
Ammar Khammash is a Jordanian architect, designer, and artist best known for his approach that focuses on the preservation of cultural and natural heritage while crafting an architecture that engages with its surroundings. With deep admiration for nature and its ecosystems, Khammash trusts that "the site is the architect”, a statement for which he is renowned that underscores the profound influence of context on his architectural design. With over three decades of experience spanning various disciplines and across several Middle Eastern countries such as Jordan, Oman, Palestine, Egypt, Syria, and the UAE, Ammar Khammash has consistently attempted to preserve and enhance the symbiosis between human constructions and the natural environment. His contributions include the Royal Academy for Nature Conservation, the Wild Jordan Center, and the restoration of the Church of Apostles.
In 2022, he was featured in the first edition of the Dongola Architecture Series, a biannual publication that offers unique perspectives into Arab culture by highlighting prominent contemporary architects. The issue, titled “Notes on Formation: Ammar Khammash,” written by Raafat Majzoub, explores "architecture as a transdisciplinary tool of expression, and as a method of imagining and reimagining the future," encapsulating the ethos of the publication. ArchDaily had the opportunity to talk to Ammar Khammash and Sarah Chalabi, founder of Dongola Limited Editions, to delve into the architect’s perspectives on site, materiality, and culture, along with his philosophy, notions on academia, and insights into the future of the profession.
The main role of architecture is to create structures that protect us from the environment and create spaces that are safe and comfortable for all types of needs and activities. By providing shelter, architecture also shapes the way people interact with their surroundings. Building technologies of the past rarely managed, however, to create a complete separation between us and the outside world.
While impermeability was a desired outcome, the porous building materials available always allowed some water, wind, or outside particles to leak into the interior spaces. In contrast, modern technologies now allow for almost completely impermeable building envelopes, allowing for complete separation between indoors and outdoors, thus relying on engineered systems to regulate temperature, airflow, or humidity. This article explores the differences between these two contrasting approaches, exploring how building facades are equipped to regulate indoor comfort and its environmental impact.
Foster + Partners, led by Norman Foster, has revealed designs for a new “vertical creative office” campus on Sunset Boulevard in Los Angeles, overlooking Hollywood. Developed by real estate firm The Star LLC, the tower is wrapped in spiraling gardens, giving the project its distinctive image and introducing generous outdoor areas throughout. Dubbed “The Star,” the project strives to use active and passive design strategies to bring a welcoming and comfortable space for all future users.
Pelli Clarke & Partners has just completed the Mori JP Tower, now standing as Japan’s tallest building. Situated in the recently revitalized Azabudai Hills district, the tower emerges at the center of this development. Establishing a new focal point for Tokyo’s skyline, the building soars 330 meters at the heart of this dynamic new mixed-use district in the city center.
Just as fashion designers use pins, needles and textiles to bring their creations to life, architects rely on materials to shape our built environment. From steel and glass to wood and concrete, these form the artistic palette that transforms blueprints into tangible structures, bridging the gap between imagination and reality. It’s as simple, yet as complex as that. But with so many materials –and countless shapes, finishes, textures and colors– available in this day and age, making the correct choices for a particular project can be quite challenging. Several questions naturally arise: How do architects navigate the endless possibilities to handpick the elements that will breathe life into their designs? What does the material specification process entail? Where does one begin?
As one of the smallest spaces in the home, shower rooms often find it difficult to get enough light. While bedrooms are given priority to choose the most favored spots alongside exterior walls – giving them access to the fresh air, natural light, and better views provided by windows – sanitary spaces are often left to feed from the scraps in the aftermath, afforded only a sliver of external wall, if any.
Due to issues with privacy and water damage, meanwhile, when a shower room does have the opportunity to add a window, it’s rarely positioned in the shower itself. But with many using an energizing shower to gently wake themselves up in the morning, and with steam making the shower an environment with extra high humidity levels, a window in the shower can make a big difference, adding natural light to the space itself, while keeping the entire room well-ventilated.
From April 25 to May 1, 2024, Logroño hosts the tenth edition of Concéntrico, a celebration of urban innovation and transformation. This year, the festival explores the future of cities, incorporating new formats, engaging diverse audiences, and tackling urban challenges through the lens of time as a catalyst for change in design. Featuring 20 interventions and activities involving over 100 professionals from 17 countries, the program encompasses processes such as renaturalizing public spaces, reimagining urban structures, and integrating recycled materials from previous editions.
Additionally, collaborations with educational centers ensure a lasting impact beyond the festival, fostering new collective practices in public spaces. Special projects with Matali Crasset and Maider López further enrich the festival's engagement with communities across Spain.
MAD Architects has just unveiled the design for Lishui Airport in China. Dubbed the "forest city,” Lishui is known for its green landscapes and valleys in the Southwest Zhejiang Province. Situated amidst hilly terrain, approximately 15 kilometers southwest of the city, the airport is envisioned as a domestic, regional transportation hub seeking to harmonize with the natural surroundings.
In the perception of many, the favela embodies contradictory and opposed representations. For those outside its boundaries, the favela is frequently associated with crime, poverty, or illness. Yet, it is also regarded as the aesthetic embodiment of a nation, serving as the birthplace of culturally renowned elements worldwide, such as samba in the case of Brazil.
CityMakers, The Global Community of Architects Who Learn from Exemplary Cities and Their Makers, is working with Archdaily to publish a series of articles about Barcelona, Medellin, and Rotterdam. The authors are the architects, urban planners, and/or strategists behind the projects that have transformed these three cities and are studied in the "Schools of Cities" and "Documentary Courses" made by CityMakers. On this occasion, Jaume Barnada, coordinator of the award-winning Climate Shelters project in Barcelona schools and speaker at the "Schools of Cities", presents his article "Barcelona, the public place as a synonym for the adaptation of the built city."
Cities are dense, built spaces in which pavements have been efficiently imposed on the natural soil. Cities like Barcelona have almost 75% of the land paved and waterproof. Without a doubt, it is an excess to reverse at a time of climate emergency, where we must reconnect with nature. Oriol Bohigas [1] told us that good urbanization had paved the squares of Mediterranean cities and that no one wanted to live in a mudhole. I'm sure he was right. Also, he taught us that the green and, consequently, the natural soil had to have dimension and especially an urban position. Squares are squares and parks are parks, and each space has a type of project. Today, concepts are too frequently confused when urbanizing public places and consequently, we find projects that blur the model.
As an additive manufacturing method, 3D printing has been characterized by the construction of objects through the horizontal deposition of material, layer by layer. This still restricts, nonetheless, the manufacture of elements and limits the shape of early prototypes to within the range that allows the addition of material in a single direction, making it difficult to create complex shapes with smooth curves.
However, the team from the Chair of Digital Construction Technologies at ETH Zurich—integrating computational design, digital manufacturing, and new materials—has been exploring an innovative non-planar robotic additive manufacturing system. This method facilitates the printing of thin structures with double curvature, significantly expanding the possibilities of their application in architecture on a larger scale.
Each piece of furniture, be it a table, a chair, or a sofa, is much more than just a functional element. It is a bearer of stories, a keeper of memories, and a reflection of the craftsmanship of those who brought it to life. When it comes to wooden furniture, this connection with history and skill is even deeper; every grain, knot, and shade tells the story of the tree it came from, and the craftsmanship of the artisans is manifested in the curves and joints. In the contemporary context, where mass production and fast-paced trends tend to standardize the world around us, furniture making remains a beacon of authenticity, and wood continues to be highly prized. It's a haven where exclusivity and connection with the natural are celebrated, resisting the passage of time.
The State of Kuwait has revealed the design of the upcoming Kuwait Pavilion to take shape at World Expo 2025 in Osaka. Designed by architectural firm LAVA (Laboratory for Visionary Architecture), the temporary structure is envisioned as a “Visionary Lighthouse” representing Kuwait’s embrace of Arab cultures, arts, and social works. The pavilion, developed with main partner and contractor NUSSLI, also offers a response to the exhibition’s overarching theme, "Designing Future Society for our Lives", striving to strengthen the relationship between Kuwait and Japan and foster conversations about visions of a sustainable future.
Construction is currently in progress on “The Grid,” a new office complex by Foster + Partners. Located in Marousi, an established business hub that boasts connectivity to central Athens, the project spans an entire city block. The project features modern, adaptable workspaces, along with landscaped green areas that integrate with a public park. The scheme hopes to revitalize Marousi and attract new business to the existing area.
Rehabilitation involves repairing, renovating, altering, or reconstructing any building or structure. It addresses the need to significantly improve a building's failing features, primarily through strengthening or replacing elements to restore the structure's optimal performance. The impact of building rehabilitation on the physical environment is significant. It is a sustainable strategy for preserving the built environment and mitigating the construction industry's impact on climate change.
However, its social impact is also considerable when viewed as a fundamental framework for sustainable outcomes. Rehabilitation can serve as a model that brings community members together for inclusive repair and restoration of structures. This positively affects communal life quality, social integration, environmental sustainability, and community perception of local architecture.
Sightseeing is an activity closely intertwined with architecture and cities. So much is that Guiliana Bruno adapts the term to site-seeing in her comprehensive book Atlas of Emotions: Journeys in Art, Architecture and Film, emphasizing the link between tourism and the urban landscape. Traveling and exploring new places is not something only architects like, it's among the most enjoyable activities for anyone. It's no coincidence that city guides are consistently among the most visited articles on ArchDaily, offering curated collections of iconic buildings for people to explore.
Now, some of our most popular city guides will not only provide a list of buildings, but also feature interactive maps that position each of the architectural masterpieces within the territory. Powered by Felt, these maps cater to the needs of the architects and curious travelers alike.
Architecture is about giving form to the places where people live. It is no easier, and no more complicated, than that. There are three key words here: “form,” “place,” and “life.” As soon as one reflects on these terms, one immediately comprehends that these things are not all that easy. - Alejandro Aravena
With this phrase in the foreword to ArchDaily’s Guide to Architecture, Alejandro Aravena reflects on the underlying complexity of architecture. Something that is essential to our life, but that with the ever growing complexities of our world, becomes a challenging task.
That is why for the 4th consecutive year we embark on a global survey, evaluating the work, ethos and mission behind innovative practices from all over the world. They represent the diversity that is reshaping our field, working across the spectrum between the essence of architecture and its blurry boundaries, ranging from studios to activists, startups and other forms of production, research, and thinking.
These 20 practices, half led by women or as a mix, coming from Europe, South America, North America, Asia and the Middle East, represent the diversity among those who are setting an example of the direction architecture should be heading. At the center of their mission there is a clear forward looking agenda that shapes their work, that reveal a practical consciousness towards the challenges of our world.
Meet ArchDaily’s 2024 Best New Practices:
For a long time, the construction industry has followed a linear process - extract raw materials, build structures, demolish them, and then dispose of the garbage in landfills. This approach has serious negative effects on the environment and society and is inherently unsustainable. Reconsidering traditional methods and workflows requires support from all stakeholders and a sense of urgency proclaimed by authorities. In the United States, city organizations have begun to implement new policies to keep construction waste out of landfills and support circular practices. Several cities like Seattle and Pittsburgh, have started implementing deconstruction ordinances that require older buildings to be carefully deconstructed rather than demolished. How might their key provisions influence circular practices in the country?
The Sustainable Hub in Seville emerged as an innovative concept through an open idea passive Sustainable Design Competition, launched in October 2023 with submissions received by February 2024. Spearheaded by Dar[e]-Europe, a renowned research firm based in Seville, Spain, the competition aimed to foster sustainable design solutions while promoting comfort for users with minimal reliance on non-renewable energy sources and environmental impact.
German-based architecture and design studio Beta Realities has developed the “Collective Parts” initiative, a design and technology platform for enabling the construction of affordable 3D printed housing. The project has been recognized as one of the winners of Inititative99 by ICON, a global architecture competition aimed at reimagining affordable housing that can be built for under $99,000. The other winners of the open category are MTspace Studio from New Zealand and For Everyday Life from the United Kingdom. The competition also highlights contributions from students as a separate category, featuring Casa Fami by IAAC from Spain, Juan Felipe Molano from Colombia, and Victoria Roznowski from Germany.
