The City of Philadelphia’s Department of Public Property is requesting qualifications for the redesign of the Municipal Services Building’s Paine Plaza.
The City of Philadelphia is seeking a designer to give Thomas Paine Plaza a unique identity as a civic square for today’s Philadelphia.
The modernist Municipal Services Building and plaza were designed by Vincent Kling in 1961 as a symbol of a new government during a transformative era in urban planning, adjacent to City Hall on a site that had long been used as a public gathering space. Over the following fifty years, the plaza
Artist Janet Echelman has unveiled her latest site-specific work of public art, with the activation of the first phase of “Pulse” in Philadelphia’s Dilworth Park. Pulse seeks to reshape urban space “with a monumental, fluidly moving sculpture that responds to environmental forces including wind, water, and sunlight.
Inspired by the square’s history as a water and transportation hub, Echelman’s work traces the paths and trolley lines of the subway beneath, with four-foot-tall curtains of colorful atomized mist traveling across the park’s fountain surface in response to passing trains underneath.
There’s something irresistible about Robert Venturi and Denise Scott Brown’s architectural romance. They met when they were both young professors at the University of Pennsylvania; Scott Brown held seminars in city planning, and Venturi gave lectures in architectural theory. As the story goes, Scott Brown argued in her first faculty meeting that Frank Furness’ masterful Venetian gothic library should not be torn down to build a plaza (then a dissenting opinion). Venturi approached her after the meeting, offering his support. As Paul Goldberger wrote of the couple in 1971, “as their esthetic viewpoints grew closer and closer, so did their feelings toward each other.” Architecture lovers can’t help but love the architect-lovers.
The 2018 Better Philadelphia Challenge | $5,000 First Prize
This international urban design competition for university students is now open for registration. In celebration of the 100th anniversary of Philadelphia's iconic Benjamin Franklin Parkway, the Center / Architecture + Design seeks creative concepts for what a new 'Parkway' could be in a dense and developed 21st-century city, connecting neighborhoods with nearby natural and cultural resources.
Philadelphia International Airport (PHL) and the Pennsylvania Horticultural Society (PHS) are hosting a design competition to create an “Image Maker” landscape at the Airport. The competition is an opportunity to demonstrate Philadelphia’s position as America’s Garden Capital and create a welcoming image for the Greater Philadelphia region.
The Philadelphia Museum of Art has broken ground on the Core Project, a $196 million transformation of its main building led by Frank Gehry. In total, the renovation will add a total of 90,000 square feet to the museum, including 67,000 square feet of new public space, 11,500 square feet of gallery space for the museum’s American Art collection, and another 11,500 square feet of contemporary art display space.
As suggested by its name, The Core Project will focus on the heart of the museum; the main circulation of the building will be completely reorganized and museum infrastructure will receive much-needed upgrades, improving access to the community and enhancing the visitor experience.
New renderings and information have been revealed for SHoP and West 8’s Schuylkill Yards masterplan envisioned for University City in Philadelphia. Announced last March, the project comprises 14 new buildings on a 14-acre site off the Schuylkill River and around 30th Street Station, the country’s third busiest Amtrak station.
A Chicago-based artist and community developer, Gates is the founder of the Rebuild Foundation, which focuses on improving the quality of urban life by planning and designing active and engaged communities. “Under Gates’ leadership, the Rebuild Foundation currently manages projects in the Greater Grand Crossing neighborhood of Chicago. Program sites include the Stony Island Arts Bank, the Black Cinema House, the Dorchester Art + Housing Collaborative, Archive House, and Listening House.”
BIG has completed their second building on U.S. soil, a 92,000-square-foot office building at 1200 Intrepid Avenue in Philadelphia, Pennsylvania that also marks the firm’s first realized office building design. Located within the revitalized Philadelphia Navy Yard master plan (designed by Robert Stern), the four-story building features a bowing, double-curved facade and a supersized “periscope” inspired by the historic battleships docked a few blocks away.