The American Institute of Architects (AIA) has announced the names of the 152 member-architects who have been elevated to its prestigious College of Fellows for 2018. Limited to members who have made “a significant contribution to architecture and society and who have achieved a standard of excellence in the profession,” approximately 3 percent of the AIA’s total membership of 90,000 are recognized as fellows.
Just four months after winning the 2017 Stirling Prize, the UK’s top honor for architecture, dRMM’s Hastings Pier is now up for sale, as the charity that owned and operated the structure was declared insolvent for failing to reach self-funding status.
Frank Gehry’s designs for the Extreme Model Railroad and Contemporary Architecture Museum have been revealed, and as its name implies, the museum is about to take miniature trains to the maximum.
Located on an 83,000 square foot site in North Adams, Massachusetts, just a few blocks away from contemporary art museum and artist residence Mass MoCA, the Extreme Model Railroad and Contemporary Architecture Museum looks set to become the preeminent playground for architects and model train enthusiasts alike.
Visiting Mexico City several times in recent months enabled me to get to know a number of leading architects there. In the process, I was in turn directed to other architects that were new to me, whom I then discovered were, in fact, the leading and most revered architects in the country according to the local architectural community. I am particularly referring to Alberto Kalach and Mauricio Rocha, whose interviews were published in this column last year, and Benjamín Romano, whose name came up when I asked a number of architects to cite their favorite building from recent years in Mexico City. Along with the absolute favorite, Vasconcelos Library by Kalach, another structure stood out: Torre Reforma, a 57-story office tower, the tallest building in the city. The following conversation with Romano, its architect, took place inside this unusually powerful and inventive structure.
In January, we covered an interview with Bjarke Ingels where he spoke of the role that clients play in architecture. In the article, Bjarlke Ingels mentioned that "In the world of architecture there are many more things beyond an architect's control than are under his command." The post started a debate among our readers as well as our editors at ArchDaily. Many readers bemoaned the demise of architecture at the hands of clients with big pockets. Some of us talked about how IT giants not only control our digital world, they are now also encroaching upon our urban environments. Several readers blamed big clients for creating starchitects who build grand buildings and, as they allege, cause an "infantalisation" of architecture in the process.
Here at ArchDaily, our editors got to thinking: Can architecture exist without a client? Or is it just a service, a capitalistic exchange? And really, are clients such a bad thing for the field?
We talk to some of our editors to get their perspective.
École des Ponts ParisTech Tackles the Digital Innovation Shift of the Design and Construction Industry
Applications are open for the third edition of the Design by Data Advanced Master® in Computational Design, Digital Manufacturing and Building Technologies opening in September 2018 in Paris.
Design by Data provides attendees with a cross-disciplinary culture of computational design and a comprehensive knowledge of cutting-edge technologies in the fields of parametric architecture, robotics, digital manufacturing and 3D printing for the construction industry.
The 2018 Pritzker Architecture Prize will be announced on Wednesday, March 7th at 10am EST. Past Laureates include a roster of architecture's most influential names, including Philip Johnson, Zaha Hadid, Rem Koolhaas, Oscar Niemeyer, Norman Foster, Peter Zumthor, Toyo Ito, Alejandro Aravena and, most recently, Rafael Aranda, Carme Pigem and Ramon Vilalta of RCR Arquitectes (full list).
Sou Fujimoto Architects' Terracing Learning Center Wins Competition at University of St. Gallen in Switzerland
Sou Fujimoto Architects has been selected as the winner of a competition to design the new HSG Learning Center at the University of St. Gallen in Switzerland.
Chosen from a shortlist of 8 teams, Sou Fujimoto Architects’ proposal “Open Grid – Choices of Tomorrow” received the highest marks across the following criteria: architecture and urban planning, innovation in concept execution, functionality, sustainability and economic efficiency. According to the competition jury, the project was notable for its “highly developed didactic concept, compatibility with the district, architectural ambition and affordability.”
Just months after plans were announced for a major transformation of Philip Johnson’s AT&T Building at 550 Madison, another iconic midtown Manhattan skyscraper is at risk – and this time, it would mean the demolition of the entire building.
Designed by Natalie de Blois and Gordon Bunshaft of SOM and completed in 1961, 270 Park Avenue (formerly known as the Union Carbide Building) is considered a key example of the International Style in New York City that extended and even improved upon the precedent set by Mies van der Rohe’s Seagram Building.
But after new zoning legislation for the neighborhood was passed last year, the building’s current owner, JPMorgan Chase, has announced plans to raze the 707-foot-tall building in favor of a new, hi-tech supertall replacement. If plans go through, it would be the world’s largest and tallest building ever to be intentionally demolished.
Johann David Steingruber was a German architect and designer with over 100 buildings to his name, including many churches, town halls, school buildings and even breweries. However, perhaps what he is best known for today are the intricate illustrations of his 1773 Architectural Alphabet, in which he converted the alphabet into plans for a series of eccentric baroque palaces.
Done more as a "labor of love" rather than for any practical reason, Steingruber's book is a compilation of playful and intricate spatial relationships, with each letter providing its own unique set of challenges. Even though the letters naturally offer more complex shapes than we would ordinarily use for plans, the spaces somehow make sense. The baroque style of oval antichambers, domes, and vaults is evident not only in the plans but also in the elevations.
Architecture as Experiential Marketing: The Surprisingly Bright Vantablack Olympic Pavilion in PyeongChang
Much has been said about the darkest building in the world, designed by Asif Khan, for Hyundai's Winter Olympic pavilion this year. What’s more surprising about this blackest-of-black pavilion is really how bright it is inside. The imposing facade of Vantablack VBx2 encloses a series of radiant, playful rooms and the entire project is part of a joint effort by Hyundai and Asif Khan to use architecture and design principles to bring delight to Olympic visitors in Pyeongchang this year.
2017 was a momentous year for Chinese architecture. From Tianjin Binhai Library taking the internet by storm with images of its terraced "sea of bookcases", to Alvar Aalto Medal recognizing Zhang Ke of standardarchitecture for his professional accomplishments. China has retained a remarkable presence in the global architecture scene.
So many of our readers around the world celebrate Chinese New Year and welcome fresh beginnings in the Year of the Dog, we would like to take a look back at 2017 and share with you the most visited projects from China. This is a collection of projects coming from world-famous practices such as MVRDV and MAD Architects, and also from the younger, local talents who have demonstrated great potential in bringing positive changes to China’s built environment.
Gilles Saucier, FIRAC, and André Perrotte, FIRAC, founding partners of Saucier + Perrotte Architectes, have been awarded the 2018 RAIC Gold Medal, the highest honor bestowed by the Royal Architectural Institute of Canada to an individual or team of individuals in recognition of “a significant and lasting contribution to Canadian architecture.”
Founded in Montreal in 1988, Saucier + Perrotte Architectes have worked at the highest levels over their 30 year career, completing a range of project types both within Canada and internationally. The firm was lauded by the jury for pushing boundaries of innovation while maintaining a sense of elegance and refinement.
This article was originally published by Metropolis Magazine as "The Big Ideas Behind Microsoft’s New 'Design Language.'"
Microsoft is undertaking an ambitious overhaul of its 800 offices around the world and uncovering great insights about the intersections of technology and workplace design in the process. The technology giant’s global director of workplace strategies, Riku Pentikäinen, speaks to Metropolis’s Avinash Rajagopal about the company’s new workplaces, collaborating with designers and furniture manufacturers, and how his team takes a data-driven approach to office design.
The black sheep of all architectural drawing has got to be technical drawing. Everybody loves drawing perspectives, sketches —you know the creative, interesting and expressive part of architectural drawing. But what about the aspects of drawing: the technical, logical, rational part? It might not be as sexy as freehand drawing, but it is just as important.
If you don’t know proper technical drawing skills it will show in your work; your perspectives will look ‘less smart’ and badly proportioned and your designs will lack consistency. So in order to make technical drawings look less cold and more approachable, I’m sharing the best 20 technical drawing tips I’ve come across.
Construction of Zaha Hadid Architects’ Al Wakrah Stadium for the 2022 World Cup in Qatar is marching forward, with an opening date anticipated by the end of 2018. As shown in a video released by the Supreme Committee for Legacy & Delivery, the stadium’s concrete lower bowl has been poured and its massive roof pillars have been successfully installed.
OMA has revealed plans for the renovation of the New Tretyakov Gallery on Krymsky Val in Moscow that will increase the accessibility and visibility of the gallery’s four sectors. Led by Rem Koolhaas, the scheme will use color and material to create a new visual identity and to establish a new link to the Moscow River.
SPYSCAPE, a new interactive spy museum dedicated to immersing visitors into the world of espionage, has opened in New York City. Designed by Adjaye Associates, the 60,000-square-foot museum features a range of interactive exhibitions housed within a moody material palette of glowing lights, smoked glass, fiber cement and corten steel.
Update 2/20/18: We've added a gallery of additional images to the post!
OMA has been selected as the winner of an international competition for the design of the new Palais de justice (courthouse) in Lille, France. Located on the outskirts of the city near the historic Vauban fortifications, the new courthouse will house the high court and district court of Lille within a colorful, expressive volume.
Sometimes referred to as “the leading environmental architect of our time,” in his roles as architect, designer, author, educator and social leader, William McDonough (born 20 February 1951) has provided a renewed look at the things that we make and their impact on both our bodies and the world. Through his Cradle to Cradle philosophy, McDonough’s buildings are designed to function for a predetermined lifespan, after which they can be broken down into their various parts whose core elements can be used anew to solve a different design problem.
This article was originally published on Common Edge as "Making a Case for the Renaissance of Traditional African Architecture."
Last September, Nigerian Afrobeat musician Wizkid played to a sold-out house at the Royal Albert Hall in London, joining a growing list of illustrious African musicians, such as Selif Kaita, Youssou Ndour, Miriam Makeba and others, that have performed at that prestigious venue. This event affirmed the unfolding cultural renaissance across the continent, but it also signified the rising global influence of African music, movies, fashion, cuisine and the arts.
Sadly, traditional African architecture, especially in Sub-Saharan Africa, has not profited from this renaissance and has instead steadily lost its appeal across the continent. In spite of its towering influence in the pre-colonial era, it has largely failed to develop beyond the crude earthen walls and thatch roof architecture; for this reason it has remained unattractive to homeowners who often associate it with poverty. Consequently, the neglect of indigenous architecture has resulted in the dearth of skilled craftsmen knowledgeable in the art of traditional building, a reality that has further dimmed hopes for a revival of this architectural style.
Is there an aspect, a recurring mark, that reveals a difference in the way that male and female architecture photographers see the world? This is, perhaps, one of those rhetorical questions often used as an argument to shed light on works produced by women and for which there is no precise answer.
Without claiming to offer an answer to this question—and in order to follow up on our first article that showcased a selection of women in architecture photography—we present here a new compilation of professionals who deserve attention for the quality of their photographic work. See our list below:
Louis Kahn (February 20th 1901 – March 17th 1974) was one of the United States' greatest 20th century architects, known for combining Modernism with the weight and dignity of ancient monuments. Though he did not arrive at his distinctive style until his early 50s, and despite his death at the age of just 73, in a span of just two decades Kahn came to be considered by many as part of the pantheon of modernist architects which included Le Corbusier and Mies van der Rohe.
It's time to get your applications ready! Now in its 11th year, the World Architecture Festival will take place in Amsterdam from November 28 to 30. Organizers expect nearly 500 architectural practices to compete for prizes in over 30 categories. The event moves to the historic Dutch city following two years in Berlin.
The Festival is the world's largest live architecture awards event--all shortlisted architecture projects are presented in person by the architects to an esteemed panel of judges. And this year, nearly half of the 120 judges are expected to be women.