Moroccan Architecture

Heritage sites constitute complex spatial archives in which architecture, history, and collective memory converge. They encompass a wide spectrum of contexts—from archaeological remains, ancient and historic townscapes, UNESCO-listed landscapes, to early modern civic structures and industrial infrastructures. Yet these environments confront challenges: climate change, urban transformation, disaster, shifting social needs, and the gradual erosion of material fabric. Revitalization and restoration projects respond to these conditions by positioning architectural and spatial practice as an active mediator between preservation and the contemporary topologies.

Launched in September 2024, the Rediscovering Modernism in Africa series joined a growing worldwide interest in this topic. Previously underrepresented in architectural discussions, the work of architects and researchers on the continent and abroad has continued to tell the story of these high-quality modern works of architecture. These buildings represent designers striving to create locally suited architecture using global concepts and technologies, coinciding with huge political changes as most African countries gained their independence.

Modernism has a long history in Morocco. Being close to Europe and under French Protectorate rule, it kept pace with architectural developments in the movement. Its relative peace after the Second World War further strengthened its role as some European architects sought a hub for new ideas. Architects in independent Morocco adopted Modernism as they were tasked to build the infrastructure of a new nation. The architect Jean-François Zevaco, born in Morocco to French parents, practiced across these formative periods, developing his own expressive version of modern architecture.

OUALALOU+CHOI has won the international competition for the design of the new Casa Sud Train Station in Casablanca, Morocco. Based in Paris and Casablanca, the architecture and urban design practice led by Tarik Oualalou and Linna Choi is recognized for its work exploring the relationship between architecture, infrastructure, and public life. The winning proposal envisions the new station as both an infrastructural hub and a civic landmark, addressing the needs of a rapidly expanding metropolis while contributing to the urban and social fabric of Morocco's economic capital.

The Prince Moulay Abdellah Stadium in Rabat has officially opened as Morocco's new national stadium, following its inauguration by Crown Prince Moulay El Hassan on September 4, 2025. Designed by Populous, the stadium has a capacity of 68,700 and was developed under the direction of the National Agency for Public Facilities of Morocco to meet FIFA standards, enabling it to host matches up to the semi-finals of the 2030 FIFA World Cup. The redevelopment replaces the original 1983 stadium, positioning it as Morocco's flagship sports venue ahead of a series of international events.

The Kingdom of Morocco's exhibition at the 19th International Architecture Exhibition – La Biennale di Venezia highlights Moroccan earth architecture and traditional construction techniques. The exhibition, titled Materiae Palimpsest, was curated by architects Khalil Morad El Ghilali and El Mehdi Belyasmine. In an exploration that blends ancient techniques with digital technologies, the exhibit features textile works by architect and artist Soumyia Jalal, along with holograms of artisans and tactile installations. The narrative presents earth as a renewable resource and sustainable material, and earth construction as a key to both preserving architectural heritage and addressing contemporary ecological and social challenges. Materiae Palimpsest offers an invitation to rethink architecture's current relationship with building materials, opening the way to locally rooted construction methods.

Lesley Lokko, the Scottish-Ghanaian architect, curator of the 18th Venice Architecture Biennale, and the first Black woman to receive the RIBA Royal Gold Medal, has recently launched Nomadic African Studio, an educational program for young architects. The initiative is organized by Lokko's African Futures Institute (AFI) and is inspired by her experience establishing the Biennale College Architettura in 2023, a program for graduate students, recent graduates, early-career academics, and emerging practitioners to explore new possibilities for architectural education, which has also been continued for the 2025 edition. Nomadic African Studio consists of a series of fully funded, month-long studios across the African continent, "basing locations on themes, rather than places." The first edition is set to begin in July 2025, in Fez, Morocco.

The Aga Khan Award for Architecture (AKAA) has announced the 19 shortlisted projects for its 2025 cycle. Selected from a pool of 369 nominations, these projects will compete for a share of the USD 1 million prize, one of the most significant awards in the field. The shortlist was determined by an independent Master Jury composed of nine members: Azra Akšamija, Noura Al Sayeh-Holtrop, Lucia Allais, David Basulto, Yvonne Farrell, Kabage Karanja, Yacouba Konaté, Hassan Radoine, and Mun Summ Wong. The Jury will meet later this summer to review on-site evaluations and select the final recipients of the 16th Award Cycle (2023–2025).

The World Monuments Fund (WMF) has announced its 2025 World Monuments Watch, highlighting 25 sites facing significant challenges. This biennial program, launched in 1996, aims to raise awareness and mobilize action for the preservation of cultural heritage worldwide. The 2025 list includes diverse locations across five continents and, notably, the Moon, representing the need to protect artifacts from humanity's first lunar missions. The selection process involved over 200 nominations, revealing regional trends such as climate change impacts in Sub-Saharan Africa and urbanization challenges in Asia and the Pacific.

Populous and Oualalou + Choi have just released the design for the of Grand Stade Hassan II in Casablanca, Morocco. Set to be the largest football stadium globally, the stadium boasts a capacity of 115,000 people. Drawing inspiration from Morcco’s traditional ‘moussem,’ a type of social gathering, the design features a grand, tent-like roof that integrates dramatically into its forested surroundings.