Architects: Steven Holl Architects
Location: Columbia University, New York, NY, USA
Design Architects: Steven Holl, Chris McVoy
Partner In Charge: Chris McVoy
Associate In Charge: Olaf Schmidt
Project Team: Marcus Carter, Christiane Deptolla, Peter Englaender, Runar Halldorsson, Jackie Luk, Filipe Taboada, Dimitra Tsachrelia, Ebbie Wisecarver
Area: 4,459 sqm
Photographs: Iwan Baan, Chris McVoy
Following a brutal 15-year civil war that tore the city apart, Beirut has recovered remarkably; it was voted the number one destination to visit by the New York Times in 2009, and, more recently, received a similar title by Frommer’s. The city is in the second phase of one of the biggest urban reconstruction projects in the world, run by Solidere, which has brought architects like Steven Holl, Herzog & DeMeuron, Zaha Hadid, Vincent James, and Rafael Moneo to the local scene. In less internationalized parts of the city sit the landmarks of the 1960s and 1970s, Beirut’s pre-war glory days, including buildings by names such as Alvar Aalto, Victor Gruen, and the Swiss Addor & Julliard. With a city growing as fast as Beirut it is impossible to have a final city guide, so we look forward to hearing your suggestions and building on this over the years.
Photos and a map of Beirut’s most exciting buildings after the break…
Fusing Architecture and Music: Philip Kennicott On the Inspiration Behind Steven Holl’s Daeyang Gallery and House for Dwell
Awarded yesterday with the 2013 Pulitzer Prize for criticism, Philip Kennicott has built an honorable reputation as a art and architecture critic for Washington Post’s Style section. One of his most recent works, Music Holl: A Copper Clad Pavilion - exclusively published in Dwell’s May Issue Global Style - recounts the inspiration behind Steven Holl’s award-winning Daeyang Gallery and House in Seoul.
Designed as an experiment on “the architectonics of music,” the basic geometry of the Daeyang Gallery and House was inspired by Istvan Anhalt’s 1967 ‘Symphony of Modules’ – a uniquely transcribed sheet of music found in John Cage’s contemporary music compendium, Notations. Reminiscent of the “blocky and shard-like shapes” of Anhalt’s sketch, Holl’s design features three copper-clad pavilions punctured by a symphony of carefully placed, rectangular skylights that animate the interior with “bars of light”. As Kennicott describes, Holl uses music as a “powerful metaphor for the dynamic unfolding of experience” (captured in this film by Spirit of Space).
Read Kennicott’s Music Holl: A Copper Clad Pavilion in its entirety here on Dwell. Continue after the break to compare Steven Holl’s Daeyang sketch above with Anhalt’s ‘Symphony of Modules’.
As part of INTERNI’s Hybrid Architecture Exhibition event, Steven Holl Architects will be opening their ‘INVERSION’ installation tomorrow, April 9th, in Milan. In addition, Steven Holl will deliver a lecture in the Aula Magna of the Università degli Studi di Milano at 10am. Shown in the Cortile 700 of the Università degli Studi di Milano, the installation features six void-cut, 21 million year old limestone blocks, which frame a sheet of water. The process, beginning with a 5”x7” watercolor sketch in New York City, which is transformed into a 3D file and then sent to Lecce, required no working drawings. More information on their installation after the break.
Steven Holl Architects collaborated with Spirit of Space to create two short films that capture the essence of Chengdu’s newest sustainable micro-city: Sliced Porosity Block. Shaped by the distribution of natural light, this multi-use complex of five sun-carved concrete towers defines itself by the formation of three large public valleys that, not only supports a hybrid of different functions, but anchors the building into the surrounding urban fabric.
View an intimate account of these poetic spaces in the film above and then discover the ideas that inspired them in a conversation with Steven Holl below. The interview also includes an exclusive take on Holl’s post-completion thoughts of Lebbeus Woods’ last built installation: the Light Pavilion.
More information and images of Sliced Porosity Block can be found here on ArchDaily.
Steven Holl Architects have been selected to design a new, 60,000 square foot addition to the prestigious John F. Kennedy Center for the Performing Arts in Washington D.C. The $100 million project, which will be lead by Steven Holl and senior partner Chris McVoy, is envisioned as three connected pavilions clad in translucent Okalux, glass, and Carrara marble, the material used on the original 1970s building designed by famed American architect Edward Durrell Stone.
Located mostly below grade on the south side of the existing facility, the protruding structures will be embedded within a lush landscape of public gardens. To the west, one pavilion will extend over the Potomac River, offering an outdoor stage at the water’s edge. The expansion will compliment the existing performance center with new classrooms, rehearsal and multipurpose rooms, along with lecture and office space. Both the new and the old will be directly connected underground and through the main plaza. A formal design will be refined and announced in the coming months.
More images and information on the Kennedy Center expansion after the break.
With much awaited anticipation, Steven Holl‘s Sliced Porosity Block in Chengdu, China has just been completed. Forming giant public plazas with a mix of various functions, the group of five towers is intended to be seen as more of a public area despite its towering design as already witnessed in the site. Its sun sliced geometry results from required minimum daylight exposures to the surrounding urban fabric prescribed by code and calculated by the precise geometry of sun angles. The large public space framed by the block is formed into three valleys inspired by a poem of Du Fu (713-770). In some of the porous openings chunks of different buildings are inserted.
We have already brought you images of the project as it was under way, but the latest images from Hufton + Crow truly capture this inviting public realm in the heart of this metropolis like no one else!
Check out all the latest images of Steven Holl’s Sliced Porosity Block after the break.
Four years after breaking ground, Steven Holl Architects have completed the Sliced Porosity Block in the heart of Chengdu, China. Rather than being designed as object-icon skyscrapers, the three million square foot complex identifies itself as a metropolitan public space with large plazas and a hybrid of different functions. The five towers stimulate a micro urbanism by offering offices, serviced apartments, retail, a hotel, cafes, and restaurants.
More on Steven Holl’s Sliced Porosity Block after the break.
Rising from the reclaimed salt pan and polluted tide flats of Bohai Bay, China, a new city designed for 350,000 inhabitants is being constructed from scratch. The ambitious project is being realized as a collaboration between the governments of Singapore and China with an overarching goal of becoming a poster-city for state-of-the-art sustainable aspects.
With nearly a third of this new “Eco-City” of Tianjin built and substantial completion projected for 2020, the internationally renowned practice Steven Holl Architects has been commissioned to design the first two buildings in the city’s cultural district: the Tianjin Ecocity Ecology and Planning Museums. Like the Chinese “Bau Gua” or “Yin Yang,” these forms are in reverse relations, as the Ecology Museum is the “additive” complement to the “subtractive” space of the Planning Museum.
Learn more about Holl’s design after the break.
Architects: Steven Holl Architects
Location: 218th Street, New York
Architect In Charge: Steven Holl, Chris McVoy
Design Team: Marcus Carter, Christiane Deptolla, Peter Englaender, Runar Halldorsson, Jackie Luk, Filipe Taboada, Dimitra Tsachrelia, Ebbie Wisecarver
Associate In Charge: Olaf Schmidt
Area: 4,459 sqm
Photographs: Chris McVoy, Andy Ryan
Almost two years ago, on November 13th 2010, I had the chance to attend to a very special seminar to celebrate the 80th birthday of Kenneth Frampton at Columbia’s GSAPP. During that intense day, five north american practices presented their work followed by an interesting debate: Rick Joy Architects, Stanley Saitowitz / Natoma Architects, Patkau Architects, Steven Holl, and Shim Sutcliffe Architects.
For the 13th Venice Biennale, Kenneth Frampton was invited to have his exhibit at the Arsenale, where the works of these five practices was presented on a series of videos, on a simple installation designed by Steven Holl.
While we don’t have the videos shown during the Biennale, we present you the full video of the seminar (almost 6 hours), made available online by the GSAPP.
More information about the “Five North American Architects as a Common Ground” videos shown at the Biennale:
Steven Holl Architects just celebrated the pre-opening of the Sliced Porosity Block-CapitaLand Raffles City in Chengdu, China with a visit of the Prime Minister of Singapore. Creating a metropolitan public space instead of object-icon skyscrapers, this three million sq ft. project takes its shape from its distribution of natural light. The required minimum sunlight exposures to the surrounding urban fabric prescribe precise geometric angles that slice the exoskeletal concrete frame of the structure. The full expected completion is set for this fall. More images and architects’ description after the break.
This year, the American Institute of Architects conferred its highest honor – the AIA Gold Medal – upon Steven Holl. I had the opportunity to talk with Steven about his sources of inspiration, a mid-career enlightenment, and his recent recognition as one of the most celebrated “American” architects.
Andrew Caruso: Balancing your practice with teaching and art is clearly a part of the designer we know you to be. How do these explorations shape your design point of view?
Steven Holl: Every project is unique: a site and a circumstance, a culture, a climate, a program. All of these forces are unique and you need a concept to hold the manifold pieces together, an idea that makes the project significant in its place and for its purpose. That is always the way I begin projects.
Created by the architectural filmmakers from Spirit of Space, the first video takes you on a tour through the “miniature utopia” of the Daeyang Gallery & House. Although the notion of music plays as an underlining theme throughout the design, Holl encourages visitors to focus on the feelings that arise as the body moves through the space. He believes that “architecture can change the way you feel, like music… it can bring you into another world.”
As we announced earlier, Steven Holl Architects has been selected to design the Maggie’s Center at St. Bartholomew’s (Barts) Hospital in London. Situated at the periphery of the square, Maggie’s Barts will replace an existing 1960s block that was once used for offices. An average of 3,100 new cancer patients is expected to use the facility each year.
Steven Holl said: “It is a great honor to design a Maggie’s Centre and a very special challenge to be given such an important central site in London. The hospital has been at the forefront of medical understanding for centuries. We are inspired by the deep history of the area, and particularly the nearby St. Bartholomew the Great church which has been in continuous use with marvelous music since 1143. Our proposal is like a vessel within a vessel within a vessel. In the spirit of music, architecture can be a vessel of transcendence.”
Continue after the break to learn more.
Steven Holl and Norman Foster have been chosen to design the next two Maggie’s Cancer Caring Centers in the United Kingdom. As reported by bdonline, Foster will design in his hometown of south Manchester at the Christie hospital, while Holl will design at the St. Bartholomew’s (Barts) hospital in London. This will be Holl’s second UK project, following the Glasgow School of Art.
Continue reading for more information.
Recently, we visited the Meulensteen gallery to hear an update on Steven Holl’s latest project in Virginia - the Institute for Contemporary Art at Virginia Commonwealth University. Slated for completion in 2015, the project was presented in a series of Holl’s trademark watercolors and models, complete with a slideshow given by project architect Dimitra Tsachrelia who previously worked on the Glasgow School of Art for the firm. As we shared earlier, the project’s formal gestures are a reaction to its site context along the busy intersection of Richmond at Broad and Belvidere, with the intention to create an open gateway with a building that forks in the X-Y direction to illustrate the “non-linear” path of art, and torques in the Z direction to shape a dynamic volume of circulation. Although the weather was quite unforgiving, those who packed into the gallery enjoyed Tsachrelia’s friendly demeanor as she walked us through the process and progress of the project.
More about the event after the break.
Steven Holl Architects have just unveiled Virginia Commonwealth University’s new Institute for Contemporary Art. With an inviting sense of openness, the building will form a gateway into the University, linking the city of Richmond to the campus. A dynamic architectural promenade will connect the building’s most important spaces, engaging visitors in a variety of changing perspectives. Flexible spaces throughout the building will be capable of accommodating a vast assortment of exhibitions and performances.
Continue after the break for more images and the architect’s project description.