Johnson Fain and Rios Clementi Hale Studios have been selected to transform Philip Johnson’s 1981 Crystal Cathedral, originally a Protestant mega-church, to make it more in keeping with its new, Catholic identity.
The Cathedral, which had filed for bankruptcy in October 2010, was bought in early 2012 by the Roman Catholic Diocese of Orange. Earlier this month, the architects were chosen for the renovation: Johnson Fain will focus on the interior, while Rios Clementi Hale Studios will oversee the masterplan of its 34-acre campus.
Sou Fujimoto has unveiled three design proposals for an extension to Philip Johnson’s Kunsthalle Bielefeld in Germany. Since its completion in 1968, the museum has built a reputation for hosting temporary exhibitions. However, with the construction of the new wing, Kunsthalle Bielefeld will expand their services to accommodate a contemporary art gallery.
Read on to review Sou Fujimoto’s three proposals…
Today, July 8th, is Philip Johnson‘s Birthday! (1906-2005)
The recipient of the very first Pritzker Architecture Prize in 1979 and the American Institute of Architects’ Gold Medal, Johnson was described by Pritzker jurors as someone who “produced consistent and significant contributions to humanity and the environment. As a critic and historian, he championed the cause of modern architecture and then went on to design some of his greatest buildings.” In 1932, along with Henry-Russell Hitchcock, he curated the Modern Architecture: International Exhibition held at the Museum of Modern Art – at that moment, “The International Style” was born, and the course of modern architecture forever altered.
As we did last year, ArchDaily is celebrating with a special Glass House logo. Inspired by Mies van der Rohe’s Farnsworth House, The Glass House, with its perfect proportions and its simplicity, is still considered a modern marvel.
Learn more about Philip Johnsons’s work after the break…
The Glass House just concluded their second annual Conversations in Context, which presents visitors with the opportunity to join in a weekly evening tour and intimate conversation with industry leaders, including Robert A.M. Stern, Michael Graves, and more.
Since the 1940s, The Glass House has served as a place of inspiration, education and conversation across creative disciplines. Its 49-acre landscape, 14 architectural structures and world-class art collection continue to draw members of an international creative community to participate in its rich story. Conversations in Context continues Philip Johnson’s legacy of using the Glass House as a place to conduct ongoing seminars with architecture students and present emerging and established architects the opportunity to discuss the current state of the industry.
The video above features Architect, critic, and historian Kenneth Frampton, along with Dean Mark Wigley from Columbia University’s Graduate School of Architecture, Planning and Preservation. Follow us after the break for a few of our favorite conversations from this year’s series.
As reported by David W Dunlap for the NYTimes, the safety-restoration applied to Philip Johnson and Richard Foster’s Elmer Holmes Bobst Library on the NYU campus near Washington Square is close to completion. While the library, which was constructed in the early 1970s, remains intact, the tremendous atrium space – a soaring 150 ft void – is proving to be more of a safety hazard than the magnificent architectural experience the architects intended. Since 2003, the library has been marred by claiming the lives of three students who leaped to their deaths (even after the university installed 8ft polycarbonate barriers). Charged with the task of eliminating the possibility for such a future occurrence, Joel Sanders Architect responded with a perforated alumium screen that completely walls off the atrium from the library’s levels.
More after the break.
The relationship between social dynamics and architecture has always been intimate. It is a constant dialogue between social norms and politics, stylistic trends and aesthetic choices, individual preferences and the collective good. The Modernist Period was a time when architecture took on the challenge of many social problems. In all the arts – architecture, design, music and film – the period was highly politicized and the choices often gave way to a utilitarian ideal that was a hybrid of efficiency, simplicity and comfort. Jake Gorst’s new film Modern Tide: Midcentury Architecture on Long Island, supported by Design Onscreen, is a message of preservation that takes us through the history of the modernist housing boom that took place on Long Island, NY in the period between the Great Depression and the 1970s.
On August 14th, Cook+Fox Architects hosted a private film screening at their office on 641 Ave of the Americas, presenting the treasures along the island’s shore that have fallen between the cracks of history. The film looks at works from Albert Frey, Wallace Harrison, Frank Lloyd Wright, Marcel Breuer, Philip Johnson, Charles Gwathmey, Barbara and Julian Neski and many others.
Follow us after the break to catch up on the history of the development of these houses on Long Island.
Today, July 8th, is Philip Johnson‘s Birthday! (1906-2005)
The recipient of the very first Pritzker Architecture Prize in 1979 and the American Institute of Architects Gold Medal, Johnson has been labeled by Prtizker jurors as someone “whose work demonstrates a combination of the qualities of talent, vision and commitment that has produced consistent and significant contributions to humanity and the environment. As a critic and historian, he championed the cause of modern architecture and then went on to design some of his greatest buildings.”
On what would be his 106th birthday, ArchDaily celebrates with a special Glass House logo:
Declared a National Historic Landmark in 1997, The Glass House is still considered a modern marvel. Inspired by Mies van der Rohe’s Farnsworth House, the Glass House by Johnson, with its perfect proportions and its simplicity, is one of the first most brilliant works of modern architecture. Johnson built the 47-acre estate for himself in New Canaan, Connecticut.
The house was the first of fourteen structures that the architect built on the property over a span of fifty years.
This week we will propose the first documentary of the list within our section of Films & Architecture. There is not much to say about the figure of Kahn, since it has been worldwide recognized. Nevertheless this is a film that captures in a magnificent way the greatness of Kahn’s work through his son’s journey. I guess everyone related somehow with architecture will feel touched by this extraordinary recording. Let us know in the comments what is (or was) your experience watching the film.
From the “starchitect” to “architecture for the 99%,” we are witnessing a shift of focus in the field of architecture. However, it’s in the education system where these ideas really take root and grow. This sea change inspired us to explore past movements, influenced by economic shifts, war and the introduction of new technologies, and take a closer look at the bauhaus movement.
Often associated with being anti-industrial, the Arts and Crafts Movement had dominated the field before the start of the Bauhaus in 1919. The Bauhaus’ focus was to merge design with industry, providing well designed products for the many.
The Bauhaus not only impacted design and architecture on an international level, but also revolutionized the way design schools conceptualize education as a means of imparting an integrated design approach where form follows function.
Curbed lead us to Colorado-based webcomic Grant Snider and his clever blog Incidental Comics. Snider uses the classic “glass houses” proverb in his own unique depiction of midcentury “Iconic Houses”, highlighting The Glass House by Philip Johnson, Farnsworth House by Mies Van der Rohe, Villa Savoye by Le Corbusier and Fallingwater by Frank Lloyd Wright.
Curious about the red beavers gnawing at the Farnsworth House? Snider clears up the confusion stating, “In an earlier draft of this comic, it appeared the Farnsworth house was being gnawed by ordinary beavers. My architect brother informed me that Mies van der Rohe was known for his innovations in steel and glass, not wood. So just to clarify: those are MUTANT beavers.”
A Kickstarter campaign started by Birch Books Conservation owner Birch Cooper will see the library collection of Philip Johnson’s Glass House collated in a new book – The Library of Philip Johnson: Selections from the Glass House. Conceived as a resource for architects, architecture aficionados, and the general public, the book will illuminate many of the philosophies and ideologies that Johnson contributed to American modernism. Featured under the cover will be 100 selections that have been photographed and researched with a brief synopsis by the authors, in addition to the inventory list of all the books contained within the Library Studio of Philip Johnson. With an anticipated publishing date later this fall, it will be Birch Books Conservation’s first publication. Containing over 350 photographic illustrations, the 250 page volume is sure to be an excellent addition to any architecture collection.