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Oma: The Latest Architecture and News

Studying the "Manual of Section": Architecture's Most Intriguing Drawing

04:00 - 29 August, 2019
Studying the "Manual of Section": Architecture's Most Intriguing Drawing, Phillips Exeter Academy Library by Louis I. Kahn (1972). Published in Manual of Section by Paul Lewis, Marc Tsurumaki, and David J. Lewis published by Princeton Architectural Press (2016). Image Courtesy of LTL Architects
Phillips Exeter Academy Library by Louis I. Kahn (1972). Published in Manual of Section by Paul Lewis, Marc Tsurumaki, and David J. Lewis published by Princeton Architectural Press (2016). Image Courtesy of LTL Architects

For Paul Lewis, Marc Tsurumaki and David J. Lewis, the section “is often understood as a reductive drawing type, produced at the end of the design process to depict structural and material conditions in service of the construction contract.” A definition that will be familiar to most of those who have studied or worked in architecture at some point. We often think primarily of the plan, for it allows us to embrace the programmatic expectations of a project and provide a summary of the various functions required. In the modern age, digital modelling software programs offer ever more possibilities when it comes to creating complex three dimensional objects, making the section even more of an afterthought.

With their Manual of Section (2016), the three founding partners of LTL architects engage with section as an essential tool of architectural design, and let’s admit it, this reading might change your mind on the topic. For the co-authors, “thinking and designing through section requires the building of a discourse about section, recognizing it as a site of intervention.” Perhaps, indeed, we need to understand the capabilities of section drawings both to use them more efficiently and to enjoy doing so.

Bagsværd Church by Jørn Utzon (1976). Published in Manual of Section by Paul Lewis, Marc Tsurumaki, and David J. Lewis published by Princeton Architectural Press (2016). Image Courtesy of LTL Architects Notre Dame du Haut by Le Corbusier (1954). Published in Manual of Section by Paul Lewis, Marc Tsurumaki, and David J. Lewis published by Princeton Architectural Press (2016). Image Courtesy of LTL Architects United States Pavilion at Expo '67 by Buckminster Fuller and Shoji Sadao (1967). Published in Manual of Section by Paul Lewis, Marc Tsurumaki, and David J. Lewis published by Princeton Architectural Press (2016). Image Courtesy of LTL Architects The Solomon R. Guggenheim Museum by Frank Lloyd Wright (1959). Published in Manual of Section by Paul Lewis, Marc Tsurumaki, and David J. Lewis published by Princeton Architectural Press (2016). Image Courtesy of LTL Architects + 15

OMA Wins Competition to Design New Shenzhen Financial Center

12:00 - 23 July, 2019
OMA Wins Competition to Design New Shenzhen Financial Center, Courtesy of OMA
Courtesy of OMA

OMA has won the competition to design a new international financial center in Shenzhen, China. Called the IFEC, the project combines large scale conference facilities with a 400-room hotel and public programs. Located at the waterfront of Qianhai, the New District in the Pearl River Delta, the IFEC was designed to be a beacon for ships sailing along the 21st-century maritime silk road.

OMA, Hopkins and LDS Among Finalists to Reimagine Higher Education Design in the UK

13:00 - 4 July, 2019
OMA, Hopkins and LDS Among Finalists to Reimagine Higher Education Design in the UK, Courtesy of Malcolm Reading Consultants / Hawkins\Brown
Courtesy of Malcolm Reading Consultants / Hawkins\Brown

Five finalist teams have been selected in the MK:U International Design Competition to create alternative masterplan visions for a proposed new model university in the United Kingdom. The proposed new university, will focus on digital economy skills and practical, business-oriented courses; it also plans to offer fast-track two-year degrees. MK:U, a partnership between MKC and Cranfield University, will use the new University Quarter and the wider city as a ‘living lab’ to test out new concepts and ideas while inspiring students and citizens.

Courtesy of Malcolm Reading Consultants / Hopkins Architects Courtesy of Malcolm Reading Consultants / OMA Courtesy of Malcolm Reading Consultants / Lifschutz Davidson Sandilands Courtesy of Malcolm Reading Consultants / Hopkins Architects + 14

AMO Helps to Curate Virgil Abloh Exhibition for the Museum of Contemporary Art Chicago

11:00 - 12 June, 2019
AMO Helps to Curate Virgil Abloh Exhibition for the Museum of Contemporary Art Chicago, © Nathan Keay, Courtesy of MCA Chicago
© Nathan Keay, Courtesy of MCA Chicago

The Museum of Contemporary Art Chicago is presenting an exhibition devoted to the work of the ultra-modern, genre-bending artist and designer Virgil Abloh. Titled “Virgil Abloh: Figures of Speech” the immersive space has been curated by the Museum's Chief Curator Michael Darling, and Samir Bantal, a director at OMA’s research wing, focusing on the creative process and collaborative work of Abloh who is redefining fashion, art, and design.

© Nathan Keay, Courtesy of MCA Chicago © Nathan Keay, Courtesy of MCA Chicago © Nathan Keay, Courtesy of MCA Chicago © Nathan Keay, Courtesy of MCA Chicago + 21

Why the EU Membership is Worth it According to Rem Koolhaas and Stephan Petermann

06:10 - 25 May, 2019

The EU costs you the same as Netflix - is it worth it? Rem Koolhaas thinks so.

“We’re a Possibilities Company”: Keely Colcleugh on Communicating the Future of the Built Environment

13:00 - 21 May, 2019
“We’re a Possibilities Company”: Keely Colcleugh on Communicating the Future of the Built Environment, Viper Room - Morphosis. Image Courtesy of Kilograph
Viper Room - Morphosis. Image Courtesy of Kilograph

Architecture is defined by stories. It’s through visualization and communication of ideas that we construct new environments. Trained as an architect, Keely Colcleugh is a designer with a range of experience across the fields of architecture, graphic design, film, and visualization. In 2009, she founded Kilograph with a desire to combine leading edge visualization techniques with animation, interactive design, graphics, and branding. Now Keely is the CEO of a growing creative agency with offices in Los Angeles and Spain.

In an exclusive interview with ArchDaily, Keely talks about her transition to communication design, her love for Los Angeles, and how the art of visualization continues to evolve.

El Paso Children's Museum - Koning Eizenberg. Image Courtesy of Kilograph California Market Center - Brookfield Properties. Image Courtesy of Kilograph LA Football Club - Entry - Gensler Los Angeles. Image Courtesy of Kilograph Kilograph Studio. Image Courtesy of Kilograph + 13

The Good Metropolis: From Urban Formlessness to Metropolitan Architecture

11:50 - 21 May, 2019
The Good Metropolis: From Urban Formlessness to Metropolitan Architecture

From the Publisher:
The book presents the first historical analysis of the productive tension between the city and the architectural form. It introduces 20th-century theories to construct a historical context from which a new architecture-city relationship emerged. The book provides a conceptual framework to understand this relationship and comes to the conclusion that urbanization may be filled with potential, i.e. be a Good Metropolis.

How To Create 3D Environments From Images Taken With Drone

04:00 - 6 May, 2019

This video tutorial will teach you how to create detailed, 3-D environments from images taken by drones, using Photogrammetry to better contextualize our architectural projects.

The video covers the entire process, from flying the drone to using the RealityCapture software, including identifying plants and trees through an application for mobile phones and lastly viewing the architecture in 3D using Lumion.

Building Images: A Video on How Social Media is Changing Architecture

06:00 - 5 May, 2019
Building Images: A Video on How Social Media is Changing Architecture , Courtesy of PLANE—SITE
Courtesy of PLANE—SITE

Before social media took over, buildings were published on magazines, edited and refined according to their architects’ preferences. Nowadays, magazines are left on the sidelines for a much more influential platform, one that is not totally controlled by the architects. Digital communication has changed the way people view and interact with architecture, providing architects with new insights on how to design their structures.

PLANE—SITE, a global production agency involved in the world of urban, cultural, and social spaces, have put together a short video that examines the impact of social media on architecture firms. Building Images provides insights from OMA/AMO and UNStudio, two firms with different approaches to social media, who explain how social platforms have helped them see their projects in unprecedented ways.

OMA Wins Competition for Adaptable Masterplan of Milan's Disused Railway Sites

09:55 - 12 April, 2019
OMA Wins Competition for Adaptable Masterplan of Milan's Disused Railway Sites, © OMA & Laboratorio Permanente
© OMA & Laboratorio Permanente

OMA has won a masterplanning competition for the redevelopment of the Scalo Farini and San Cristoforo sites, two disused railway yards north and south of the periphery of Milan. Led by OMA’s Ippolito Pestellini Laparelli and Reinier de Graaf, and co-designed with Laboratorio Permanente, the “Agenti Climatici” scheme revolves around concepts of ecological filters and adaptable development. The OMA scheme triumphed over finalists including Baukuh, Arup, Grimshaw, and Kengo Kuma.

OMA, Morphosis and Johnston Marklee Among Finalists for New Chicago Arts Center

05:00 - 10 April, 2019
OMA, Morphosis and Johnston Marklee Among Finalists for New Chicago Arts Center, UIC Center for the Arts. Image Courtesy of Morphosis, STL & Arup
UIC Center for the Arts. Image Courtesy of Morphosis, STL & Arup

The University of Illinois at Chicago has announced the shortlist to design a new $95 million Center of the Arts for the College of Architecture, Design and the Arts. Chosen from 36 teams, the shortlist includes OMA with KOO Architects, Johnston Marklee with UrbanWorks, and Morphosis with STL Architects. The new center will include a 500-seat concert hall, a 270-seat reconfigurable theater, an exhibition hall, rehearsal spaces, and a combination cafe and jazz club. The 88,000-square-foot building will be primarily used by the UIC’s School of Theatre & Music as the new public face of UIC’s East Campus.

Knoll Launches Bauhaus Exhibition Curated by OMA / Ippolito Pestellini Laparelli

10:00 - 9 April, 2019
Knoll Launches Bauhaus Exhibition Curated by OMA / Ippolito Pestellini Laparelli, © OMA / Photography by Fred Ernst
© OMA / Photography by Fred Ernst

As part of Milan’s Salone del Mobile, Knoll has presented an exhibition celebrating the centenary of the Bauhaus, curated and designed by OMA / Ippolito Pestellini Laparelli with Domitilla Dardi. The story, presented at Knoll’s showroom at Piazza Bertarlelli, is told by means of four clusters that encourage people to participate.

© OMA / Photography by Fred Ernst © OMA / Photography by Fred Ernst © OMA / Photography by Fred Ernst © OMA / Photography by Fred Ernst + 19