Artistic expression is often undisciplined. Sometimes, the riot of colors and explosion of lines and forms help unleash a 2D illustration out of its medium, which is precisely what Drawing Architecture Studio (DAS) managed to create in Ucommune’s new branch in Dajiang Hutong, Beijing.
In late 2018, Li Han, co-founder of Drawing Architecture Studio, won the 2018 Drawing Prize for her digital drawing of The Samsara of Building No.42 on Dirty Street, which also illustrates a visual narrative of the city of Beijing and its residential chronology throughout the 21st century. This year, DAS took Qianmen area, co-working brand Ucommune’s location as a subject, transforming its road network, architecture, and urban composition into a dynamic, meticulously detailed panorama titled Under the Zhengyangmen.
Architecture is powerful, and like nuclear energy, it all depends on how it is used. While it can create uninhabitable municipalities, it can also create safer cities that improve quality of life.
In various examples, urban design has provided a response to deteriorated or abandoned public spaces. It has shown that distribution and lighting are essential, but that it is also necessary to consider who will be using the space and how to make it an environment that generates community.
Ground Up, the journal of the Department of Landscape Architecture and Environmental Planning at UC Berkeley, Issue 08 seeks entries that address the idea of HOME.
2017 Rudy Bruner Award Medalists (Photo Credits on RBA Website)
The Rudy Bruner Award for Urban Excellence (RBA) celebrates transformative urban places distinguished by their economic and social contributions to our nation’s cities. Winners offer creative placemaking solutions that transcend the boundaries between architecture, urban design and planning and showcase innovative thinking about American cities. One Gold Medal of $50,000 and four Silver Medals of $10,000 will be awarded.
Last week I wrote about the anti-urban legacy of architect and developer John Portman. I think it’s worth going into a bit more detail about these projects, since we seem to have learned so little from their failures.
Let’s start with Detroit. The Renaissance Center was one of his largest and most celebrated projects. But this sprawling complex of seven-interconnected skyscrapers poses some difficult questions for urban planners today: can downtown Detroit ever fully recover from this mammoth and ill considered development? And, more importantly, why haven’t other cities learned from its clear and stark lessons?
Joel Carlos Borges Street, in São Paulo, was transformed overnight to improve road safety, including enlarging the pedestrian area.
In 2015, the world community pledged to decrease half the number of deaths and grave injuries caused by traffic accidents by 2020. However, more than 3,200 deaths caused by collisions occur every day, and with the growing number of vehicles, that number can triple by 2030.
https://www.archdaily.com/901685/from-china-to-colombia-5-cities-that-made-their-streets-safer-with-urban-designNikita Luke e Ben Welle
Florian Marquet, an architect based in Shanghai, recently released a proposal to rethink urban life through autonomous mobile living spaces. Dubbed 'the org’, his project aims to reconsider the housing market's status quo and provide a more balanced model for urban living across ages. The modular system would respond to user needs with a range of programs, from green farming and kitchen units to flexible work areas and sleeping quarters. Made for easy fabrication, the units could be ordered instantly via an app.
What does the Parisian park look like? For many, the answer to that question comes in the form of a painting: Georges Seurat’s ASunday Afternoon on the Island of La Grande Jatte, in which the well-dressed bourgeoisie leisurely enjoy a natural oasis on a verdant island within their industrializing city.
via Wikimedia. ImageDom Luis Bridge / Porto, Portugal
An unfortunate fact of the AEC (architecture, engineering, and construction) industry is that, between every stage of the process—from planning and design to construction and operations—critical data is lost.
The reality is, when you move data between phases of, say, the usable lifecycle of a bridge, you end up shuttling that data back and forth between software systems that recognize only their own data sets. The minute you translate that data, you reduce its richness and value. When a project stakeholder needs data from an earlier phase of the process, planners, designers, and engineers often have to manually re-create that information, resulting in unnecessary rework.
Are you in the market for a new home? If so, you may want to consider looking at a former parking garage, because they just might be the next place where developers are looking to build. In the United States alone, there are more than 500 million parking spots for 326 million citizens, covering approximately 2,500 square miles of land. Despite the push for a "car-free" future, more of these structures keep springing up across the country. If cities are building parking garages to support the need for the cars of today, how might we rethink their design so they can outfit the autonomous vehicle ambitions of tomorrow?
1. Abstract: Food is one of the most fundamental elements of human existence. Looking back, the way we produce, store and consume food has evolved greatly. Humans have thrived because our ancestors learnt how to gather, produce and consume food, all with their bare hands. And mankind has sustained due to these crucial elements of knowledge passed through generations. With industrialization came mass production, and with mass production came an influx of consumers - who started paying instead. Skills and crafts related to agriculture and food production are now mostly obsolete in the urbane environment. Mass consumerism through supermarkets and even
In anticipation of the 2018 Conscious Cities Festival this October, we are delighted to announce an open call for submissions to its official publication - showcasing the diverse and impactful thinking by Conscious Cities practitioners.
For this issue, we are soliciting submissions related to the Conscious Cities manifesto from both festival participants and the general public. Festival participants have the freedom to submit any piece of work, regardless of what they plan to present. Casting this wide net will not only further demonstrate the vital and diverse work being done within the Conscious Cities movement, but also serve as a way
In his ongoing photo-series "Façades," French photographer Zacharie Gaudrillot-Roy a series of images in which he removes the mass and depth of buildings, and leaves behind the mere fragments of exterior skin. The photos, which resemble deserted Hollywood sets, illustrate roadways, towns, apartment complexes, and other environments without giving away the ideas of anything beyond the superficial image of the facade—leaving much to the imagination.
Henning Larsen has released images of their proposed urban development for the historic Imperial Shipyard at Gdansk, Poland. The 4.3million-square foot (400,000-square-meter) development seeks to transform the shipyard, built in 1844, into a “powerful financial and social engine building a thriving, mixed-use, inner-city neighborhood by the waterfront that is alive around the clock.”
The old industrial site has played a central role in the economic development of both Gdansk and Poland, serving as a key shipbuilding hub on the Baltic Coast. Through creating spines of public life centered on pedestrian/bicycle-friendly streets, Henning Larsen seeks to maintain the shipyard’s strong presence through waterfront living, work, and recreation.
The Chinese Culture University, Taiwan, in collaboration with the municipality of Maccagno con Pino e Veddasca, Italy, is offering to a limited number of architecture and landscape architecture students the opportunity to take part in a seven-day design workshop in Maccagno, organized by the Landscape architecture department, College of Environmental Design, the Chinese Culture University as part of the CCU summer 2018 workshops program. This workshop is the third and last installment of the collaboration between CCU and the municipality of Maccagno con Pino e Veddasca, that began with the August 2016 workshop and repeated with the August 2017 workshop, involving more than 50 students.
Have you ever dreamed of crossing from Midtown Manhattan to Brooklyn in just a few leisurely steps? These lofty ambitions are made possible on the New York City Carpet from South African studio Shift Perspective. Not literally though, unfortunately.
As part of our 2018 Venice Architecture Biennale coverage we present the proposal for the Austrian Pavilion. Below, the participants describe their contribution in their own words.
Cities are largely defined by their public spaces. It is here that a range of user expectations come together. The aim of urban design is to find a balance, to act with an eye to the future and cities are largely defined by their public spaces. It is here that a range of user expectations come together. The aim of urban design is to find a balance, to act with an eye to the future and to increase the attention given to public space. Public space is social space. And this is precisely why design is so important. In terms of architectural language, the quality of public space is defined by the balance between space and place, by convincing materials and by major urban design signals as much as by spontaneous and informal gestures. And, always, by high aesthetic aspirations.
.jpg?1533397440 "© <a href='https://upload.wikimedia.org/wikipedia/commons/f/f6/Parc_de_La_Villette_%40_Paris_%2828926264776%29.jpg'> Creative Commons User Guilhem Vellut</a> licensed under <a href=’https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>")
.jpg?1533397475 "© <a href='https://upload.wikimedia.org/wikipedia/commons/d/d2/Folie_N8_%40_La_Villette_%40_Paris_%2833893431256%29.jpg'> Creative Commons User Guilhem Vellut</a> licensed under <a href=’https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>")
.jpg?1533397559 "© <a href='https://upload.wikimedia.org/wikipedia/commons/b/b4/Canal_%40_La_Villette_%40_Paris_%2833091237904%29.jpg'> Creative Commons User Guilhem Vellut</a> licensed under <a href=’https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>")
