In the European Cultural Center’s biennial exhibition, students from North Carolina State University’s College of Design worked alongside Curtis Fentress, Ana-Maria Drughi, and Joshua Stephens of Fentress Architects to propose innovative concepts for reshaping air travel. PLANE—SITE’s latest film from their series of short videos of the Time-Space-Existence exhibition showcases this design collaboration.
The European Culture Center’s Time Space Exhibition during the Venice Biennale 2018 features a new short film depicting the spatial qualities of light in architectural design, both as a material and metaphor.
This collaboration between architect and professor Jorge L. Hernández and photographer Carlos Domenech explores their endeavors in providing a lighting-based design solution for the Williamsburg, Virginia courthouse. Battling the issues of security and privacy of the court with the need for natural daylight, Hernández recreated the cupola, a vernacular roof turret intended for ventilation for illumination instead. Light, entering the courtroom from above, transforms the previously dull space and becomes, “an allegory for justice.”
This collaboration between architect and professor Jorge L. Hernández and photographer Carlos Domenech explores their endeavors in providing a lighting-based design solution for the Williamsburg, Virginia courthouse. Battling the issues of security and privacy of the court with the need for natural daylight, Hernández recreated the cupola, a vernacular roof turret intended for ventilation for illumination instead. Light, entering the courtroom from above, transforms the previously dull space and becomes, “an allegory for justice”.
A new short film by the non-profit organization AERIAL FUTURES explores the complex relationships between cities and their airports. In conjunction with New York's AERIAL FUTURES: Urban Constellations think tank, this video asks how cities can be imagined collectively to improve both urban life and future travel capabilities. The film features several experts who discuss the challenges and opportunities for the future of New York City’s airports and supporting infrastructure, drawing on the think tank’s focus of urban design and digital interfaces.
How do we want to live? Should we lean towards a turbulent metropolitan life with an all-inclusive advantage, or should we favor the composed suburban life with sufficient services? What if architects and urbanists were able to implement some of these all-inclusive services into disregarded areas of the suburbs? In the latest installment of PLANE—SITE’s short video series of the Time-Space-Existence exhibition, Louise Braverman Architect, a New York-based firm, explores the utopic and dynamic vision of the future of suburbs, and how Hyperloop technology could breathe a new life into these often overlooked places.
In the latest installment of PLANE—SITE’s short video series Time-Space-Existence, French architect Odile Decq gives this advice to young designers: be bold. “If you want to build and create the new century, you have to have people who have people who have specific personalities. I love when people express themselves strongly and very clearly.”
Continuing their Time-Space-Existence series of monthly videos leading up to this year’s Venice Biennale, PLANE—SITE have released a new conversation with architect and former Harvard GSD chair of architecture Toshiko Mori. Each video highlights the ideas that drive the work of well-known designers, with this episode focusing on Mori’s philosophy of visual communication, dialogue with history and considering the future in her work.
In their latest video from the Time-Space-Existence series, PLANE—SITE features acclaimed conceptual artist Lawrence Weiner and his ideas regarding the relationship between people and material objects, language as a gesture, and making art accessible to the public. Lawrence Weiner is known for his typographical art applied onto elements of the built environment, and he describes how architecture itself can become an alternative space to present art.
In PLANE-SITE's latest video from their Time-Space-Existence series, Daniel Libeskind describes his work in relation to Shakespeare's quote that "time is out of joint." Weaving in his philosophy regarding time, memory and architecture, Libeskind discusses his seminal works such as the Jewish Museum Berlin and the Ground Zero master plan. These ideas will be transferred to his new project named Facing Gaia, an architectural sculpture to be located in Giardini Marinaressa, which explores the connections between climate, time, space and existence.
While Moshe Safdie may be more well known for the bold forms defining his portfolio of built projects—ranging from the National Gallery of Canada and the horizontal Raffles City Chongqing to the iconic Habitat 67—the architect considers his unbuilt works as important, if not more. Safdie ponders the role of these projects and more in PLANE-SITE’s latest addition to the series Time-Space-Existence.
Begin to understand the inner workings of Fumihiko Maki's architectural mind in PLANE—SITE’s latest short film from their Time-Space-Existence series. Each film focuses on the different principles which drive the practice of famous architects. Maki is known for being experimental with materials and fusing east and west culture.
Get a better understanding of Richard Meier in PLANE-SITE’s latest short film in their series, Time-Space-Existence. The series focuses on the principles behind each architect they feature. Known for his pristine white, geometric buildings, Meier talks about architectural context, timelessness, universal color, and his only black building.
The series acted as a starting point for a conversation between the WAF audience and panelists, moderated by PLANE—SITE’s Andres Ramirez. Panelists included Michel Cova of dUCKS scéno, Tateo Nakajima of Arup, and Jacob Kurek of Henning Larsen.
In the second film from this year's series of PLANE—SITE's Time-Space-Existence videos, Mexican architect Tatiana Bilbao shares her philosophy of how architecture should be designed with the user’s experience in mind, rather than for standalone aesthetic qualities. In the video she discusses how architects should to some extent let go of their artistic intentions for a more practical approach to serve the needs of people, discussing how architecture has become detached from its key purpose over the last fifty years due to the influence of capitalism.
Take a peek into Japanese architect and theorist Arata Isozaki’s studio in the first of PLANE—SITE’s new video series, Time-Space-Existence. In this inaugural film, Isozaki discusses the Japanese concept of the space and time that exists in-between things, called "ma." Especially inspiring is Isozaki’s refusal to be stuck in one architectural style, as he describes how each of his designs is a specific solution born out of the project’s context.
In the past, cities were often constructed in the likeness the public--the built environment reflected citizens and local culture. It is questionable whether this can be said of the modern world. Much construction today is a product of capitalism, generating buildings and areas in which local people have no attachment or sense of agency over. Artist Rafael Lozano-Hemmer believes this to be a fundamental crisis within our cities, and he is committed to reestablishing the relationship and representation of people within urban space. His work is examined in a new short film by PLANE-SITE, titled Public Interruptions.
A building today does not represent a citizen, a building today represents capital.
Aerial Futures: Leading Edge is lively, provocative and interdisciplinary symposium examining the architecture, technologies and cultures of the contemporary airport. Curated by PLANE—SITE and free to attend, this two-day event understands the airport as a choreographed topography of hypermobility, information and cultures, defining how we travel, trade and connect with each other. It marks the threshold between land and sky, as well as sovereign territories. The airport — what the philosopher Giorgio Agamben describes as a ‘zone of exception’ where the ordinary rules no longer apply — is where the definitive issues of the 21st century play out.