"The Grand Ballroom" Asllan Rusi sports palace project in Tirana, Albania by MVRDV. Image Courtesy of MVRDV
This week's architecture news highlights a diverse global landscape of design innovation, cultural investment, and adaptive reuse. Across continents, new museums and cultural venues are opening to foster dialogue around art, design, and community engagement. At the same time, major recognitions and project announcements underscore the growing importance of sustainable, socially conscious practices in shaping contemporary architecture. From adaptive transformations in New York, Tainan, and Milan, including preparations for the Milano Cortina 2026 Winter Games, to new cultural landmarks in Ghana and Qatar, this week's overview features projects by leading firms such as Herzog & de Meuron, Snøhetta, and Mecanoo, alongside initiatives from emerging practices like Limbo Accra in West Africa.
Cultural diplomacy refers to the use of cultural expression and creative exchange to foster understanding and build relationships between nations. In this context, architecture has long played a distinctive role. Beyond its functional and aesthetic dimensions, it serves as a medium of communication, a language through which countries express identity, values, and ambition on the global stage.
Architecture operates as a form of soft power — persuasive rather than coercive — enabling nations to project influence through material presence. From modernist embassies in the post-war era to monumental pavilions at world expositions, governments and institutions have recognized the built environment's potential to shape perception. By commissioning prominent architects and adopting specific design languages, countries have used architecture to signal modernity, tradition, innovation, or stability.
Brutalist buildings are a significant component of Washington, D.C.’s architectural identity. In the National Building Museum’s new exhibition, Capital Brutalism, this identity is explored further. Co-organized with the Southern Utah Museum of Art (SUMA), Capital Brutalism is a comprehensive exhibition of Brutalist architecture in Washington, D.C., to date, running until February 17th, 2025.
Art has always been a means for people to connect with space, and art movements have served as a platform for exploring new relationships with architecture. By incorporating art into buildings and interior spaces, they have been transformed, resulting in a fusion that creates beautiful, inspiring, and spiritually uplifting environments. Throughout history, various art movements, such as the Renaissance in the 17th century, Baroque in the 18th century, and Art Nouveau, Art Déco, and Bauhaus in the early 20th century, have had a significant impact on architecture. Architects drew inspiration from the ideals, concepts, stylistic approaches, and techniques of these movements, using them to create large-scale habitable structures. As the home is a fundamental expression of an architectural movement and the simplest canvas to exhibit the artistic ethos of any particular era, studying the interior spaces of houses provides a detailed picture of art's influence on spatial organization, furniture design, product patterns, and user interaction.
The Wassily Chair by Knoll Int. next to the VITRA/Herman Miller Eames Lounge Chair, B&B Italia's Camaleonda Sofa and the VITRA Plastic Side and Fritz Hansen's Egg Chair
In a way, classic furniture is like a mixture between a work of art and a gold bar: it is a safe investment and can often even increase in value with age. In our second selection of design icons from the 20th century, we present Ray and Charles Eames, Marcel Breuer, Arne Jacobsen and Mario Bellini and some furniture pieces from the past century that remain more modern today than ever, in terms of not only design but also comfort. Find out more on the Architonic Platform.
Over the past year, established practices have continued to champion the transformation of existing structures, with adaptive reuse and renovations increasingly becoming a defining aspect of contemporary architecture From the renovation of landmark structures to the adaptive reuse of obsolete facilities, the idea of giving new life to existing buildings has been embraced as the premise for a more sustainable practice, but also as a means of reinforcing the urban and cultural identity of cities. Discover 8 designs and recently completed projects that showcase a new common practice of reusing existing building stock.
Marcel Breuer’s Pirelli Tire Building, a beacon of Brutalist architecture in the United States, is being reimagined as a hotel by development company Becker and Becker. After being abandoned for years, the structure was sold to architect and developer Bruce Redman Becker in 2020 with plans to transform it into a sustainable 165-room hotel. The sculptural concrete structure aims to be a model for passive design hotels using its unique architectural features and innovative adaptive reuse techniques.
Boston City Hall . Image Courtesy of Utile and Reed Hilderbrand
"Demolition is a waste of many things – a waste of energy, a waste of material, and a waste of history,"says Pritzker-winning architect Anne Lacaton. In recent years, refurbishment and adaptive reuse have become ubiquitous within the architectural discourse, as the profession is becoming more aware of issues such as waste, use of resources and embedded carbon emissions. However, the practice of updating the existing building stock lacks consistency, especially when it comes to Brutalist heritage. The following explores the challenges and opportunities of refurbishment and adaptive reuse of post-war architecture, highlighting how these strategies can play a significant role in addressing the climate crisis and translating the net-zero emissions goal into reality while also giving new life to existing spaces.
The 1930s were a pivotal decade for British avantgarde architecture. Despite the relative paucity of modernist buildings being commissioned, by 1937 the country had, for a brief moment, become the epicentre of progressive contemporary architecture in Europe.
This exhibition revisits the impact of three notable Bauhaus émigrés: Walter Gropius, Marcel Breuer and László Moholy-Nagy. Centred on the brief period of 1934-37, when they came to live and work in Britain, it traces this fertile moment in British architectural history and considers where its legacy has had the most enduring impact.
Drawing on the RIBA’s unique and world-class collections, little known and rarely
UPDATE: In honor of the 100th anniversary of the Bauhaus, we’re re-publishing this popular infographic, which was originally published April 16th, 2012.
From the “starchitect” to “architecture for the 99%,” we are witnessing a shift of focus in the field of architecture. However, it’s in the education system where these ideas really take root and grow. This sea change inspired us to explore past movements, influenced by economic shifts, war and the introduction of new technologies, and take a closer look at the bauhaus movement.
Often associated with being anti-industrial, the Arts and Crafts Movement had dominated the field before the start of the Bauhaus in 1919. The Bauhaus’ focus was to merge design with industry, providing well-designed products for the many.
The Bauhaus not only impacted design and architecture on an international level, but also revolutionized the way design schools conceptualize education as a means of imparting an integrated design approach where form follows function.
After the dissolution of the Bauhaus due to Nazi political pressure in April 1933, the ideas, teachings, and philosophies of the school were flung across the world as former students and faculty dispersed in the face of impending war. Of the numerous creative talents associated with the Bauhaus, many went on to notable careers elsewhere. Some made a living as artists or practitioners, others either continued or began careers as teachers themselves - and many did both throughout the course of their lives.
In the latest turn of events for the New York art scene, the Frick Collection has announced that the Met will vacate it's home in Marcel Breuer's Madison Avenue building in 2020. As the Art Newspaper reports, the Frick will move in later that year while its mansion undergoes a renovation and expansion by Selldorf Architects. The news follows the recent decision by the New York City Landmarks Preservation Commission to approve the museum’s latest expansion plan to its 1914 Gilded Age mansion. The move is the latest development in an ongoing effort to provide additional space for the Frick Collection.
Depicted in banner: The Glass House (Philip Johnson) and Manitoga (Russel Wright and David Leavitt)
Modernism on the East Coast – Philip Johnson and the Harvard Five
Our 2018 Iconic Houses Conference and House Tours will explore the East Coast of the USA, retracing the root taken by Modernism when it arrived from Europe. In particular, the New Canaan area has an impressive number of high-quality Modernist homes, because the architects who taught at Harvard built houses for themselves and their friends here. New Canaan is naturally mainly associated with the Glass House. And many of the other masterpieces are the work of Philip Johnson and the Harvard Five. In the 1940s, a group of five
How many lives does a great work of architecture have? The first begins when it is built and inhabited, judged based on the quality of life it provides for its residents. The second comes generations later when it becomes historically significant and perhaps its original function no longer suits the demands of society. The value of such buildings is that they inform us about the past and for that reason their conservation is necessary.
However, in Latin America, there are countless cases of buildings of great architectural value that are in tragic states of neglect and deterioration. Seven such examples are:
In anticipation of the 100th anniversary of the founding of the Bauhaus school in 2019, Harvard Art Museums has released an online catalogue of their 32,000-piece Bauhaus Collection, containing rarely seen drawings and photographs from attendees and instructors of the revolutionary German design school.
The collection features work from the likes of Mies van der Rohe, Bertrand Goldberg, Marcel Breuer, and Bauhaus-founder Walter Gropius himself, and can be navigated through a search bar and an easy-to-use set of filters, allowing you to categorize work by topic, medium, date or artist.
In the past few weeks, the fates of two classic Brutalist buildings by architect Marcel Breuer were determined – with differing results. For the Atlanta Central Library, it was good news, as the Fulton County Board of Commissioners voted unanimously to support the renovation of the building, saving it from the wrecking ball. Meanwhile, the American Press Institute in Reston, Virginia, was not so lucky, as Fairfax County’s board of supervisors voted to tear down the building to make room for a new a townhouse development project.
_13.24.02.jpg?1499192828&format=webp&width=640&height=580)
