ArchDaily | Broadcasting Architecture Worldwidethe world's most visited architecture website

Sign up now and start saving and organizing your favorite architecture projects and photos


Find the most inspiring products for your projects in our Product Catalog.


Get the ArchDaily Chrome Extension and be inspired with every new tab. Install here »

Navigate articles using your keyboard
  1. ArchDaily
  2. Projects
  3. Museum
  4. China
  5. Steven Holl Architects
  6. 2011
  7. Nanjing Sifang Art Museum / Steven Holl Architects

Nanjing Sifang Art Museum / Steven Holl Architects

  • 01:00 - 20 May, 2011
Nanjing Sifang Art Museum / Steven Holl Architects
Nanjing Sifang Art Museum / Steven Holl Architects, © Li Hu
© Li Hu

© Li Hu © Li Hu © Li Hu © Li Hu + 76

  • Architects

  • Location

    Nanjing, China
  • Architects

    Steven Holl Architects
  • Design Architect

    Steven Holl, Li Hu
  • Associate In Charge

    Hideki Hirahara
  • Project Architect

    Clark Manning, Daijiro Nakayama
  • Project Team

    Joseph Kan, JongSeo Lee, Pei Shyun Lee, Tz-Li Lin, Richard Liu, Sarah Nichol
  • Associate Architects

    Architectural Design Institute, Nanjing University
  • Structural Consultant

    Guy Nordenson and Associates
  • Lighting Design

    L'Observatoire International
  • Client

    Nanjing Foshou Lake Architecture and Art Developments Ltd
  • Area

    20000.0 ft2
  • Project Year

  • Photographs

From the architect. The new museum is sited at the gateway to the Contemporary International Practical Exhibition of Architecture in the lush green landscape of the Pearl Spring near Nanjing, China. It explores the shifting viewpoints, layers of space, and expanses of mist and water, which characterize the deep alternating spatial mysteries of early Chinese painting. This coming fall the Nanjing Sifang Art Museum will open to the public.

Courtesy of Steven Holl Architects
Courtesy of Steven Holl Architects

Perspective is the fundamental historic difference between Western and Chinese painting. After the 13th Century, Western painting developed vanishing points in fixed perspective. Chinese painters, although aware of perspective, rejected the single-vanishing point method, instead producing landscapes with “parallel perspectives” in which the viewer travels within the painting.

© Li Hu
© Li Hu

The museum is formed by a “field” of parallel perspective spaces and garden walls in black bamboo-formed concrete over which a light “figure” hovers. The straight passages on the ground level gradually turn into the winding passage of the figure above. The upper gallery, suspended high in the air, unwraps in a clockwise turning sequence and culminates at “in-position” viewing of the city of Nanjing in the distance. The meaning of this rural site becomes urban through this visual axis to the great Ming Dynasty capital city, Nanjing.

© Li Hu
© Li Hu

The courtyard is paved in recycled Old Hutong bricks from the destroyed courtyards in the center of Nanjing. Limiting the colors of the museum to black and white connects it to the ancient paintings, but also gives a background to feature the colors and textures of the artwork and architecture to be exhibited within. Bamboo, previously growing on the site, has been used in bamboo- formed concrete, with a black penetrating stain. The Museum has geothermal cooling and heating, and recycled storm water.

© Li Hu
© Li Hu
Location to be used only as a reference. It could indicate city/country but not exact address. Cite: "Nanjing Sifang Art Museum / Steven Holl Architects" 20 May 2011. ArchDaily. Accessed . <>
Read comments
Read comments