Editor's Note: This article was originally published on 30 June, 2016. While the debate surrounding the terms of the UK's exit from the European Union continues to rage, the Tate remains a steady icon for London and the UK. But the building has also become a symbol in a new fight: one between the capital's elites and the general public. As the political sands in Britain continue to shift, it may be interesting to see how - and with whom - the building aligns in the future. - Katherine Allen, Managing Editor
Herzog And De Meuron
Herzog & de Meuron have unveiled their proposal for a mountain outpost in the Swiss Alps. “TITLIS 3020” is situated on one of Switzerland’s most renowned tourist attractions, the 3000-meter-high Mount Titlis.
The design forms part of a master plan for the area developed by Herzog & de Meuron, which includes the construction of the outpost, the redevelopment of an old beam antenna tower, and redevelopment of an underground tunnel.
During the second half of the twentieth century, architects all over the world, specifically from Europe, produced a legacy of renowned, modern works in Brazil. Following the principles of masters such as Le Corbusier, names like Lina Bo Bardi, Hans Broos, and Franz Heep held an undeniable influence on Brazilian architecture.
In recent years, the country has been welcoming a variety of buildings designed by foreign architects. Below, we have compiled 10 iconic works by international architects.
Herzog & de Meuron have revealed their plan for a new summit station atop the Swiss mountain Titlis. The Alpine masterplan entails the new construction of the summit station, the redevelopment and extension of an old beam antenna tower, and an upgrade of the Titlis underground tunnel. The design aims to breath new life in one of Switzerland’s most renowned international tourist attractions.
Herzog & de Meuron have released more images of their Gasklockan tower project in Stockholm. First announced late last year, the design will replace a 1930s gasholder with a 90 meter tower. As the firm's first project in Sweden, Gasklockan tower is being created with developer Oscar Properties. The latest images showcase the interior of the project and details of the facade. Designed with over 300 apartments, the circular tower was inspired by the original gasholder on site.
If the surest sign of summer in London is the appearance of a new pavilion in front of the Serpentine Gallery, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include Zaha Hadid, Rem Koolhaas, and Olafur Eliasson.
Swiss practice Herzog & de Meuron have released revised plans for the Museum of the 20th Century project in Berlin's Cultural Forum. Designed to house the extensive National Gallery on 20th century art collection, the project was made in partnership with the Berlin State Museums and the Prussian Cultural Heritage Foundation. Herzog & de Meuron originally won the competition to design the museum building in 2016, and the revised design features new plans and a facade that opens the building to the outside.
A collection of stones piled one on top of the other, dry stone is an iconic building method found just nearly everywhere in the world. Relying solely on an age-old craft to create sturdy, reliable structures and characterised by its rustic, interlocking shapes, the technique has deep roots that stretch back even before the invention of the wheel. Its principles are simple: stack the stones to create a unified, load-bearing wall. But the efficient, long-lasting results, coupled with the technique’s cultural significance, have lead to continued use and updated interpretations all the way to contemporary architecture today.
Herzog & de Meuron and Beyer Blinder Belle Selected by Harvard GSD for Gund Hall "Transformative Expansion"
The Harvard Graduate School of Design (Harvard GSD) has selected Herzog & de Meuron and Beyer Blinder Belle as the design team for a “significant transformation” of the School’s iconic Gund Hall campus building.
The proposed expansion will include the integration of a new space into the School’s existing structure, with the goal of creating a facility which “will embody the School’s visionary and cross-disciplinary work at the intersection of design, pedagogy, research, and practice."
About a month before he unveiled his eighth album Ye in June, Kanye West re-entered architectural conversation with the unexpected and mostly unexplained announcement that he intends to hire architects and industrial designers to staff an architecture practice connected to his Yeezy brand. An outspoken fan and admirer of contemporary architecture, Kanye’s fashion and design projects have been a major focus for him since shortly after the prodigious producer started making his own rap albums. Kanye’s architectural ambitions have been an interesting factor in the relationship between architecture and rap culture, which seems to be just coming into focus through programs like the Hip Hop Architecture Camps organized by Michael Ford’s Urban Arts Collective, and the research of Sekou Cooke. Architecture and rap music have influenced each other in ways we’re just starting to notice—with the connection between the two even revealed as consciously and conspicuously as rappers including references to notable architects in their lyrics.
Stairs aren't only a means of vertical circulation. Through their might and scale, this building element can easily become the protagonist of a space. From afar one can observe the movement of people; from within the staircase the viewer is treated to new angles and perspectives of the building.
The prominence of staircases in the work of 2001 Pritzker Prize winners Herzog and de Meuron underscore the belief that risers and treads are never solely an element of circulation—they are generators of dynamism and rhythm that influence the essence of their projects.
Lasting for close to two decades now, the annual Serpentine Gallery Pavilion Exhibition has become one of the most anticipated architectural events in London and for the global architecture community. Each of the previous eighteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints to occupy far-flung private estates, they continue to be shared through photographs, and in architectural lectures. With the launch of the 18th Pavilion, we take a look back at all the previous pavilions and their significance to the architecturally-minded public.
Led by Jacques Herzog (born 19 April 1950) and Pierre de Meuron (born 8 May 1950), most descriptions of Herzog & de Meuron projects are almost paradoxical: in one paragraph they will be praised for their dedication to tradition and vernacular forms, in the next for their thoroughly modern innovation. However, in the hands of Herzog & de Meuron this is no paradox, as the internationally renowned architectural duo combine tradition and innovation in such a way that the two elements actually enhance each other.
Herzog & de Meuron has released images of their proposed scheme for the redevelopment of an old brewery site on the banks of the Moscow River. The Badaevskiy Brewery project will see the transformation of a largely abandoned cluster of historic, industrial buildings, a delicate restoration project contrasting with the contemporary addition of a residential “Horizontal Skyscraper.” With this bold addition elevated on tall, slender stilts, a new ground-level public park is created to strengthen ties between the brewery site and adjacent river.
Herzog & de Meuron’s design for the new flagship building of the Royal College of Art’s Battersea campus has been granted planning approval by Wandsworth Council. Unveiled last fall, the £108 million building will mark an “important step” in the evolution of the RCA into a STEAM (Science, Technology, Engineering, Art and Mathematics)-focused postgraduate university.
In the rapidly burgeoning city of Beirut, the post-war building boom is far from over. Much like its middle-eastern neighbors, it boasts of a plump share of designer architecture—as critic Oliver Wainwright refers to it, “a diverse shopping list”. It is here that the Beirut Terraces, a residential complex designed by Herzog & De Meuron, rises up to 119 meters, occupying a prominent place in the city’s skyline. In this collection of photographs by Bahaa Ghoussainy, one sees the Beirut Terraces from within, getting a glimpse of both the interior, as well as the multiple, unique views offered from inside the building.
Herzog & de Meuron has been selected as the winners of a competition to design the new master plan of the Nordspitze community in the northermost part Basel’s Dreispitz district. Organized around two large public green spaces, the mixed-use community will feature three residential skyscrapers that will become the three tallest residential buildings in the city.
Herzog & de Meuron, with local firm Favre & Guth, has been selected as the winners of an international competition for the design of a new global headquarters for private banking company Lombard Odier to be located in Bellevue, Switzerland on Lake Geneva.
Responding to the competition theme of ‘One Roof,’ the design consists of a single building in which all sides are given equal prominence, with no obvious front or back. Herzog & de Meuron’s winning proposal achieves this through its glassy facade and sweeping flooplates supported by slender columns.