The Getty Foundation's Conserving Black Modernism initiative, launched in 2022, represents a pivotal effort to preserve and celebrate the architectural contributions of African American architects in the Modernist movement. This initiative, a partnership with the National Trust for Historic Preservation's African American Cultural Heritage Action Fund, aims to address historical oversight and ensure the legacy of these trailblazing architects is protected for future generations. Over three funding cycles from 2023 to 2025, the program supports conservation planning, professional training, and storytelling to highlight the cultural and architectural significance of these sites.
The Graham Foundation announced awards to organizations worldwide, supporting 38 different projects. The projects range from exhibitions, publications, and other activations serving the public through arts and culture. Together, these projects examine various topics, platforms, and issues in contemporary architecture discourse and showcase the work of architects, artists, curators, designers, educators, and other professionals working with organizations around the world in places like Chicago, Los Angeles, Tijuana, and Beirut.
The Architectural League of New York has announced the winners of its 42nd cycle of the Architectural League Prize for Young Architects + Designers. The theme for this edition of the competition was “Uncomfortable,” asking young designers to contemplate their position while wrestling with many uncomfortable responsibilities, like challenging traditional paradigms, dismantling architectural legacies, grappling with the costs of comfort, or responding to rising ecological concerns.
Established in 1981, the competition is open to young architects and designers in an effort to recognize the visionary work of young practitioners. This year’s theme was developed by the 2023 Young Architects + Designers Committee, which included recent League Prize winners Jose Amozurrutia, Germane Barnes, and Jennifer Bonner. The jury included the committee in addition to Barbara Bestor, Wonne Ickx, Kyle Miller, and Tya Winn.
Ballinger and Ennead Architects have teamed up for the development of Inova Oakville, a new medical facility that will be an extension of Inova Alexandria Hospital. As part of Alexandria’s Oakville Triangle neighborhood redevelopment, the project is a multi-campus initiative of Inova Health System that aims to anchor the facility with the nearby residential developments and Mt. Jefferson park.
Following the Second World War, United States veterans and citizens were seeking a fresh start, a rightful place to live out their modern American dream. With a significant housing shortage looming around and fast-growing families, solutions had to be found to provide equitable living means for all. The development of new construction techniques and propagation of easy building materials promised an age of prosperity.
https://www.archdaily.com/969231/the-evolution-of-the-house-plan-in-the-united-states-post-war-eraAgustina Coulleri, Hana Abdel & Clara Ott
Amazon has just revealed the proposed design for its second headquarters, in Arlington, Virginia, just outside of Washington, D.C. Designed by NBBJ, the project “creates an environment that prioritizes healthy work, celebrates nature and engages the community across multiple scales.” Encompassing 2.8 million square feet of offices, public gathering areas and street-front retail, the intervention aims to create a healthier workforce and community.
Architecture is defined by its humanity. This is especially true in a year defined by the coronavirus pandemic and global calls for social justice. The impact has been felt across sectors, including in higher education. As Architect for the University of Virginia, Alice Raucher advises the university on capital planning and design guidelines. Working to address unique design challenges, Raucher is acknowledging the University's past while planning for the future.
Exterior rendering of Menokin’s “The Glass House Project". Image Courtesy of Machado Silvetti
Menokin Foundation has begun construction on its “Glass House Project”, a new initiative in the preservation of historic landmarks. Protecting what remains from the 1769 house, the intervention will replace missing walls, floors, and sections of the roof with glass. Designed by Machado Silvetti, in collaboration with glass engineer Eckersley O’Callaghan, and landscape designer Reed Hilderbrand, the project will be developed in phases, to be completed in 2023.
Ensuring a platform for everyone, ArchDaily is rounding up, every once in a while, a curated selection from our readers’ submissions. With proposals coming from all over the world, our aim is to feature the best Unbuilt Architecture out there.
In this article, we are highlighting proposals that were awarded the first prize in international competitions. Each one of these projects showcases a unique conceptual approach and responds to a different program. With a mixed-use project in France, a market in Helsinki, an aquarium in New York and a civic building in Norway, to name a few, the variety of these unbuilt interventions underlines the vast scope of the architectural field.
Amazon has selected New York City and Arlington for it's next headquarters, set to become two of the biggest economic development projects in the United States. Instead of choosing one site, Amazon will spread over $5 billion in construction and investments across the two locations. The tech giant will house at least 25,000 employees in each city, and could receive more than $2 billion in tax incentives. The new announcement ends a 14-month competition among cities across the country.
In the past few weeks, the fates of two classic Brutalist buildings by architect Marcel Breuer were determined – with differing results. For the Atlanta Central Library, it was good news, as the Fulton County Board of Commissioners voted unanimously to support the renovation of the building, saving it from the wrecking ball. Meanwhile, the American Press Institute in Reston, Virginia, was not so lucky, as Fairfax County’s board of supervisors voted to tear down the building to make room for a new a townhouse development project.
View of the ICA from the corner of Broad and Belvidere Streets. Image Courtesy of Steven Holl Architects
Virginia Commonwealth University has officially broken ground this week on the Markel Center, the building that will house VCU’s Institute for Contemporary Art. Designed by Steven Holl Architects, the Institute is sited at a busy intersection at the edge of the Richmond campus, and will serve as a gateway between city and university. Inspired by the metaphysical idea of multiple timelines occurring simultaneously, the building will have four galleries which can host individual exhibitions at the same time, or link up to host a single, unified show.
The design/buildLAB at the Virginia Tech School of Architecture + Design has recently released a new documentary by Leon Gerskovic titled Reality Check, a film that chronicles the journey of 16 students as they undergo the design and construction of their Masonic Amphitheatre in Clifton Forge, Virginia. The project was a complete redevelopment of a post-industrial brownfield into a public park and performance space; the video relates how students collaborated with local community and industry experts to bring meaningful architecture to this struggling American rail town.
Recently, we visited the Meulensteen gallery to hear an update on Steven Holl’s latest project in Virginia - the Institute for Contemporary Art at Virginia Commonwealth University. Slated for completion in 2015, the project was presented in a series of Holl’s trademark watercolors and models, complete with a slideshow given by project architect Dimitra Tsachrelia who previously worked on the Glasgow School of Art for the firm. As we shared earlier, the project’s formal gestures are a reaction to its site context along the busy intersection of Richmond at Broad and Belvidere, with the intention to create an open gateway with a building that forks in the X-Y direction to illustrate the “non-linear” path of art, and torques in the Z direction to shape a dynamic volume of circulation. Although the weather was quite unforgiving, those who packed into the gallery enjoyed Tsachrelia’s friendly demeanor as she walked us through the process and progress of the project.
Steven Holl Architects have just unveiledVirginia Commonwealth University’s new Institute for Contemporary Art. With an inviting sense of openness, the building will form a gateway into the University, linking the city of Richmond to the campus. A dynamic architectural promenade will connect the building’s most important spaces, engaging visitors in a variety of changing perspectives. Flexible spaces throughout the building will be capable of accommodating a vast assortment of exhibitions and performances.
Continue after the break for more images and the architect’s project description.
For those of you that enjoyed our post on the Covington Farmers Market you might enjoy visiting an exhibition that features Jeff Goldberg’s images and the students’ bass wood models of the project at The Virginia Center for Architecture in Richmond, Virginia. The exhibition, ”Design 2011: A Retrospective of Winning Work”, will be held from October 20, 2011 – January 8, 2012.
Additionally, design/buildLAB has been invited to give a lecture to coincide with the exhibit. The lecture, ”Teaching Practice”, will be held at the Richmond Convention Center on Thursday November 3rd from 10:45-12:15. For more information visit: http://www.virginiaarchitecture.org/ae_index.html
More images of the project after the break.
https://www.archdaily.com/177512/update-covington-farmers-market-designbuildlabChristopher Henry
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