Moroccan Architecture

Modern Moroccan architecture is reinterpreting vernacular traditions. Taking its name from the Arabic al-maġhrib, or the “place the sun sets; the west”, the kingdom is a sovereign state home to numerous examples of Islamic design, as well as detailed art and ornamentation found within geometric patterns, friezes and open courtyards.

Either as singular outcroppings or as part of a bustling center, skyscrapers are neck-craning icons across major city centers in the world. A modern trope of extreme success and wealth, the skyscraper has become an architectural symbol for vibrant urban hubs and commercial powerhouses dominating cities like New York, Dubai, and Singapore.

Africa’s tallest skyscraper is set to begin construction in two weeks time. Designed by Spanish architects Rafael de la-Hoz Arquitectos and Moroccan firm CHB Cabinet Hakim Benjelloun, the 820-ft tall Bank of Africa Tower will take the title of tallest tower from the Carlton Centre in Johannesburg. Aiming for LEED Gold and HQE ratings, the tower will begin construction on November 1 and is expected be complete by May 30, 2022.

Hours before the start of the 2018 FIFA World Cup Russia's opening ceremony, the soccer organization will reveal if the Canada–Mexico–United States or Morocco will be selected to hold 2026 FIFA World Cup.

Theatre Projects consultants, together with the architectural office Studio KO, have recently designed a multipurpose auditorium of 115 seats, with the aim of hosting conferences, screenings, concerts, theater, and cinema.

A new museum dedicated to the life and work of French fashion icon Yves Saint Laurent has opened in the Moroccan city of Marrakech. Designed by Studio KO, the building sits a short distance away from Jardin Majorelle – the home acquired by Saint Laurent and Pierre Bergé in 1980. With a large permanent exhibition space designed by scenographist Christophe Martin, showcasing the collections of it's namesake, the museum also features temporary exhibition spaces, a research library and archives, an auditorium, bookstore, and a terrace café.

Quebec-based practice Lemay has won the global bid to redesign Morocco’s Casablanca Coast, which will include the new seaside promenade of the Hassan II Mosque and the Ain Diab corniche.

In this photo-essay, Norbert Juhász—a Hungarian photographer based in Budapest—presents a study of the Moroccan Berber villages (around Imlil and the surrounding valleys). Located in the High Atlas Mountains, these remote settlements are increasingly connected to the "outside world." In the words of Juhász, "many are now connected to the electrical grid and have some sort of road access." That said, "mules are still a popular form of transport."

This article, written by Svetlana Kondratyeva and translated by Olga Baltsatu for Strelka Magazine, examines the most interesting cases of the role of culture in sustainable urban development based on the UNESCO report.

The Pavilion of Morocco at the 14th Venice Biennale, Fundamentals, focused on territorial speculations in the Sahara: Inhabiting the Uninhabitable. For the exhibition, which was the country's first representation at the Biennale, Paris-based practice OUALALOU+CHOI proposed an urban structure for this desert territory – "a means of putting down roots, implanting urbanity and civilization. The Sahara, with its extreme geography and climatic conditions, remains unexplored territory for architectural speculation."