The Museum of Contemporary Art Chicago is presenting an exhibition devoted to the work of the ultra-modern, genre-bending artist and designer Virgil Abloh. Titled “Virgil Abloh: Figures of Speech” the immersive space has been curated by the Museum's Chief Curator Michael Darling, and Samir Bantal, a director at OMA’s research wing, focusing on the creative process and collaborative work of Abloh who is redefining fashion, art, and design.
Oma: The Latest Architecture and News
“We’re a Possibilities Company”: Keely Colcleugh on Communicating the Future of the Built Environment
Architecture is defined by stories. It’s through visualization and communication of ideas that we construct new environments. Trained as an architect, Keely Colcleugh is a designer with a range of experience across the fields of architecture, graphic design, film, and visualization. In 2009, she founded Kilograph with a desire to combine leading edge visualization techniques with animation, interactive design, graphics, and branding. Now Keely is the CEO of a growing creative agency with offices in Los Angeles and Spain.
In an exclusive interview with ArchDaily, Keely talks about her transition to communication design, her love for Los Angeles, and how the art of visualization continues to evolve.
From the Publisher:
The book presents the first historical analysis of the productive tension between the city and the architectural form. It introduces 20th-century theories to construct a historical context from which a new architecture-city relationship emerged. The book provides a conceptual framework to understand this relationship and comes to the conclusion that urbanization may be filled with potential, i.e. be a Good Metropolis.
This video tutorial will teach you how to create detailed, 3-D environments from images taken by drones, using Photogrammetry to better contextualize our architectural projects.
The video covers the entire process, from flying the drone to using the RealityCapture software, including identifying plants and trees through an application for mobile phones and lastly viewing the architecture in 3D using Lumion.
Before social media took over, buildings were published on magazines, edited and refined according to their architects’ preferences. Nowadays, magazines are left on the sidelines for a much more influential platform, one that is not totally controlled by the architects. Digital communication has changed the way people view and interact with architecture, providing architects with new insights on how to design their structures.
PLANE—SITE, a global production agency involved in the world of urban, cultural, and social spaces, have put together a short video that examines the impact of social media on architecture firms. Building Images provides insights from OMA/AMO and UNStudio, two firms with different approaches to social media, who explain how social platforms have helped them see their projects in unprecedented ways.
OMA has won a masterplanning competition for the redevelopment of the Scalo Farini and San Cristoforo sites, two disused railway yards north and south of the periphery of Milan. Led by OMA’s Ippolito Pestellini Laparelli and Reinier de Graaf, and co-designed with Laboratorio Permanente, the “Agenti Climatici” scheme revolves around concepts of ecological filters and adaptable development. The OMA scheme triumphed over finalists including Baukuh, Arup, Grimshaw, and Kengo Kuma.
The University of Illinois at Chicago has announced the shortlist to design a new $95 million Center of the Arts for the College of Architecture, Design and the Arts. Chosen from 36 teams, the shortlist includes OMA with KOO Architects, Johnston Marklee with UrbanWorks, and Morphosis with STL Architects. The new center will include a 500-seat concert hall, a 270-seat reconfigurable theater, an exhibition hall, rehearsal spaces, and a combination cafe and jazz club. The 88,000-square-foot building will be primarily used by the UIC’s School of Theatre & Music as the new public face of UIC’s East Campus.
As part of Milan’s Salone del Mobile, Knoll has presented an exhibition celebrating the centenary of the Bauhaus, curated and designed by OMA / Ippolito Pestellini Laparelli with Domitilla Dardi. The story, presented at Knoll’s showroom at Piazza Bertarlelli, is told by means of four clusters that encourage people to participate.
Where does originality and independent thinking come from? The answer is prosaically straight forward – from an inquiring individual, and an experimental environment wouldn’t hurt to stimulate it. Rem Koolhaas is credited with fostering such an environment, both through building his practice, Office for Metropolitan Architecture (OMA), a 300-architect network of seven global offices, and teaching at Harvard’s GSD, as well as lecturing all over the world. Koolhaas now has eight partners. One of the eight, since 2008, is Shohei Shigematsu who heads OMA New York since 2006. The studio originally numbered just a handful of people and over the years has grown into a large practice of 75 architects with a focus on projects in North America.
Construction has begun on OMA’s pyramid-shaped mixed-use building – Xinhu Hangzhou Prism – which forms the heart of Hangzhou’s Future Tech City in the new Technology Central Business District (CBD). Led by the firm's partner Chris van Duijn, the project is commissioned by Zhejiang Xinhu Haichuang Group.
OMA, led by the firm’s partner Jason Long, has designed two towers at Greenpoint Landing in Brooklyn, New York. The towers, in conjunction with a lower seven-story building, will offer 745 housing units (30% of which are affordable) and over an acre of new public space for the neighborhood. As OMA New York’s first ground-up building in Brooklyn, the scheme will serve as “a catalyst in the transformation of the waterfront from a post-industrial edge to an accessible and dynamic part of the neighborhood.
The two towers, extending Eagle Street and Dupont Street, expand the existing waterfront esplanade, incorporating 2.5 acres of public open space along the shoreline, and 8,600 square feet of ground-floor retail. Manifesting as two dancers, the towers simultaneously lean into and away from each other. While the taller tower widens towards the east as it rises, its partner steps back from the waterfront to create a series of large terraces.
OMA and Inside Outside have collaborated on the design of a vast monument in Dubai, titled “Ethar – Honoring Generosity.” The installation consists of a field of 1,680 triangular-shaped recycled aluminum columns arrayed like a magnetic field, engraved with stories from Arabic scholars, scientists, and thinkers.
The installation was designed to celebrate the “unique culture of charitable giving in the United Arab Emirates with a physical installation that is part of the urban landscape of Dubai.” Designed for a site on Jumeirah Beach, the monument’s character can also be adapted for various contexts, whether dispersed throughout the city or appearing in key urban locations as a symbol of Emirati culture.
For this year's Women in Architecture Awards, The Architectural Review and the Architects’ Journal have selected Sheila O’Donnell as Architect of the Year and Xu Tiantian to win the Moira Gemill Prize for Emerging Architecture in the 2019 Women in Architecture awards. The Architect of the Year award recognizes excellence in design specifically in the context of a recently completed project and the Moira Gemmill Prize for Emerging Architecture is awarded to women designers under the age of 45 who show design excellence indicative of a bright future.
Renowned auction house Sotheby’s has unveiled a dramatic OMA/Shohei Shigematsu-designed expansion and re-imagination of their New York City headquarters. Together with OMA Associate Christy Cheng, Shigematsu has redesigned the headquarters to include vast new exhibition galleries for fine art, precious objects, luxury goods, and more. Comprising 40 galleries of varying size across four floors, the new space will increase Sotheby’s exhibition space from 67,000 square feet to 90,000 square feet.
In the proposal, nine galleries will facilitate discreet private sales for dedicated small objects such as watches and jewelry. Three two-story spaces will be set aside for exhibitions, along with a 150-foot-long space for full collections, according to The New York Times. The new space will include “dynamic repertoire” of "spatial conditions", including a white cube, double height, enfilade, corridor cascade, octagonal, and an L-shaped space.
The OMA / Reinier de Graaf-designed Nhow Amsterdam RAI Hotel has topped out at its 91-meter height. The main hotel for the RAI Amsterdam convention and exhibition center, the scheme will offer 650 hotel rooms across 25 floors. Formed of three shifting triangular volumes, the scheme draws from a triangular advertising column on the Europaplein that once stood prominently on the site.
OMA was chosen ahead of eleven practices to design the project, which will operate as a hub for business travelers, tourists, and Amsterdam locals. The project has been 15-years in the making, as a larger 800-room proposal was once rejected by the city a few years back.