Steven Holl Architects, in collaboration with Spirit of Space, have created two short films of the recently completed Seona Reid Building at Glasgow School of Art. The film series explores the complementary contrast of the new Reid Building and Charles Rennie Mackintosh’s 1909 building (which recently suffered a devastating fire), where “each work of architecture heightens the integral qualities of the other.”
The first film takes the viewers on a “poetic climb” up and through the building’s social circuit, which “purposefully encourages inter-disciplinary activity, with the hope to inspire positive energy for the future of art.” The second film unpacks the design of the Reid Building in a conversation with design architects Steven Holl and Chris McVoy.
Steven Holl‘s designs for a Maggie’s Centre at St Bart’s Hospital in London have finally been approved, after a tense debate among the City of London Planning Committee which culminated in a vote of 11 to 10 in favour of the design. The approval puts an end to a year of controversy, after Holl’s first attempt failed to gain planning (the first time a Maggie’s Centre has ever been declined permission) and a protest group commissioned a rival scheme by Hopkins Architects which gained planning permission in April.
More on the decision after the break
The Japan Art Association (JAA) has named American architect Steven Holl as the 2014 Praemium Imperiale Laureate for Architecture. Holl will be honored at a ceremony in Tokyo on October 15th. The jury’s citation states that Holl’s ”works are internationally highly regarded, primarily as a result of his philosophy regarding the unification of the “experience” of space, as depicted by color and light, with the history and culture of each site of construction.”
Since its inauguration in 1989, the annual global arts award has recognised “outstanding contributions to the development, promotion and progress of the arts” in the fields of architecture, painting, sculpture, music and theater/film. Only a small handful of architects have received this award, including James Stirling, Tadao Ando, Alvaro Siza, Richard Rogers, Jean Nouvel, Toyo Ito, Zaha Hadid, Peter Zumthor, David Chipperfield, and Jacques Herzog and Pierre de Meuron.
To determine the finalists, the five jury members – Francisco Liernur, Sarah Whiting, Wiel Arets, Dominique Perrault, and Kenneth Frampton - spent the last twelve days visiting projects, speaking with the architects, users and owners of the spaces, and entering into intense debate among each other.
As jury member Dominique Perrault noted, “There’s a lot of means by which to evaluate projects – models, drawings, images – but we took all opportunities to test the quality of the architecture. In the end, only by visiting can you sense the ‘touch of god’ – the presence of the building itself in the context.”
The resulting finalists show tremendous variety – in terms of scale, place, typology, program, materials, etc. – making the task of choosing a winner all the more challenging. See all seven finalists, as well as a video of Kenneth Frampton discussing the selection process, after the break.
Wiel Arets, Dean of the College of Architecture at Illinois Institute of Technology (IIT) and Dirk Denison, Director of the Mies Crown Hall Americas Prize (MCHAP), have announced the inaugural MCHAP shortlist – 36 “Outstanding Projects” selected from the 225 MCHAP nominees.
“The rich diversity of these built works is a testament to the creative energy at work in the Americas today,” said Arets. “When viewed alongside the innovative work by the MCHAP.emerge finalists and winner, Poli House by Mauricio Pezo and Sofia von Ellrichshausen which we honored in May, we see the evolution of a distinctly American conversation about creating livable space.” See all 36 winners after the break.
Michael Hopkins has added his thoughts to the row over Steven Holl‘s plans for the New Maggie’s Centre at St Bart’s Hospital in London, with a letter to London City Planners saying that the design is in the wrong place and would ruin the setting of the 18th Century Great Hall. Hopkins, whose rival scheme received planning permission last month, says that the construction of the Maggie’s Centre represented a “once-in-a-lifetime opportunity” to restore the great hall to its original design which was only met by his plans to build the Maggie’s centre in a different part of the St Bart’s site.
Read on for more of Hopkins’ criticisms
A rival to Steven Holl Architects‘ design for the Maggie’s Centre at St Barts Hospital in London has received planning permission. The alternative scheme was commissioned by a group called “Friends of the Great Hall and Archive”, who believe the proposal by Steven Holl Architects would threaten the 18th century, Grade I* listed Great Hall. The newly approved scheme, designed by Hopkins Architects, proposes a different site for the new cancer care centre.
Read on for reaction to the two rival schemes
UPDATE: Three teams have been selected to move forward in the competition: Allied Works Architecture (Portland/New York), Tod Williams Billie Tsien Architects (New York), and the team of Patkau Architects (Vancouver, B.C.) and Fong & Chan Architects (San Francisco). The finalists will present their proposals April 3 and a winner will be announced shortly after.
Seven high-profile teams have been shortlisted to design a new research, museum and performing arts center for the University of California, Santa Cruz (UCSC). Planned for a stunning site overlooking the Pacific Ocean, the $32 million project is intended to be “an innovative educational experiment” that will “blur the lines between disciplines to beautiful effect.” The shortlist ranges from Steven Holl to Tod Williams Billies Tsien. The complete list of competitors, after the break.
Steven Holl Architects has shared with us an impressive gallery of images of their recent project, Nanjing’s Sifang Art Museum. Rising above the lush landscape of the Pearl Spring, the new museum was designed as a physical manifestation of the parallel perspective, a technique prevalent in early Chinese paintings. From a subtly distorted courtyard with no vanishing points to an upper level gallery with calculated views and pristine light, the experience through the Sifang Art Museum is unlike any other.
See for yourself, after the break…
Steven Holl has, again, teamed up with Spirit of Space to produce two short films on the recently completed Sifang Art Museum. In the first video (above) Holl explains the project’s inspiration – the mysteries of parallel perspective seen in early Chinese paintings – and how the design subtly distorts any concept of a vanishing point at the ground level yet contrasts this notion in the upper galleries by framing the distant view of Nanjing. In the second video (after the break), Spirit of Space allows you to experience this space by revealing it from all perspectives and scales.
See the second video, after the break…
In this article originally published by Metropolis Magazine as “Urban Hopes, Urban Dreams“, Samuel Medina reviews a new book on the work of Steven Holl in China. Focusing on five major projects, the book places Holl’s work in the wider context of his urbanistic influences – including ideas from his own early paper architecture that are just now resurfacing.
Steven Holl is the rare architect whose concepts are equally known as his buildings. Chalk that up to Holl’s prolific output, in both buildings and monographs, and his knack for branding his ideas. Urban Hopes: Made in China (Lars Müller, 2014), a condensed reader on Holl’s latest work in China, is the latest in a stream of small books that have continually repackaged the architect’s growing body of work.
Anchoring and Intertwining appeared in 1996 and expounded on architectural themes and spatial notions only partially evinced by his work up until that time. In both, the buildings were few and far between, scattered between pages imprinted with “paper architecture,” the primary outlet for Holl’s creative energies in the prior decades since his move to New York in 1976. These and more titles were followed up by Parallax in 2000, a blend of philosophical, scientific, and poetic references that invest the architecture with the aura of the Gesamtkunstwerk. Holl’s idea of “porosity” made its debut here, if prematurely, where it was applied rather literally to Simmons Hall at MIT and its sponge-like facade. It wasn’t until a few years later, when the architect first got his feet wet in China, that the concept would be baptised as a core tenet of 21st-century urban design. 2009’s Urbanisms advances as much, while further recapitulating the big ideas of the previous book installments.
Read on after the break for the review of Urban Hopes
The MAK Center for Art and Architecture at the Schindler House in Los Angeles presents City in a City: a Decade of Urban Thinking by Steven Holl Architects. The exhibition opens with a reception and panel discussion on Wednesday, January 29, and Steven Holl will give a public lecture on Thursday evening, January 30. The exhibition runs through March 9, 2014.
This new exhibition of the work of Steven Holl Architects presents six urban projects in China, designed with particular focus on shaping public space, natural green strategies, hybrid programs, structure and light. Included are three built works: Linked Hybrid in Beijing, Vanke Center/Horizontal Skyscraper in Shenzhen, and Sliced Porosity Block in Chengdu, as well as three yet to be built works: Porosity Plan in Dongguan, Eco-City in Tianjin, and the Qingdao Culture and Art Center. Concept watercolors of each building will be on view along with project models and construction documents. Also featured are short videos of the built works. The exhibition is arranged chronologically from 2002-2013 through the rooms of the Schindler House, making physical the journey through a decade of thinking.
Steven Holl Architects has been selected as winner, besting OMA and Zaha Hadid Architects, in an invited competition for the new Culture and Art Center of Qingdao City. Located in the heart of Qingdao’s new extension, which is planned for a population of 700,000, the two million-square-foot winning proposal features a conglomerate of four art museums situated amongst a landscape of reflecting pools and gardens which are all connected by a continuous “Light Loop” that moves visitors throughout the site.
Read on for the architect’s description…
More than three years ago we reported that Steven Holl Architects and BNIM Architects won the commission to design a new art studio facility for the University of Iowa (UI) Arts campus. Today the building has officially broken ground and entered the construction phase. The new Visual Arts Building will replace the original arts building from 1936, which was heavily damaged during flooding in 2008. It will be directly adjacent to and northwest of Art Building West, an earlier, award-winning Steven Holl design.
Keep reading for more on the new building’s design.
Legendary American architect Steven Holl has collaborated again with Spirit of Space to produce two short videos on the recently completed Campbell Sports Center in New York City. While always compelling to hear an architect discuss a project, these videos integrate the architect’s narration with different dynamic shots of the building’s detail and context, thus truly immersing the viewer in the project.
The first video (above) features Steven Holl and senior partner Chris McVoy explaining the project’s inspiration, design concept and program; simultaneously, the filmmakers take us into the space and show how the new athletic facility is being used by the student athletes. The second, shorter, video (after the break) shows the building in the city, revealing the fascinatingly complex relationship between the passing subway cars, the field hockey players, the movement of shadows and the building itself.
See the second video, after the break…