Studio Gang’s 10-story commercial “Solar Carve Tower” has topped out in New York’s Meatpacking District. Officially named “40 Tenth Avenue,” the scheme responds to a perceived lack of site-specific design in New York, with Studio Gang prioritizing “intentionality and contextuality” as their guiding principles. The scheme is therefore defined by a dramatic curtain wall, chiseled shape, and a dynamic relationship with its surrounding environment.
New York City
New York YIMBY has revealed initial renderings of BIG’s proposed office skyscraper at West 29th Street, New York, on the site of the old Bancroft Bank Building. Officially named “29th and 5th,” the scheme will offer a LEED-certified design focused on wellness and sustainability, featuring outdoor terraces stacked alongside a glass curtain façade.
The development company Fisher Brothers' "Beyond the Centerline" competition was launched in October 2017 as an open call to "enliven and activate the medians for a new generation of New Yorkers." The competition addresses the Park Avenue commercial district, which sits between 46th and 57th Streets.
Out of nearly 150 submissions, an eight-person jury narrowed the field down to 17 finalists, details of which can be found here. Two designs have since been selected as winners, with "Park Park" by Maison winning the jury selection, and "Park River" by Local Architects winning the popular vote.
In an industry-affiliated overshadowed by the so-called ‘starchitects’, do we really know who is dominating in the field of architecture? Often it is found that for most of the projects bearing the big names, there are the firms assuming the roles of “executive architect” that work behind the scenes to enable the high-profile buildings to get through planning and construction.
To give us insight into which architecture practices actually have the most impact across in New York City, The Real Deal have compiled a list of the 30 firms with the highest square footage of new buildings across the five boroughs over a six-year period from the 1st of January 2012 until the 31st of January 2018. There are of course many of the firms that you would expect, although as you will see there are also a few that have gone under the radar so far and may be worth watching out for in the future...
New Rendering Shows Off the Final Design of BIG's Twisting High Line Towers as Construction Moves Forward
A new rendering released of the project shows the design in its final form (developed through a series of iterations), standing out even amongst notable neighbors including Frank Gehry’s IAC Building, Jean Nouvel’s 100 11th Avenue and Foster + Partners’ 551 West 21st Street.
What if the one thing that makes BIG "BIG" was suddenly stripped away right at the apex of its potential? That's the question posed by the trailer for Kaspar Astrup Schrøder’s documentary BIG TIME, which ominously illustrated a possible problem with Bjarke Ingels’ health.
Schrøder's documentary highlights the intense journey of Bjarke Ingels, the founder of Bjarke Ingels Group, through the past few years of his life. This unique insight into what exactly it's like to be an architect on top of the world ultimately poses a question that needs to be answered by anyone seeking to reshape the world through design. How do you handle the responsibility of forming the future you want to live in?
Rafael Viñoly Architects’ 277 Fifth has topped out at its full height of 663 feet, making it one of the tallest towers in the relatively low-lying NoMad area of Manhattan.
The 55-story condominium tower, located at the corner of Fifth Avenue and 30th Street, features a restrained facade design composed of lightweight, reinforced, Indigo-colored cast concrete panels that were custom fabricated in Finland. As the building rises, its elevations are punctured by four unique ‘loggias’ that give residents of those units a space for outdoor dining and leisure.
The new images show how some of the cultural venue’s interior spaces will look, including the galleries and the vast event space created when the wheeled steel structure is rolled out to its furthest extents. This space will be known as “the McCourt,” named after businessman Frank McCourt Jr, who donated $45 million to the project.
Designed by Diller Scofidio + Renfro in collaboration with Rockwell Group, the 200,000-square-foot cultural center was envisioned as a spiritual successor to Cedric Price’s visionary “Fun Palace,” a flexible framework that could transform to host different types of events.
The Building Brooklyn Awards is the Brooklyn Chamber of Commerce's annual architectural competition celebrating the best built and renovation projects in the borough for the prior year, with substantial completion by December 31.
In its 18th year, the competition is open to only projects within Brooklyn, NY and applications may be self-nominated or nominated by another entity. The annual award ceremony is held every July. Nomination forms can be accessed at https://brooklynchamberofcommerce.wufoo.com/forms/szlf8kr0aifgme/
Hudson Yards’ first condominium tower, 15 Hudson Yards, has topped out at its full architectural height of 914 feet, with exterior cladding also more than halfway complete. Designed by Diller Scofidio + Renfro (the firm’s first true skyscraper) in collaboration with Rockwell Group and executive architects Ismael Leyva Architects, the tower will contain a total of 285 residences, half of which have already been sold.
Following last week’s announcement of JPMorgan Chase’s plans to demolition the historically significant modernist masterwork 270 Park (formerly known as the Union Carbide Building), the US chapter of international non-profit Modernist architecture advocate Docomomo has penned a letter to New York City Landmarks Preservation Committee chair Meenakshi Srinivasan arguing for the structure’s preservation.
In the letter, Docomomo US President Theodore H.M. Prudon and Docomomo US NY/Tri-State President John Arbuckle highlight the structure’s critical acclaim and essential place within Modernist architectural history, urging the Commission to calendar the building for designation as quickly as possible.
Find the letter reprinted in full, below.
Elevated Walkways, Aquariums and Mini-Golf Courses Among 17 Finalists in Competition to Transform New York’s Park Avenue
Seventeen entries have been selected as finalists in the “Beyond the Centerline” competition, which is seeking ideas for how to “re-envision and enliven the traditional traffic medians of the Park Avenue commercial district between 46th and 57th Streets."
Organized by development company Fisher Brothers, the ideas competition asked architects to submit their “most ambitious and creative visions unencumbered by zoning code, cost, weight limit, or other restrictions.”
We all know a little about the world's tallest buildings—those engineering feats which define their cities and become symbols of human achievement—but what of the buildings that never took their planned place in their respective skylines? In 2014, The Council on Tall Buildings and Urban Habitat (CTBUH) released a report listing the 20 tallest buildings that were never completed (an up-to-date list is also maintained on their website here). In order to be considered "never completed," all of the buildings in the report had begun site work, but construction was completely halted with no reports indicating it will continue. Read on to find out the top 10 tallest uncompleted buildings in 2018 after the break.
In a recent film published by Metropolis Magazine, New York-based architect Robert A M Stern explains why we should care about Philip Johnson’s controversial AT&T building. As landmark designation hearings to protect the buildings external facade continue, demolition of the lobby of this iconic Postmodern New York City skyscraper has already completed.
The designs by Snøhetta for the renovation of the building at 550 Madison Avenue have launched the building to the forefront of the debate about the preservation of Postmodern heritage. The plans include replacing the stone facade with undulating glass in order to transform the building's street presence. Should plans progress, the once prominent arched entry will sit behind fritted glass and stone covered columns will be unwrapped to create a hovering datum.
Just months after plans were announced for a major transformation of Philip Johnson’s AT&T Building at 550 Madison, another iconic midtown Manhattan skyscraper is at risk – and this time, it would mean the demolition of the entire building.
Designed by Natalie de Blois and Gordon Bunshaft of SOM and completed in 1961, 270 Park Avenue (formerly known as the Union Carbide Building) is considered a key example of the International Style in New York City that extended and even improved upon the precedent set by Mies van der Rohe’s Seagram Building.
But after new zoning legislation for the neighborhood was passed last year, the building’s current owner, JPMorgan Chase, has announced plans to raze the 707-foot-tall building in favor of a new, hi-tech supertall replacement. If plans go through, it would be the world’s largest and tallest building ever to be intentionally demolished.
SPYSCAPE, a new interactive spy museum dedicated to immersing visitors into the world of espionage, has opened in New York City. Designed by Adjaye Associates, the 60,000-square-foot museum features a range of interactive exhibitions housed within a moody material palette of glowing lights, smoked glass, fiber cement and corten steel.
New York City’s most buzzy megaproject, Hudson Yards, may have just added two more huge names to their list of notable architects, if a new report from the Wall Street Journal is to be trusted.
According to a source the WSJ describes as “a person familiar with the matter,” Santiago Calatrava and Frank Gehry will both design new residential towers for the second phase of the 28-acre complex, located at the north end of the High Line in west Manhattan.
After funding issues threatened to halt the project last year, plans for the Ronald O. Perelman Performing Arts Center at the World Trade Center are now back on track after an agreement made between the venue and the Port Authority of New York and New Jersey.