The complete Museum of Modern Art expansion by Diller Scofidio + Renfro and Gensler is set to open in New York. The expansion adds more than 40,000 square feet of gallery spaces for exhibiting art. Launched in 2014, the first phase of renovations on the east end was completed in 2017, and the second phase of expansion on the west end is now complete and ready to open to the public.
"Hórama Rama" by Pedro & Juana (Ana Paula Ruiz Galindo & Mecky Reuss) has been inaugurated as part of The Museum of Modern Art and MoMA PS1’s 20th annual Young Architects Program. This year’s architectural installation is an immersive junglescape set within a large-scale cyclorama that sits atop MoMA PS1’s courtyard walls. Selected from among five finalists, Hórama Rama will be on view through the summer, serving as a temporary built environment for MoMA PS1’s pioneering outdoor music series Warm Up.
"Hórama Rama" by Pedro & Juana (Ana Paula Ruiz Galindo & Mecky Reuss) has been named the winner of The Museum of Modern Art and MoMA PS1’s 20th annual Young Architects Program. Opening in June 2019, this year’s architectural installation is an immersive junglescape set within a large-scale cyclorama that sits atop MoMA PS1’s courtyard walls. Selected from among five finalists, Hórama Rama will be on view through the summer, serving as a temporary built environment for MoMA PS1’s pioneering outdoor music series Warm Up.
For 20 years, the Young Architects Program at The Museum of Modern Art and MoMA PS1 has offered emerging architectural talent the opportunity to design and present innovative projects, challenging each year’s winners to develop creative designs for a temporary and sustainable outdoor installation that provides shade, seating, and water. The architects must also work within environmentally sensitive guidelines.
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The Museum of Modern Art (MoMA) has announced an October 2019 opening date of its Diller Scofidio + Renfro / Gensler-designed extension, which will offer 40,000 square feet of gallery space for the iconic institution in Midtown Manhattan. The expansion features two key additions, with the Marie-Josée and Henry Kravis Studio creating a double-height space for live and experimental programming, and the Paula and James Crown Platform offering experimental, creative pace to explore ideas, questions, and processes that arise from MoMA’s collection.
The project has not been without controversy, with considerable backlash generated from the decision to demolish the American Folk Art Museum in order to make way for the new expansion. Speaking to the Los Angeles Times in January 2014, DS+R principal Liz Diller embraced the criticism, saying “we would be on the same side if we didn’t know all the details that we know.”
Over 40 years of practice, Herzog + de Meuron have established themselves as one of the most celebrated practices in architecture. Their works span scale and site but are united by a sensitivity to material and detail that, today, often seems to fall by the wayside. The inner workings of the practice are notoriously private, but those interested in the process behind the project may soon have reason to celebrate.
Since July 2018, the Museum of Modern Art (MoMA) has hosted an exhibition exploring the architecture of the former Yugoslavia. “Concrete Utopia: Architecture in Yugoslavia, 1948-1980” became the first major US exhibition to study the subject, through over 400 drawings, models, photographs, and films.
With the exhibition soon coming to an end, Martino Stierli (Chief Curator of Architecture and Design at MoMA) and Vladimir Kulic (Guest Curator and Architecture Historian) have presented a 7-minute-long video guiding viewers through the highlights of the exhibition.
Manuel N. Zornoza grew up in Alicante, Spain and, following studies in Madrid (UAX) and London (the AA), relocated to China in 2010 to avoid the economic crisis stifling architectural work in his home country. Over the last eight years, the young architect’s small but thriving studio has built more than a dozen projects, from shops, to factory space conversions, to a traditional Chinese hutong - all in China. But that’s not to say Zornoza’s left his roots behind. He now also maintains a small practice in Madrid, which handles projects in both China and Spain.
This interview was conducted on a bullet train ride from Beijing to Tianjin, where we ventured in search of the recent architecture that has brought so much media attention to this emerging metropolis.
The topic of diversity in architecture has remained a mainstream issue in recent years—however, a recent article from Metropolis Magazine offers an account that is nevertheless surprising: a celebration of the unique contributions of women architects in the former socialist state of Yugoslavia. According to the essay, the highlighted women made their mark on the history of Yugoslavia "in spite of, not through the dismantling of, both the region’s and the profession’s male-dominated cultures."
The Museum of Modern Art (MoMA) is set to open a new exhibition exploring the architecture of the former country of Yugoslavia. Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980 will be the first exhibition in the United States to honor the peculiar architecture of the former socialist nation.
More than 400 drawings, models, photographs, and film reels culled from an array of municipal archives, family-held collections, and museums across the region will be presented to an international audience for the first time. Toward a Concrete Utopia will feature works by many of Yugoslavia's leading architects. It will explore "large-scale urbanization, technological experimentation and its application in everyday life, consumerism, monuments and memorialization, and the global reach of Yugoslav architecture."
Read on for more about the exhibition and Yugoslav brutalism.
The Museum of Modern Art (MoMA) has opened its exhibition of the Young Architects Program 2018 at its MoMA PS1 location in Long Island City, New York. Now in its 19th edition, the Young Architects Program offers emerging talent in the architectural world the opportunity to “design and present innovative projects, challenging each year’s winners to develop creative designs for a temporary, outdoor installation that provides shade, seating, and water.”
The winning project this year was “Hide & Seek” by Jennifer Newsom and Tom Carruthers of Dream The Combine, working on collaboration with Clayton Binkey of ARUP.
Architect Elizabeth Diller of firm Diller Scofidio + Renfro has once again been named one of TIME’s most influential people in 2018. TIME Magazine’s annual ‘Time 100’ List recognizes the achievement of artists, leaders, activists, entrepreneurs, and athletes who are exemplary in their fields. Diller has been named to the category of “Titans,” along with Roger Federer, Oprah Winfrey, Jeff Bezos, Elon Musk and Kevin Durant. This is Diller’s second time on the list but the first time being honored as a "Titan."
Other honorees this year include Shinzo Abe, Justin Trudeau, Xi Jinping and Jimmy Kimmel.
Hide & Seek by Jennifer Newsom and Tom Carruthers of Dream The Combine, in collaboration with Clayton Binkley of ARUP, has been selected as the winner of the 2018 MoMA PS1 Young Architects Program. Jennifer Newsom and Tom Carruthers were selected from a shortlist of five young firms unveiled in November.
Inspired by “the jostle of relationships found in the contemporary city,” Hide & Seek will feature a landscape of kinetic, responsive elements that connect the courtyards of the MoMA PS1 site to its surrounding streets.
The Museum of Modern Art will explore the architecture of the former Yugoslavia with Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980, the first major US exhibition to study the remarkable body of work that sparked international interest during the 45 years of the country’s existence. The exhibition will include more than 400 drawings, models, photographs, and film reels culled from an array of municipal archives, family-held collections, and museums across the region, introducing the exceptional built work of socialist Yugoslavia’s leading architects to an international audience for the first time.
The Museum of Modern Art and MoMA P.S.1 have announced the five finalists of their 2018 Young Architects Program (YAP).
Now in it’s 18th year, the competition was founded to offer emerging architectural talent the opportunity to design a temporary, outdoor installation within the walls of the P.S.1 courtyard for MoMA’s annual summer “Warm-Up” series. Architects are challenged to develop creative designs that provide shade, seating and water, while working within guidelines that address environmental issues, including sustainability and recycling.
The finalists include:
Update: We've added a 360 rendering of "Lumen" to the post, after the break (courtesy Jenny Sabin)!
Jenny Sabin Studio’s “Lumen,” winner of the Museum of Modern Art’s 2017 Young Architects Program, has made its debut in the MoMA PS1 Courtyard in New York City, where it will play host to the 20th season of Warm Up, MoMA PS1’s pioneering outdoor music series. Constructed from more than 1,000,000 yards of “digitally knitted and robotically woven fiber,” this year’s structure features 250 hanging tubular structures designed to capture and display the ever-changing color of sunlight over the course of the day.
At this morning’s press event, The Museum of Modern Art in New York (MoMA) unveiled the completed renovations to the east end of its museum campus, while also revealing for the first time the full design of their multi-year expansion project designed by Diller Scofidio + Renfro in collaboration with Gensler.
With the completion of the east wing renovation, which began in February 2016, the museum has created two spacious third-floor galleries by reconfiguring 15,000 square feet of space, allowing for better flexibility in installing the collection and temporary exhibitions.
When Philip Johnson curated the Museum of Modern Arts’ (MoMA) 1932 “International Exhibition of Modern Architecture,” he did so with the explicit intention of defining the International Style. As a guest curator at the same institution in 1988 alongside Mark Wigley (now Dean Emeritus of the Columbia GSAPP), Johnson took the opposite approach: rather than present architecture derived from a rigidly uniform set of design principles, he gathered a collection of work by architects whose similar (but not identical) approaches had yielded similar results. The designers he selected—Peter Eisenman, Frank Gehry, Zaha Hadid, Rem Koolhaas, Daniel Libeskind, Bernard Tschumi, and the firm Coop Himmelblau (led by Wolf Prix)—would prove to be some of the most influential architects of the late 20th Century to the present day.[1,2]
