Nature has continually played muse to architects. Colors and forms from the natural world find themselves embedded in artificial edifices. Buildings are also shaped by patterns of the wind and sun, topography, and vegetation. While architecture is informed by the effects of nature, buildings have been proposed as inert objects that remain static in a biologically evolving world. Anthropocentric concrete “jungles” are devoid of life, separating humans from natural environments and causing imbalances that have manifested as pandemics. What would cities look like if there were no boundaries between humans and ecosystems?
The Museum of Modern Art - MoMA has announced the opening of an exhibition that explores the ways modern architecture in South Asia shaped up "idealistic societal visions and emancipatory politics" of the post-independence period. Titled The Project of Independence: Architectures of Decolonization in South Asia, 1947–1985, the exhibition includes over 200 works, ranging from sketches and drawings to photographs and architecture models sourced from prominent lenders and institutions in Bangladesh, India, Pakistan, and Sri Lanka.
"Is a museum defined by its collection? Or by its architecture? In The Art Museum in Modern Times, Charles Saumarez Smith suggests it is both and still something more". Lauren McQuistion, an architectural designer and Ph.D. Candidate in the Constructed Environment at the University of Virginia School of Architecture discusses in her Architect's Newspaper piece, Saumarez's book, exploring the notion of a modern museum.
Reconstructions: Architecture and Blackness in America. Image Courtesy of The Museum of Modern Art, Robert Gerhardt
The Museum of Modern Art has launched Reconstructions: Architecture and Blackness in America, the fourth installment of the Issues in Contemporary Architecture series. Investigating the intersections of architecture, Blackness and anti–Black racism in the American context, the exhibition and accompanying publication examine contemporary architecture in the context of how systemic racism has fostered violent histories of discrimination and injustice in the United States.
MoMA PS1 has announced that the Young Architects Program will be placed on a one-year hiatus. MoMA PS1, formerly P.S.1 Contemporary Art Center, is one of the oldest and largest nonprofit arts centers in the United States devoted to contemporary art. The Young Architects Program founded by MoMA and MoMA PS1 was made to offer emerging architectural talent the opportunity to design a temporary, outdoor installation in New York.
The complete Museum of Modern Art expansion by Diller Scofidio + Renfro and Gensler is set to open in New York. The expansion adds more than 40,000 square feet of gallery spaces for exhibiting art. Launched in 2014, the first phase of renovations on the east end was completed in 2017, and the second phase of expansion on the west end is now complete and ready to open to the public.
"Hórama Rama" by Pedro & Juana (Ana Paula Ruiz Galindo & Mecky Reuss) has been inaugurated as part of The Museum of Modern Art and MoMAPS1’s 20th annual Young Architects Program. This year’s architectural installation is an immersive junglescape set within a large-scale cyclorama that sits atop MoMAPS1’s courtyard walls. Selected from among five finalists, Hórama Rama will be on view through the summer, serving as a temporary built environment for MoMAPS1’s pioneering outdoor music series Warm Up.
"Hórama Rama" by Pedro & Juana (Ana Paula Ruiz Galindo & Mecky Reuss) has been named the winner of The Museum of Modern Art and MoMAPS1’s 20th annual Young Architects Program. Opening in June 2019, this year’s architectural installation is an immersive junglescape set within a large-scale cyclorama that sits atop MoMAPS1’s courtyard walls. Selected from among five finalists, Hórama Rama will be on view through the summer, serving as a temporary built environment for MoMAPS1’s pioneering outdoor music series Warm Up.
For 20 years, the Young Architects Program at The Museum of Modern Art and MoMAPS1 has offered emerging architectural talent the opportunity to design and present innovative projects, challenging each year’s winners to develop creative designs for a temporary and sustainable outdoor installation that provides shade, seating, and water. The architects must also work within environmentally sensitive guidelines.
The Museum of Modern Art (MoMA) has announced an October 2019 opening date of its Diller Scofidio + Renfro / Gensler-designed extension, which will offer 40,000 square feet of gallery space for the iconic institution in Midtown Manhattan. The expansion features two key additions, with the Marie-Josée and Henry Kravis Studio creating a double-height space for live and experimental programming, and the Paula and James Crown Platform offering experimental, creative pace to explore ideas, questions, and processes that arise from MoMA’s collection.
Over 40 years of practice, Herzog + de Meuron have established themselves as one of the most celebrated practices in architecture. Their works span scale and site but are united by a sensitivity to material and detail that, today, often seems to fall by the wayside. The inner workings of the practice are notoriously private, but those interested in the process behind the project may soon have reason to celebrate.
Miodrag Živković, Monument to the Battle of Sutjeska, 1965-71, Tjentište, Bosnia and Herzegovina. View of the western exposure. Photo: Valentin Jeck, commissioned by The Museum of Modern Art, New York, 2017.
With the exhibition soon coming to an end, Martino Stierli (Chief Curator of Architecture and Design at MoMA) and Vladimir Kulic (Guest Curator and Architecture Historian) have presented a 7-minute-long video guiding viewers through the highlights of the exhibition.
https://www.archdaily.com/908777/an-expert-guide-through-momas-toward-a-concrete-utopia-architecture-in-yugoslavia-1948-nil-1980Niall Patrick Walsh
Manuel N. Zornoza grew up in Alicante, Spain and, following studies in Madrid (UAX) and London (the AA), relocated to China in 2010 to avoid the economic crisis stifling architectural work in his home country. Over the last eight years, the young architect’s small but thriving studio has built more than a dozen projects, from shops, to factory space conversions, to a traditional Chinese hutong - all in China. But that’s not to say Zornoza’s left his roots behind. He now also maintains a small practice in Madrid, which handles projects in both China and Spain.
This interview was conducted on a bullet train ride from Beijing to Tianjin, where we ventured in search of the recent architecture that has brought so much media attention to this emerging metropolis.
The topic of diversity in architecture has remained a mainstream issue in recent years—however, a recent article from Metropolis Magazine offers an account that is nevertheless surprising: a celebration of the unique contributions of women architects in the former socialist state of Yugoslavia. According to the essay, the highlighted women made their mark on the history of Yugoslavia "in spite of, not through the dismantling of, both the region’s and the profession’s male-dominated cultures."
Berislav Šerbetić and Vojin Bakić. Monument to the Uprising of the People of Kordun and Banija. 1979–81. Petrova Gora, Croatia. Exterior view. Photo: Valentin Jeck, commissioned by The Museum of Modern Art, 2016
The Museum of Modern Art (MoMA) is set to open a new exhibition exploring the architecture of the former country of Yugoslavia. Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980 will be the first exhibition in the United States to honor the peculiar architecture of the former socialist nation.
More than 400 drawings, models, photographs, and film reels culled from an array of municipal archives, family-held collections, and museums across the region will be presented to an international audience for the first time. Toward a Concrete Utopia will feature works by many of Yugoslavia's leading architects. It will explore "large-scale urbanization, technological experimentation and its application in everyday life, consumerism, monuments and memorialization, and the global reach of Yugoslav architecture."
Hide & Seek by Dream The Combine for The Museum of Modern Art and MoMA PS1’s Young Architects Program 2018, on view at MoMA PS1 from June 28 to September 3, 2018. Image courtesy MoMA PS1. Photo by Pablo Enriquez.
The Museum of Modern Art (MoMA) has opened its exhibition of the Young Architects Program 2018 at its MoMA PS1 location in Long Island City, New York. Now in its 19th edition, the Young Architects Program offers emerging talent in the architectural world the opportunity to “design and present innovative projects, challenging each year’s winners to develop creative designs for a temporary, outdoor installation that provides shade, seating, and water.”
Architect Elizabeth Diller of firm Diller Scofidio + Renfro has once again been named one of TIME’s most influential people in 2018. TIME Magazine’s annual ‘Time 100’ List recognizes the achievement of artists, leaders, activists, entrepreneurs, and athletes who are exemplary in their fields. Diller has been named to the category of “Titans,” along with Roger Federer, Oprah Winfrey, Jeff Bezos, Elon Musk and Kevin Durant. This is Diller’s second time on the list but the first time being honored as a "Titan."
Other honorees this year include Shinzo Abe, Justin Trudeau, Xi Jinping and Jimmy Kimmel.
Jennifer Newsom and Tom Carruthers of Dream The Combine. Hide & Seek. 2018. The Museum of Modern Art and MoMA PS1’s Young Architects Program 2018, winner
Inspired by “the jostle of relationships found in the contemporary city,” Hide & Seek will feature a landscape of kinetic, responsive elements that connect the courtyards of the MoMAPS1 site to its surrounding streets.
Miodrag Živković, Monument to the Battle of Sutjeska, 1965-71, Tjentište, Bosnia and Herzegovina. View of the western exposure. Photo: Valentin Jeck, commissioned by The Museum of Modern Art, New York, 2017.
The Museum of Modern Art will explore the architecture of the former Yugoslavia with Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980, the first major US exhibition to study the remarkable body of work that sparked international interest during the 45 years of the country’s existence. The exhibition will include more than 400 drawings, models, photographs, and film reels culled from an array of municipal archives, family-held collections, and museums across the region, introducing the exceptional built work of socialist Yugoslavia’s leading architects to an international audience for the first time.
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