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Denise Scott Brown

Denise Scott Brown's Photography from the 1950s and 60s Unveiled in New York and London Galleries

10:00 - 6 November, 2018
Denise Scott Brown's Photography from the 1950s and 60s Unveiled in New York and London Galleries, Courtesy of carriage trade, photo: Nicholas Knight.
Courtesy of carriage trade, photo: Nicholas Knight.

An exhibition has opened at New York’s Carriage Trade Gallery celebrating the photography of Denise Scott Brown, highlighting the significance of pop art in the American vernacular. The project was initiated by Scott Brown, and first exhibited in Venice in 2016, with the latest events in London and New York initiated by PLANE-SITE.

The exhibition, titled “Photographs 1956-1966” is co-curated by Andres Ramirez, with 10 photographs selected, curated, and featured for limited sale. As well as being on display at the Carriage Trade Gallery, a concurrent exhibition is taking place in the Window Galleries at Central Saint Martins, University of the Arts, London.

Courtesy of carriage trade, photo: Nicholas Knight. Courtesy of carriage trade, photo: Nicholas Knight. Courtesy of carriage trade, photo: Nicholas Knight. Courtesy of carriage trade, photo: Nicholas Knight. + 24

Robert Venturi and the Difficult Whole: How Architecture's Enfant Terrible Changed Design Forever

09:30 - 4 October, 2018
Robert Venturi and the Difficult Whole: How Architecture's Enfant Terrible Changed Design Forever

This article was originally published on CommonEdge as "Robert Venturi and the Difficult Whole."

Robert Venturi (1925-2018) was the most influential American architect of the last century, though not primarily for his built work, or because of his stature as a designer. He will never stand beside Wright, or Kahn, or even Gehry in that regard. Between 1965 and 1985 he and his collaborator, Denise Scott Brown, changed the way all architects look at buildings, cities, and landscapes, much in the way that Marshall McLuhan, Bob Dylan and Andy Warhol changed our view of art, media, and popular culture during the same period.

I worked with Bob Venturi during my apprenticeship in the 1970s; I also grew up with his books, buildings and paternal influence. He and my father were one year apart; Denise is the same age as my mother.

AD Classics: Sainsbury Wing, National Gallery London / Venturi Scott Brown

16:30 - 3 October, 2018
AD Classics: Sainsbury Wing, National Gallery London / Venturi Scott Brown, The Sainsbury Wing as seen from Trafalgar Square. Image © Valentino Danilo Matteis
The Sainsbury Wing as seen from Trafalgar Square. Image © Valentino Danilo Matteis

Venturi Scott-Brown’s National Gallery Sainsbury Wing extension (1991) was born into a precarious no-man’s land between the warring camps of neo-Modernists and traditionalists who had been tussling over the direction of Britain’s cities for much of the prior decade. The site of the extension had come to be one of the most symbolic battlefields in British architecture since a campaign to halt its redevelopment with a Hi-Tech scheme by Ahrends Burton Koralek had led to that project’s refusal at planning in 1984.

The 'Echo Façade'. Image © Valentino Danilo Matteis Ground floor lobby with rustication. Image © Valentino Danilo Matteis © Valentino Danilo Matteis Stairway. Image © Valentino Danilo Matteis + 17

This Week in Architecture: What Makes a Place?

09:30 - 29 September, 2018
This Week in Architecture: What Makes a Place? , Courtesy of Es Devlin
Courtesy of Es Devlin

It’s well understood that a sense of place is an essential value for people, architecture, and cities. Everyone from designers to planners to city governments speak breathlessly of the power of places to transform cities for the better - but it’s not clear what placemaking really means.

“We Learn From the Ordinary as Well as From the Extraordinary”: Robert Venturi and Denise Scott Brown

09:30 - 24 September, 2018
“We Learn From the Ordinary as Well as From the Extraordinary”: Robert Venturi and Denise Scott Brown, Best Products Showroom, Langhorne, Pennsylvania (1978). Image © Tom Bernard
Best Products Showroom, Langhorne, Pennsylvania (1978). Image © Tom Bernard

There are so many complexities and contradictions in life in general and architecture in particular. I am writing this intro to an interview I held in 2004 with Robert Venturi and his life-and-architecture partner Denise Scott Brown, while visiting Beijing’s Tsinghua University where I was invited to teach this fall. Was it simply a coincidence when, at the last moment before leaving my New York City apartment I would, almost by chance, grab a 2001 issue of Architecture magazine with Venturi on its cover and his contradictory quote, “I am not now and never have been a postmodernist.

I learned of Venturi's passing last week on my first day of teaching at Tsinghua; the news arrived as I and the students discussed their proposals to improve their campus. In yet another strange coincidence, Venturi and Scott Brown had, just prior to our interview, been working on their own proposal for the very same campus. It was a pleasant and bittersweet surprise then to hear my students speak of freeing up the campus in much the same ways as Venturi's Complexity and Contradiction in Architecture attacked then domineering architecture of minimalism and abstraction over 50 years ago.

His and Scott Brown’s ideas for this campus did not materialize but their analytical and often rebellious thinking greatly influenced how students here and architects all over the world approach architecture. It was Venturi who freed our discipline, it was him who set us all free and encouraged to ask our own questions, to get away from all kinds of dogmas and to provoke ideas of hybridization. What follows is an excerpt from my conversation with the architects at their office in Philadelphia 14 years ago.  

“We Learn From the Ordinary as Well as From the Extraordinary”: Robert Venturi and Denise Scott Brown “We Learn From the Ordinary as Well as From the Extraordinary”: Robert Venturi and Denise Scott Brown “We Learn From the Ordinary as Well as From the Extraordinary”: Robert Venturi and Denise Scott Brown “We Learn From the Ordinary as Well as From the Extraordinary”: Robert Venturi and Denise Scott Brown + 13

This Week in Architecture: Complexity and Contradiction

09:30 - 21 September, 2018
This Week in Architecture: Complexity and Contradiction, © Denise Scott Brown
© Denise Scott Brown

Robert Venturi - and the postmodernist movement he helped to form - was occasionally a divisive figure. For hardcore modernists, the referencing of prior styles was an affront to the future-facing architecture they had tried to promote. For traditionalists, the ebullient and kitschy take on classicism was an insult to the elegance of the past.

Sin City Embellishment: Expressive or Kitsch?

09:30 - 20 September, 2018
Sin City Embellishment: Expressive or Kitsch?, Randy’s Donuts shop and sign (a “decorated shed”) by Extra Medium (CC BY 2.0). Image via 99 Percent Invisible
Randy’s Donuts shop and sign (a “decorated shed”) by Extra Medium (CC BY 2.0). Image via 99 Percent Invisible

Though the Las Vegas Strip may be garish to some, with its borderline intrusive décor and “pseudo-historical” architecture, some professional architects, most notably Robert Venturi and Denise Scott-Brown, have become captivated by the “ornamental-symbolic elements” the buildings present. The two architects developed the curious design distinction between a “duck” and a “decorated shed”, depending on the building’s decorative form. In his essay for 99% Invisible, Lessons from Sin City: The Architecture of “Ducks” versus “Decorated Sheds”, Kurt Kohlstedt explores how the architects implemented their knowledge of ornamentation in their own works and began an architectural debate still ongoing today.

Vanna Venturi House by Robert Venturi featuring playful and non-structural ornamentation. Image via 99 Percent Invisible Longaberger Basket Building image by Barry Haynes (CC BY-SA 3.0). Image via 99 Percent Invisible Guild House by Venturi, Scott Brown and Associates. Image via 99 Percent Invisible “Duck” versus “decorated shed, with Big Duck in Long Island (upper right). Image via 99 Percent Invisible + 5

Denise Scott Brown to Receive the 2018 Soane Medal

16:00 - 7 September, 2018
Denise Scott Brown to Receive the 2018 Soane Medal, Denise Scott Brown in front of The Strip, Las Vegas, NV, US, 1966, Photo by Robert Venturi, courtesy of Venturi, Scott Brown and Associates, Inc.
Denise Scott Brown in front of The Strip, Las Vegas, NV, US, 1966, Photo by Robert Venturi, courtesy of Venturi, Scott Brown and Associates, Inc.

Next month, American architect Denise Scott Brown will receive the 2018 Soane Medal, an award given to "architects who have made a major contribution to their field, through their built work, through education, history and theory." A powerhouse jury that included Sir David Chipperfield, Paul Goldberger, Farshid Moussavi, Alice Rawsthorn, Oliver Wainwright selected Scott Brown for the second edition of the award. The 2017 Soane Medal was given to Rafael Moneo.

Sir David Chipperfield, Trustee of Sir John Soane’s Museum, said: ‘The jury considered many outstanding candidates; however Denise Scott Brown stood apart and was the jury’s unanimous choice. Scott Brown’s contribution across architecture, urbanism, theory and education over the last fifty years has been profound and far-reaching. Her example has been an inspiration to many, and we are delighted to honour her with the awarding of the Soane Medal.’

Preservationists and Critics Aim to Save Museum of Contemporary Art San Diego

16:00 - 16 August, 2018
Preservationists and Critics Aim to Save Museum of Contemporary Art San Diego, Museum of Contemporary Art San Diego. Image © Phillipp Scholz Rittermann
Museum of Contemporary Art San Diego. Image © Phillipp Scholz Rittermann

The Museum of Contemporary Art San Diego recently released plans to begin demolition on a portion of its La Jolla building designed by Robert Venturi and Denise Scott Brown. Aiming to expand and renovate, the museum is facing mounting criticism from a range of architects, critics and historians. The new plan calls for Venturi Scott Brown's exterior colonnade into Axline Court to be removed, and for the museum's neon-accented entry atrium to be repurposed as a public gathering space. With a part of the colonnade already removed, critics have signed an open letter hoping to save VSB's work.

Museum of Contemporary Art San Diego. Image © Phillipp Scholz Rittermann Museum of Contemporary Art San Diego. Image © Phillipp Scholz Rittermann Museum of Contemporary Art San Diego. Image © Phillipp Scholz Rittermann Museum of Contemporary Art San Diego. Image © Phillipp Scholz Rittermann + 9

Spotlight: Robert Venturi and Denise Scott Brown

10:30 - 25 June, 2018
Spotlight: Robert Venturi and Denise Scott Brown, Franklin Court, Philadelphia. Image © Mark Cohn
Franklin Court, Philadelphia. Image © Mark Cohn

Through their pioneering theory and provocative built work, husband and wife duo Robert Venturi (born June 25, 1925) and Denise Scott Brown (born October 3, 1931) were at the forefront of the postmodern movement, leading the charge in one of the most significant shifts in architecture of the 20th century by publishing seminal books such as Complexity and Contradiction in Architecture (authored by Robert Venturi alone) and Learning from Las Vegas (co-authored by Venturi, Scott Brown and Steven Izenour).

The Often Forgotten Work of Denise Scott Brown

08:00 - 5 June, 2018
The Often Forgotten Work of Denise Scott Brown, Courtesy of Robert Venturi
Courtesy of Robert Venturi

There’s something irresistible about Robert Venturi and Denise Scott Brown’s architectural romance. They met when they were both young professors at the University of Pennsylvania; Scott Brown held seminars in city planning, and Venturi gave lectures in architectural theory. As the story goes, Scott Brown argued in her first faculty meeting that Frank Furness’ masterful Venetian gothic library should not be torn down to build a plaza (then a dissenting opinion). Venturi approached her after the meeting, offering his support. As Paul Goldberger wrote of the couple in 1971, “as their esthetic viewpoints grew closer and closer, so did their feelings toward each other.” Architecture lovers can’t help but love the architect-lovers.

Love in Las Vegas: 99% Invisible Illuminates Robert Venturi and Denise Scott Brown’s Postmodern Romance

08:00 - 24 May, 2018
Love in Las Vegas: 99% Invisible Illuminates Robert Venturi and Denise Scott Brown’s Postmodern Romance, © <a href='https://www.publicdomainpictures.net/en/view-image.php?image=223416&picture=las-vegas-at-night'>Public Domain user Jean Beaufort</a> licensed under <a href='https://creativecommons.org/publicdomain/zero/1.0/'>CC0 Public Domain</a>
© Public Domain user Jean Beaufort licensed under CC0 Public Domain

Which building is better, the duck or the ornamented shed? More importantly, what kind of architecture does the average American prefer? In their landmark 1972 publication Learning From Las Vegas, Denise Scott Brown and Robert Venturi probed these questions by turning their back on paternalistic modernism in favor of the glowing, overtly kitsch, and symbolic Mecca of the Las Vegas strip. From a chance encounter during a meeting in the Library of Fine Arts at the University of Pennsylvania and shared trips to the strip to critically shaping a new generation of architects, discover the hidden details of the romance and city that defined postmodernism in this latest episode from 99% Invisible.

Paving the Way: Celebrating a Centenary of Women at London's Architectural Association

04:00 - 14 November, 2017
Paving the Way: Celebrating a Centenary of Women at London's Architectural Association, Winifred Ryle, Ruth Lowy, Gillian Cooke, and Irene Graves. Image © Architectural Association (AA XX 100)
Winifred Ryle, Ruth Lowy, Gillian Cooke, and Irene Graves. Image © Architectural Association (AA XX 100)

This short essay was written by Elizabeth Darling and Lynne Walker, the curators of AA XX 100 a multi-media project celebrating the centenary of women in London's Architectural Association (1917-2017).

Zaha Hadid, Amanda Levete, Patty Hopkins, Denise Scott Brown, and Minnette de Silva are familiar names of women who were products of the Architectural Association School of Architecture (AA). Less familiar are the women who paved the way for the global careers of these architecture superstars.

Established in 2013, the AA XX 100 project was initiated to tell the story of women at the AA, with the aim of commemorating the centenary (this year) of their admission to the school with an exhibition, book, and international conference. When the project began we didn't know the names of the first students but, four years on, we do, and in telling their story—and that of the generations of women who followed them—we see that their history is at once a history of the AA and architectural education, as well as a history of British and world architecture across the 20th and 21st Centuries.

Denise Scott Brown Wins 2017 Jane Drew Prize

06:00 - 8 February, 2017
Denise Scott Brown Wins 2017 Jane Drew Prize, © Robert Venturi
© Robert Venturi

Denise Scott Brown has won the 2017 Jane Drew Prize, an award that recognizes an architectural designer who has “raised the profile of women in architecture” through their work and commitment to design excellence, as a part of The Architectural Review’s (AR) Women in Architecture Awards.

Scott Brown’s receipt of the prize is a culmination of the grassroots drive to see her contribution to the profession adequately recognized – a movement that sprung from the Women in Architecture campaign in 2013–a quarter of a century after her partner Robert Venturi was awarded the Pritzker.

“Things have happened which have made me very happy in my old age and one of those is this prize,” said Scott Brown.

Previous winners of the Drew prize, named after advocate Jane Drew, include Odile Decq, Yvonne Farrell, Shelley McNamara, and Zaha Hadid.

8 Short Architectural Texts You Need To Know

09:30 - 14 November, 2016
© Sharon Lam, using an image by <a href='https://commons.wikimedia.org/wiki/File:Adolfloos.2.jpg'>Wikimedia user Martin H.</a> licensed under Public Domain
© Sharon Lam, using an image by Wikimedia user Martin H. licensed under Public Domain

Update: We've added links to help you find these books for purchase and, in 5 of 8 cases, tracked down a way you can read them online for free!

Quality over quantity, so the saying goes. With so many concepts floating around the architectural profession, it can be difficult to keep up with all the ideas which you're expected to know. But in architecture and elsewhere, the most memorable ideas are often the ones that can be condensed textually: “form follows function,” “less is more,” “less is a bore.” Though slightly longer than three words, the following lists a selection of texts that don’t take too long to read, but impart long-lasting lessons, offering you the opportunity to fill gaps in your knowledge quickly and efficiently. Covering everything from loos to Adolf Loos, the public to the domestic, and color to phenomenology, read on for eight texts to place on your reading list:

Machine Learning from Las Vegas – Volume #49: Hello World!

04:00 - 20 October, 2016
Machine Learning from Las Vegas – Volume #49: Hello World!, Aspen Movie Map application and interface, Architecture Machine Group, MIT, 1978. Image © Volume
Aspen Movie Map application and interface, Architecture Machine Group, MIT, 1978. Image © Volume

The following essay by Pierre Cutellic was first published by Volume Magazine in their 49th issue, Hello World! You can read the Editorial of this issue, Going Live, here.

The relevant revolution today is the current electronic one. Architecturally, the symbol systems that electronics purveys so well are more important than its engineering content. The most urgent technological problem facing us is the humane meshing of advanced scientific and technical systems with our imperfect and exploited human systems, a problem worthy of the best attention of architecture's scientific ideologues and visionaries.

—Robert Venturi, Denise Scott Brown, Steven Izenour, Learning from Las Vegas

Denise Scott Brown On the Past, Present and Future of VSBA's Groundbreaking Theories

09:30 - 7 October, 2016
Denise Scott Brown On the Past, Present and Future of VSBA's Groundbreaking Theories, Franklin Court, Philadelphia (1976). Image © Mark Cohn
Franklin Court, Philadelphia (1976). Image © Mark Cohn

Through their books, theories and design projects, there's no doubt that Denise Scott Brown and Robert Venturi dramatically altered the course of architecture at the end of the Modernist period. In this interview conducted at the Harvard Graduate School of Design in 2013, Shalmali Wagle and Alen Žunić talk with Scott Brown about the origins of the groundbreaking theories that underpinned the work of Venturi Scott Brown and Associates, what she is working on now, and her hopes for the future of the profession.

When you decided to practice architecture, was there a second option? What could have been your alternate career?

Because my mother had studied architecture, I wanted as a child, to be an architect, and as she drew a great deal for us, I spent much of my preschool life drawing and painting. In grade school I loved my teachers and wanted to do what they did. And in middle school I wanted to write, study languages, travel, and perhaps be a librarian—a career I saw as appropriate to my interests and open to women. But on entering architecture school, I saw only men there (5:60 was the ratio everywhere, until almost 1980). But the architects I knew were women, so I had thought it was a female's profession. "What are all these men doing in the studio?" I asked myself. When I was 40 I looked back and realized I had had all the roles I hoped to have but within the framework of architecture.

GAA Foundation and PLANE—SITE Create Video Interviews with Architects for the Venice Biennale

16:00 - 12 May, 2016

The Global Arts Affairs Foundation (GAA), in collaboration with PLANE—SITE, is releasing a series of video interviews with architects to be shown as part of the TIME SPACE EXISTENCE Exhibition at the 2016 Venice Architecture Biennale. At the start of Denise Scott Brown's interview, the architect declares,"I've fought to make buildings useful and beautiful, and in that order." In her segment, Scott Brown elaborates on the need for architects to consult multiple precedents to be most effective, the view that photography has become a sub-discipline of architecture, and her position as a role model for young female architects. For her complete perspective, watch Scott Brown's interview, and read on for a complete list of the other interviewees.