Extreme heat is one of climate change's most urgent and rapidly growing consequences, especially in cities. Urban areas are particularly vulnerable because they trap heat in building materials and urban streets, creating dangerous conditions for residents. As temperatures continue to rise and heat waves lengthen, cities are grappling with how to remain livable in the face of this intensifying threat.
Located in the south of the "Land Down Under", Melbourne is a city that resists simplistic definitions. While refined Victorian façades confront graffiti-covered laneways, meticulously maintained public gardens coexist with former industrial warehouses transformed into cafés, studios, and cultural spaces. It is precisely in this contrast between deliberate planning and spontaneous appropriation that the architectural essence of the metropolis resides.
Its history begins with the Aboriginal Kulin people, who for millennia inhabited the banks of the Yarra River, developing complex systems of land management, spirituality, and social organization. With the arrival of British colonizers in 1835, the chapter of the modern city began, a process marked not only by urban growth and development but also by violence, forced displacement, and cultural erasure. The effects of this legacy are still felt today, even in the face of contemporary efforts toward recognition and reconciliation.
The future of the architecture industry holds countless possibilities, as research in the domain progresses. One innovation is the ability for structures to be rendered acoustically invisible, absorb earthquake energy, or harvest electricity from the sounds around them. Qualities of this nature can help redefine the functionality and sustainability of buildings. Architects and scientists are at the forefront of this creation. What makes this possible are metamaterials that could offer alternative methods of designing good buildings.
Buildner, in collaboration with building materials manufacturer Kingspan, has announced the winners of the MICROHOME Kingspan Edition with a 100,000 EUR prize fund.
ESPARTAL Pavilion / ELE Arkitektura, GA Estudio, Florencia Galecio, and Juan Gubbins. Image Courtesy of TAC! Festival de Arquitectura Urbana
The TAC! Urban Architecture Festival is held annually in Spain with the aim of bringing contemporary architecture closer to the public through installations in various cities, including Granada, San Sebastián, Valencia, Vigo, and San Fernando. Organized by the Ministry of Housing and Urban Agenda in collaboration with Fundación Arquia, the festival seeks to promote experimentation in architecture by constructing temporary pavilions for cultural events and gatherings. The 2025 edition of the festival will take place in two locations: Casa Mediterráneo in Alicante and Plaza Stagno in Las Palmas de Gran Canaria. The pavilions are selected each year through an open call for young architects up to 45 years old. This year's winners have already been announced: the ESPARTAL project by ELE Arkitektura, GA Estudio, Florencia Galecio, and Juan Gubbins; and DE ROCA MADRE by Alejandro Carrasco Hidalgo, Eduardo Cilleruelo Terán, Alberto Martínez García, and Andrea Molina Cuadro.
What does a change in use and/or scale in buildings imply? How can a church or chapel be transformed into a home? While the architecture of many contemporary sacred spaces shows a remarkable capacity for adaptation and evolution, the creative boundaries of many professionals extend beyond their conception as structures of spirituality or worship. Globally, the conversion of large churches and small chapels into private residences reveals a wide field for intervention and exploration, one that can preserve, restore, adapt, and/or renew the character of spaces originally conceived for other uses and scales, which for various reasons have been abandoned, become obsolete, or now require transformation.
Earth-based flooring materials comprise natural elements such as clay, sand, silt, lime, and organic fibres. They offer both structural performance and sensory engagement when used in both outdoor and interior spaces. Due to their thermal properties, durability, and sustainable qualities, these materials have evolved from vernacular construction techniques into high-value architectural elements that are always being reinvented and optimized. There are several types of earthen floorings, each offering unique benefits, and they are increasingly used in interior settings.
Think of a chair designed for a meeting room. Its height, upright posture, and material language are deliberate choices—they signal presence, focus, and a degree of formality in a space where important decisions are made. Replace that chair with a low, plush sofa and the entire spatial dynamic shifts: focus softens, posture relaxes, and hierarchies dissolve. Every chair, stool, or sofa is more than just a way to fill space. It is a device designed for a specific type of interaction, a defined posture, a particular rhythm of use. When these purposes are ignored, even the most carefully curated interiors can feel fragmented or incoherent. Furniture plays an invisible yet fundamental role in shaping how people behave, how they feel, and what kind of work happens.
Shah Alam Sports Complex Render. Image Courtesy of Populous
Populous, in collaboration with Malaysian practice HIJJAS Architects + Planners, has released the design for the new Shah Alam Sports Complex in Selangor, Malaysia. Anchoring the Kompleks Sukan Shah Alam (KSSA) masterplan, the stadium sits at the heart of a 188-acre redevelopment led by Populous that aims to transform the site into a major public and civic destination. Originally opened over 25 years ago, the existing Shah Alam Stadium has been a significant venue in the country's sporting history. The new proposal retains the original stadium's silhouette while introducing contemporary architectural and technical upgrades to support current and future needs. Redevelopment works, including the demolition of the aging structure, are planned over 48 months, with completion targeted for 2029.
Inside Out, Downside Up Pavilion / Slaatto Morsbøl. Image Courtesy of Copenhagen Architecture Forum Copenhagen Architecture Forum (CAFx)
The first edition of the Copenhagen Architecture Biennial will take place from 18 September to 19 October 2025. Organized by CAFx (Copenhagen Architecture Forum), the event marks a transition from the previous annual Copenhagen Architecture Festival to a more expansive platform for architectural exploration. The theme of the inaugural edition, "Slow Down," invites participants to reflect on how the rapid pace of modern life affects the built environment. According to the organizers, this thematic shift encourages the envisioning of spaces that promote sustainability, longevity, and mindful engagement with our surroundings. In line with this vision, the organization launched an open call earlier this year for pavilion proposals that embody principles of circular design while serving as hubs for public programming during the event. Two winning proposals, modular structures by Slaatto Morsbøl and Tom Svilans x THISS Studio, were selected, each offering an approach to architectural deceleration.
UAE Pavilion at the Expo Osaka 2025. Image Courtesy of UAE Expo Office
The UAEPavilion at Expo 2025 Osaka, titled "Earth to Ether," presents an immersive, multisensory experience that narrates the story of the United Arab Emirates, from its cultural heritage and core values to its forward-looking innovations. Inspired by the symbolic date palm, the pavilion reimagines areesh, a traditional form of Emirati vernacular architecture, by combining agricultural byproducts from date palms with refined Japanese woodworking techniques. Opened in April 2025, under the theme "Designing Future Society for Our Lives," the pavilion is located in the "Empowering Lives" zone. Designed to work under the broader theme, the UAE Pavilion offers diverse programming and interactive exhibits and serves as a collaborative platform for co-creating solutions that "drive collective progress."
Tampa International Airport. Image Courtesy of Hensel Phelps and HNTB, in association with Gensler
From Bangkok to Billund, a new wave of architectural project announcements is reshaping how spaces for work, culture, mobility, and public life are conceived. Across Norway, Thailand, the United States,Denmark, Australia, and Thailand, these projects reflect an increasing emphasis on technological integration, sustainable construction, and flexible, future-ready environments. Whether designing production hubs for digital creators, adaptable media campuses, or civic landscapes layered with history and ecological intent, each scheme offers insight into how architecture is evolving to support emerging industries, cultural programming, and new forms of public engagement. This edition of Architecture Now brings together a selection of recently announced projects that highlight the intersection of design, technology, and innovation in a global context.
Located in southern Spain, Seville unfolds as a layered city shaped by centuries of cultural intersections. As the former capital of Al-Andalus and a central port during the Spanish Empire's expansion, its built environment reflects a deep historical complexity. From Roman foundations to Islamic geometries, from Renaissance palaces to contemporary interventions, Seville presents a unique spatial narrative in which architecture directly reflects its political, religious, and social transformations.
The city's architectural heritage is inseparable from its climate and geography. Narrow shaded streets, inner courtyards, and water as spatial elements reveal a deep knowledge of environmental adaptation that still informs how public and private spaces are articulated today. While monumental landmarks such as the Alcázar, the Giralda, or the Cathedral preserve and reinterpret historic legacies, modern projects have begun introducing new materials, programs, and spatial typologies, challenging conventional forms and proposing alternative ways to inhabit the city.
Aluminum recycling plays a meaningful role in reducing emissions and conserving resources in the built environment. With the introduction of Loop 80, a certified alloy composed of 80% recycled content, Alumil continues its efforts to lower the environmental impact of architectural materials.
Following the 2023 launch of Loop 60, the first certified 60% recycled aluminum for architectural systems, Loop 80 represents a step forward in material efficiency. Certified by TÜV AUSTRIA, the increased recycled content reflects both technical progress and a stronger alignment with circular economy principles in product development.
Western Sydney International Airport. Image Courtesy of Western Sydney International Airport
The first photos of the recently completed Western Sydney International (Nancy-Bird Walton) Airport (WSI) have just been unveiled, marking the delivery of Australia's first major airport in over half a century. The design was developed with Zaha Hadid Architects and COX Architecture involved in the initial design concept, and Woods Bagot as the leading design and delivery as part of Multiplex's design team. The terminal presents a new model for airport design, one that is grounded in its setting, responsive to its context, and oriented toward the future of travel. Located in Badgerys Creek on the Cumberland Plain, the terminal is positioned to serve as a long-term gateway to Greater Sydney. While major construction has concluded, final fit-outs of the terminal's retail precinct and airline lounges will be completed closer to the airport's official launch, as commercial agreements continue to progress. Western Sydney International Airport is on track to begin operations, including domestic, international, and air cargo services, in late 2026.
The exhibition "Nosso Barco Tambor Terra" by Brazilian artist Ernesto Neto, held at the recently renovated Grand Palais in Paris from June 6 to July 25, 2025, is a large-scale, immersive installation that invites visitors to reconnect with nature and community through sensory experience. Drawing inspiration from Brazilian and Indigenous cultures, Neto uses textiles, scents, and organic materials to create a space for reflection and interaction. The textile installation was recently captured by photographer Paul Clemence, who sought to portray its architectural qualities.
At the end of each edition of the Architecture Biennale, far from the public eye, tons of exhibition materials are transported across Venice in handcarts and boats. Only a small portion of these materials is reused. The main obstacles are the limited storage space in Venice and the high logistical costs—recurring challenges for circular architecture. As a result, most of the waste ends up in landfills or nearby recycling centers. But this scenario is beginning to change. In response to growing environmental concerns, architects are developing strategies to make reuse more viable. These efforts go beyond architectural and construction decisions—they also involve logistics and international trade.
Innovation is thriving around the world—and the latest results from the A' Design Award & Competition make that clear. The 2024–2025 edition has recognized 1,823 remarkable designs from 115 countries across 157 creative fields. From architecture and product design to fashion and communication, these entries highlight what happens when imagination meets craftsmanship.
Chosen by an international jury of design experts, this year's winners offer fresh perspectives and bold ideas. The A' Design Award isn't just about recognition—it's about celebrating original thinking and the creative minds reshaping how we interact with the world.
The Lebanese Pavilion at the Venice Architecture Biennale 2025 explores the land as a site of memory, intelligence, and resistance. Titled The Land Remembers, the exhibition is presented by the Collective for Architecture Lebanon, composed of Lynn Chamoun, Elias Tamer, Shereen Doummar, and Edouard Souhaid, and takes the form of a fictional public institution: the Ministry of Land Intelligens. The pavilion addresses the ongoing ecological crisis in Lebanon through an architectural lens, framing ecocide as both an environmental and social injustice. Positioned within this year's curatorial frameworkIntelligens: Natural. Artificial. Collective. the project calls for a reevaluation of how architecture engages with damaged landscapes. In this interview with ArchDaily editors during the Biennale, the curators explain how the project impels a rethinking of architecture's foundational commitment to the land.
The residential project Villa San Luis, originally named Villa Compañero Ministro Carlos Cortés, was built between 1971 and 1972 on land that today lies in one of the highest-income areas of Santiago, Chile. Initially designed as an urban center for 60,000 middle-income residents, with staggered buildings and a civic center covering 3.4 of its 50 hectares, the project was redefined in the 1970s to accommodate the unhoused population in the eastern sector of the Chilean capital. The process was not without conflict. During the dictatorship, the new residents of the complex were evicted, and the land was acquired by the military. From then on, the complex entered a process of reappropriation and resignification that now appears to be reaching a new milestone: the conversion of one of its buildings into a memorial site and museum, through a project by UMWELT and Plan Común.
