Many buildings often fall into disuse due to our cities' constant economic, social, and technological changes. The programmatic inconsistency of current times demands great versatility and adaptability from our infrastructures, increasingly leading projects to become uninhabited, and left to abandonment and decay.
Next, we present a series of 20 Latin American projects in which old warehouses, homes, prisons, mills, and markets were recovered and transformed into Cultural Centers, Museums, and Galleries.
Throughout the city's history, buildings have changed their use and function, which is inevitable, as each era presents unique issues and requirements. Factors such as housing types, population density in specific areas, and the emergence of new businesses and services reshape the cityscape, often outpacing the adaptability of existing structures. Therefore, revitalizing or rehabilitating buildings is logical but also necessary to meet the demands of a changing landscape.
Digitization has revolutionized the way we experience art on platforms like SINGULART, which combines multiple influences from various artists.. Image Courtesy of SINGULART
The relationship between art and architecture is a recurring topic of discussion, seeing as architecture can be positioned at the intersection of structure, technology, and aesthetics. Despite the utilization of technical knowledge, architecture, and interior design also incorporate artistic concepts into their processes. From captivating illustrations during the design development phase to murals and artistic pieces that form an integral part of spatial conception, art plays an essential role in architectural production and society.
In the context of contemporary society, many of our activities are carried out digitally, from booking accommodation for travel to manufacturing materials and creating art exhibitions. In this sense, digitalization has also permeated the art world, conceiving initiatives like SINGULART, which challenges the traditional concept of art galleries by existing in a digital format. This platform combines works from various sources of inspiration and artistic techniques, encompassing everything from sketches and paintings to architectural photography. It fuses multiple influences from various contexts, including architectural work.
https://www.archdaily.com/1006625/from-sketch-to-painting-a-digital-art-gallery-to-inspire-everyday-architectural-workEnrique Tovar
Pearl Gallery Renders. Image Courtesy of CHYBIK + KRISTOF
CHYBIK + KRISTOF architecture studio has been announced as the competition winners for a new cultural landmark that will transform and re-activate public space in Ústí nad Orlicí, Czech Republic. This former textile factory will be converted into a multifunctional cultural hub available to the public. The newly revitalized building will contribute to the existing cultural infrastructure, located near the main square of the city.
Courtesy of Play-Time, Art Gallery of Ontario, Diamond Schmitt, Selldorf Architects and Two Row Architect.
The Art Gallery of Ontario (AGO) has announced an expansion project designed by Diamond Schmitt, Selldorf Architects and Two Row Architect. The Dani Reiss Modern and Contemporary Gallery design will increase the museum’s gallery space by 40,000 square feet, with 13 new galleries across five floors.
The exterior façade of the extension will quietly complement the AGO’s existing built environment, respecting the scale of the surrounding neighborhood. Sitting one story above AGO’s existing loading dock, the Dani Reiss Modern and Contemporary Gallery will be nestled between the AGO and OCAD University. It will connect the existing galleries from four locations, substantially improving visitor circulation in and around the museum.
The Bilbao Fine Arts Museum remodeling and expansion project was attributed to Foster + Partners following an international competition in 2019. Now the construction phase was initiated with a breaking ground ceremony on November 17th. The project includes the restoration of the existing 20th-century building and the expansion of the currently available spaces with a new public atrium and a contemporary art gallery organized in a floating pavilion. The design also highlights the relationship between the city and the museum by creating a new pedestrian path that runs from north to south. The path connects the original 1945 building, the 1970s extension, and a new visitor center while making the site more permeable at the street level.
Updated exterior view. Image Courtesy of Selldorf Architects
Selldorf Architects have released a revised version of the plans to remodel the National Gallery and the Sainsbury Wing, both classified as Grade-I-listed monuments. Sainsbury Wing is also the recipient of the 2019 AIA Twenty-five Year Award. The plans for the Sainsbury Wing, designed by Robert Venturi and Denise Scott Brown and opened in 1991, have faced intense criticism, with former RIBA Journal editor Hugh Pearman calling the remodeling plans “unnecessarily destructive”. The plans to remodel were first revealed earlier this year as part of the NG200 Project to celebrate the National Gallery’s bicentennial in 2024. The project proposes the remodeling of the Sainsbury Wing’s front gates, ground-floor entrance sequence, lobby, and first-floor spaces.
Hexton Gallery has announced the opening of “Christo and Jeanne-Claude: Ephemeral Nature,” a curated exhibition that showcases never-seen-before works from Christo and Jeanne-Claude's private collection. The exhibition will feature an extensive selection of original drawings, collages, and wrapped objects from the couple's private collection, many of which have never been shown to the public until now. The gallery, in collaboration with the Aspen Institute and the Christo and Jeanne-Claude Foundation have also launched a year-long program focused on the artists’ pioneering impact on environmental art, celebrating the 50th anniversary of their 1972 Valley Curtain project in Rifle, Colorado.
For sixty years, Le Corbusier used a wide variety of media to explore the themes and forms of his art, ranging from drawing to urbanism and including painting, architecture, and sculpture. He first discovered tapestry in 1936, in response to a request from Marie Cuttoli, who was then commissioning artworks woven in a factory in Aubusson from modern painters. However, it was twelve years later that he expressed his interest in producing woven artworks based on his drawings and found his way to this city in central France, where a true renaissance of tapestry had begun, at the initiative of Jean Lurçat and Jean Picart Le Doux.
Despite its dazzling collection of masterpieces, London’s National Gallery has been cursed with a series of ill-advised architectural schemes over its two-century existence. Only once have its leaders made a truly inspired and visionary choice: in the mid-1980s, the gallery held a competition, won by Venturi, Rauch and Scott Brown (VRSB) of Philadelphia, to build a special collections building.
The addition was constructed from 1988 to 1991, using funds donated by the Sainsbury family as a gift to the nation and was immediately hailed as one of the finest buildings of its type erected in the 20th century. It has remained popular with Londoners and has served well as an expansion of William Wilkins’s undistinguished classical building ever since. Experts on the work of Robert Venturi, John Rauch, and Denise Scott Brown consider it one of their masterpieces. Apparently, the National Gallery has a different opinion.
https://www.archdaily.com/985449/in-london-a-venturi-scott-brown-masterpiece-is-threatenedMark Alan Hewitt
Gagosian Gallery Parishas announced an exhibition dedicated to Christo, presented in collaboration with the artist’s estate. Featuring sculptures made in Paris between 1958 and 1963, the exhibition features the earliest examples of Christo’s wrapped objects and barrel structures, many of which are exhibited for the first time, along with key works from his rarely shown Surfaces d’Empaquetage and Cratères series. The exhibition is open to the public on June 10, displayed across two floors of Gagosian’s rue de Ponthieu gallery, near Christo’s first Paris studio.
Australian architecture firm Angelo Candalepas and Associates has been selected by the Victorian Government and the National Gallery of Victoria to design NGV Contemporary, Australia’s largest gallery dedicated to contemporary art and design. The 30,000 sqm Victorian landmark will feature dramatic arched entries, a 40-metres-high spherical hall, more than 13,000 sqm of exhibition galleries, and an expansive rooftop terrace and sculpture garden overlooking Melbourne.
It's not uncommon to see housing complexes integrate commercial spaces at the ground level, but the challenge of mediating between the private and public realm on a smaller scale, especially with the rise of the home office, has forced architects to explore all aspects of the structure, from the topography it sits on, to the direction of light and wind, to the design and organization the domestic space. This interior focus explores different design solutions that show how architects and interior designers transformed their projects from a living space into a mixed-use typology, taking into account privacy, flexibility, functionality, and predefined spatial requirements.
Zaha Hadid Architects have presented "NFTism", a virtual art gallery at Art Basel Miami that explores architecture and social interaction in the metaverse. The gallery features spatial designs created by ZHA that focus on user experience, social interaction, and "dramaturgical" compositions, combined with MMO (massively multiplayer online game) and interaction technological services.
Renovation works of Mies van der Rohe’s Neue Nationalgalerie in Berlin are in their final phase. Overseen by David Chipperfield Architects, the restoration was much needed after almost 40 years. Set to reopen in the summer of 2021, the concrete, steel, and glass landmark, dedicated to culture and the fine arts, is in fact Mies van der Rohe’s only work in Germany after World War II.
With museums in Stockholm, New York, and Tallinn, Fotografiska has announced plans to launch its fourth space in Berlin. Expected in 2022 in the Kunsthaus Tacheles to be renovated by Herzog & de Meuron, the contemporary Swedish photography museum will cover over 59,000 square feet.
