The very concept of an art gallery implies an inward focus. While the need to showcase the cultural treasures contained within is self-evident, the need to connect these sheltered exhibition spaces to the outside world is less so, and in some cases is overlooked entirely. Even monumental design that turns the museum itself into a sculptural element may fail to make a reference to its particular surroundings. This sense of 'placelessness' is what Steven Holl sought to avoid in his design for an art museum at the heart of Helsinki, Kiasma – a museum whose carefully choreographed outward views, formally irregular gallery spaces,, and indeed its very name speak to the ideal of connection.
Steven Holl Architects (SHA) has been commissioned by Williams College to complete a program and masterplan study for the Williams College Department of Art and Museum of Art (WCMA). "The Master Plan aims to evaluate programming and space needs toward the determination of a program to catalyze the engagement of students, faculty and visitors with the visual arts," says SHA.
After talking with nearly 30 distinct groups of students, faculty and museum staff, SHA defined five main goals in which the study is based on:
CHAMBER is pleased to announce their first exhibition in 2016, Capsule #4: “Unpacking The Cube,” presenting works by LEONG LEONG, LEVENBETTS, and STEVEN HOLL ARCHITECTS. The exhibition will open Thursday, January 21st.
Andrew Zuckerman, curator of Collection #2 “Human | Nature” in collaboration with Chamber, approached three architecture studios, each at different points in their professional trajectories - LEONG LEONG, LEVENBETTS, and STEVEN HOLL ARCHITECTS - prompting the architects to reach into the conceptual roots of their practice and convey them via physical objects for the exhibition space.
Referencing architecture's intimate past with the arts, Steven Holl argues the importance of collaborating with other artists for the benefit of the profession alongside choreographer and dancer Jessica Lang. "If we don't intermix the arts and collaborate, we are going to close... The arts are going to fade out individually. We are stronger together."
Watch the Spirit of Space video above to learn more about Holl and Lang's collaboration - Dance with Architecture - that uses dance to explore the four types of architecture: "under the ground, in the ground, on the ground, and over the ground."
Steven Holl Architects has unveiled their design for a new public library and museum in a developing area of Shenzhen, China. With the goal of creating a public space with two buildings connected below the plaza level, the massing concept is based on a three-part removal. While the design did win the most votes from the jury in the overall competition, city officials chose a different scheme to continue with.
As the founder of Steven Holl Architects, Steven Holl is recognized as one of the world's leading architects, having received prestigious awards for his contributions to design over the course of nearly forty years in practice, including the prestigious Alvar Aalto Medal in 1998, the AIA Gold Medal in in 2012, and the 2014 Praemium Imperiale. In 1991, Time Magazine named Holl America's Best Architect. He is revered for his ability to harness light to create structures with remarkable sensitivity to their locations, while his written works have been published in many preeminent volumes, sometimes collaborating with world-renowned architectural thinkers such as Juhani Pallasmaa and Alberto Pérez-Gómez.
Steven Holl Architects (SHA) is preparing to break ground on a project that is nearly eight years in the making. The ambitious "Copenhagen Gate" development will break ground next year, as Fast Company reports, after being initially held back in 2008. It will feature two asymmetrical towers - Gate L and Gate M - connected by a (terrifying) pedestrian skybridge suspended 213 feet above the harbor.
A consortium led by Sergey Skuratov Architects (SSA) was selected over Steven Holl Architects and Miralles Tagliabue EMBT to develop a concept for a multi use complex on Moscow's Sofiyskaya Embankment. Planned for a historic area on the Moscow-river bank, opposite Kremlin, the winning concept calls for three "longitudinal units with roofs of different types and heights" that produce a "picturesque outline" and offers a "gentle transition" from the "old buildings to new."
Read on for a glimpse of the winning and two runner-up proposals.
It is no secret that, in the last 10 years, a majority of the big budget construction projects have been centered in newly emerging world markets like China. But now, the markets may be turning. Steven Holl Architects is a strong example of this trend: with the groundbreaking of the Glassell School of Art in Houston on the 15th, the firm now has 8 projects under construction in the western world - 7 in the United States, and one in the United Kingdom. Owing to the steady strengthening of the US dollar over recent years, clients seem to be investing in high ticket architecture once again. After completing projects abroad such as the Sliced Porosity Block in Chengdu, and Nanjing’s Sifang Art Museum, Holl will now be working in cities like Richmond, Iowa City, New York and London.
Holl’s recent work also reflects a change in design scale. In projects such as the Linked Hybrid in Beijing and the Vanke Center/Horizontal Skyscraper in Shenzhen, design began at the urban level, resulting in inward-looking superstructures. In the firm’s return to the west, projects are usually designed as an object or extension of an existing environment, such as in their expansion project for the Kennedy Center. The reduced sense of scale is also evident in the square-footage in some of their recent designs, including a residence to be built at under 1000 square feet.
In June, the Department of State’s Bureau of Overseas Buildings Operations (OBO) released a call for architects interested in designing a New Embassy Compound (NEC) in Brasília, Brazil's federal capital. Of the 48 firms deemed eligible to compete, 6 practices have been shortlisted to move on to the second and final stage of the international competition.
These 6 shortlisted teams include:
In It’s A Wonderful Life the film’s protagonist George Bailey, facing a crisis of faith, is visited by his guardian angel, and shown an alternate reality where he doesn’t exist. The experience gives meaning to George’s life, showing him his own importance to others. With the increasing scale of design competitions these days, architectural “could-have-beens” are piling up in record numbers, and just as George Bailey's sense of self was restored by seeing his alternate reality, hypothesizing about alternative outcomes in architecture is a chance to reflect on our current architectural moment.
Today marks the one-year-anniversary of the opening of Phase 3 of the High Line. While New Yorkers and urbanists the world over have lauded the success of this industrial-utility-turned-urban-oasis, the park and the slew of other urban improvements it has inspired almost happened very differently. Although we have come to know and love the High Line of Diller Scofidio + Renfro and James Corner Field Operations, in the original ideas competition four finalists were chosen and the alternatives show stark contrasts in how things might have shaped up.
On this key date for one of the most crucial designs of this generation, we decided to look back at some of the most important competitions of the last century to see how things might have been different.
In the latest video on architecture and urbanism from 32BNY, Steven Holl and his associate Dimitra Tsachrelia sit down with Elia Zenghelis, a founding partner at OMA and former lecturer at the Architectural Association in London. After forty-five years in architecture, Zenghelis has come to a series of conclusions, including a long-standing belief that men obstruct the design potential of their female colleagues, creating an imbalance in the professional landscape. "Women are much better architects than men," proclaims Zenghelis, former professor to Steven Holl, Rem Koolhaas and Zaha Hadid (as well as a former collaborator of the latter two). Sitting in Holl's New York office, Zenghelis argues that women have a certain intuition that proves essential to the creation of great design. "It's men that dominate the scene - something has to happen," he says.
Read on for more on the contents of the video.
A community of 750 units interconnected on, below and above ground, Steven Holl Architects "Linked Hybrid" was an intentional shift away from the monolithic, monofuctional skyscraper. The entire complex was designed to be a "three-dimensional urban space" that encouraged chance encounters beyond the ground floor.
In this video architect Steven Holl talks about the building's design and how it has performed, seven years after the building's completion.
Steven Holl Architects has broken ground on the “Ex of In House,” an experimental guest house and artist studio in Rhinebeck, New York. The house is part of the firms’ ongoing research project “Explorations of In,” which questions “current clichés of architectural language and commercial practice” and explores spatial language, energy, openness and public space.
As part of their series of "Panorama" exhibits being presented this year, Friends Of The High Line have announced that they will host Olafur Eliasson's installation, "The Collectivity Project" from May 29th until September 30th this year on the High Line at West 30th Street. The installation, which has previously traveled to Tirana, Oslo, and Copenhagen, features an interactive imaginary cityscape made of over two tons of white LEGO bricks, with visitors invited to design, build and rebuild new structures as they see fit.
In a twist to the installation's usual presentation, High Line Art has invited high-profile architects who are working in the vicinity of the High Line to contribute one "visionary" LEGO design for the installation's opening, with BIG, David M. Schwarz Architects, Diller Scofidio + Renfro, James Corner Field Operations, OMA New York, Renzo Piano Building Workshop, Robert A.M. Stern Architects, Selldorf Architects, SHoP, and Steven Holl Architects all contributing one building which the public will then be able to adapt, extend or work around.
In honor of International Museum Day we’ve collected twenty compelling museum projects. In this round up you’ll find a truly global selection; from Wang Shu's Ningbo Historic Museum in China and Tod Williams + Billie Tsien's Barnes Foundation in Philadelphia to Monoblock's Contemporary Art Museum in Buenos Aires, see all of our editors’ favorites after the break!
The Museum of Fine Arts, Houston (MFAH) has released plans for an ambitious $450 million expansion that will transform it into one of the largest art campuses in the US. The 14-acre masterplan will include three new buildings - one by Texas-based Lake|Flato Architects and two others by museum aficionado Steven Holl Architects - connected by a pedestrianized landscape of reflecting pools and gardens.
The first scheduled to break ground (this year) is the Steven Holl-designed, 80,000-square-foot new home for the Glassell School of Art. The L-shaped, pre-cast concrete structure will, as MFAH describes, pride itself as an extension of the campus landscape, featuring a stepped amphitheater that leads up to a walkable, trellised roof garden.
Cool Spaces! The Best New Architecture has released their first full episode online. The PBS television series, hosted by Boston-based architect and professor Stephen Chung, AIA, profiles the most provocative and innovative public space architecture in North America. With the general public as its targeted audience, each hour-long episode is organized around a central theme - such as Art Spaces - and profiles three buildings. In this episode, Chung discusses what makes Tod Williams Billie Tsien’s Barnes Foundation, Steven Holl's Nelson-Atkins Museum of Art and Phil Freelon's Harvey B. Gantt Center so cool.
“People often ask me what Cool Spaces is all about. And I never can answer without giving a bit of background,” says host Stephen Chung. “You see, it really begins over seven years ago, during the recession, which decimated the architecture profession. In a four-year span, approximately 30% of all architecture jobs in the U.S. were lost — including my own. This time away from practice allowed me to reflect on the profession and its problems and to think about what role I might play in bringing about some positive change."