Design Miami’s latest initiative in partnership with Architects for Beirut, has gathered a collection of 100+ original architectural drawings and artworks donated by 90+ renowned architects from around the world. With proceeds going to aid on-the-ground restoration efforts in Beirut, works offered include exclusive pieces from Zaha Hadid, David Chipperfield, Toyo Ito, Steven Holl, Tatiana Bilbao, Adjaye Associates, and Renzo Piano, to name a few.
Amale Andraos: The Latest Architecture and News
Design Miami Unveils Architectural Drawings by 90 International Architects Including Steven Holl, David Chipperfield and David Adjaye
In order to inspire our audience, generate critical debates, and develop ideas, ArchDaily has been continuously questioning architects about the future of architecture. To define emerging trends that will shape the upcoming cities, examining “What will be the future of architecture?” became an essential inquiry. More relevant during these ever-changing moments, discover 10 interviews from ArchDaily’s archived YouTube playlists that will highlight diverse visions from 10 different pioneers of the architecture field.
WORKac in collaboration with Musea Brugge and Cultuurcentrum Brugge has created an exhibition entitled Water Works. Set to run initially from March 7th to June 7th, 2020 at the historic Poortersloge in Bruges, Belgium, the exhibition has been temporarily closed to the public due to the ongoing COVID-19 epidemic. However, the New York-based architectural practice has produced a brief video highlighting its six themed rooms and the eighteen projects on display.
What is architecture if it does not understand its context? Architecture is shaped and curated by the area it lives in, showcasing the culture it embodies. The more of this identity it embodies, the more meaningful (and sometimes prominent) it becomes.
December of 2018 was a month of prosperity for Lebanese architecture: Hashim Sarkis was announced curator of the 2020 Venice Biennale and Lebanese-born Amale Andraos and partner Dan Wood of WORKac were selected to build the Beirut Museum of Art. The museum, a dynamic assembly of contoured geometries (not entirely unlike their work at Miami's Museum Garage) located in the heart of Beirut City, will house permanent and temporary exhibitions across 12,000 square meters. WORKac's winning scheme was chosen for its ability to “reveal the cultural possibilities of integrating art, architecture, and landscape within a dense urban setting and as a means to re-imagine how we can live, learn and share together.”
Whether it be the overly-dainty posture of scale model figures or the assumptions of being the in-house decorator, the portrayal of women in architecture is often one of subservience. Despite Despina Stratigakos' hands-on efforts behind Architect Barbie or the global impacts of the legacy of starchitect Zaha Hadid, there continues to be a lack of visibility of women in the profession.
In a recent article in the New York Times, writer Allison Arieff poses the echoed question that the architectural community keeps asking itself, "Where are all the female architects?" No longer an issue of uneven gender ratios in architectural schooling, the persistence of dwindling numbers of women principals at the top of firms simply does not resonate. She postulates, that perhaps more significant than the statistics, the real problem lies in the definition of success.
Architect Amale Andraos and her firm WORKac have been selected to design BeMA, the new Beirut Museum of Art in Lebanon. Centrally located in the heart of Beirut, the project will be positioned on a site that once marked the dividing line in the Lebanese civil war. The museum’s permanent collection will include modern and contemporary artworks from Lebanon, the Lebanese diaspora and the wider region. The new project will feature 70 balconies arrayed as a vertical promenade that blends indoor and outdoor spaces to create an open museum for the city.
In this episode of GSAPP Conversations, Kersten Geers—co-founder of OFFICE KGDVS—and Amale Andraos discuss their shared obsession with books, and the integral role that book-making plays in their professional offices and teaching. In this podcast, Geers echoes Aldo Rossi’s call to evaluate architecture within a cultural context, positioning books as the best tool to create a place in which architectural work acquires value and meaning; a device to establish a context of ideas.
For the large majority of "household names" in the architectural sphere, their origins take on an almost mythical status – and this is certainly the case for Atelier Bow-Wow, one of Japan's most renowned internationally operating studios. In this discussion with Dean Amale Andraos (Columbia GSAPP), Momoyo Kaijima—who co-founded the practice with Yoshiharu Tsukamoto in 1992—discusses their particular relationship between research and practice, the difficulty and rewards of working in the Fukushima area following the 2011 tsunami and nuclear incident, and her personal interest in working across generations to develop a deeper understanding of the relationship between buildings and their inhabitants.
We are pleased to announce a new content partnership between ArchDaily and Columbia University's Graduate School of Architecture, Planning and Preservation (GSAPP) in New York City.
GSAPP Conversations is a podcast series designed to offer a window onto the expanding field of contemporary architectural practice. Each episode pivots around discussions on current projects, research, and obsessions of a diverse group of invited guests at Columbia, from both emerging and well-established practices. Usually hosted by the Dean of the GSAPP, Amale Andraos, the conversations also feature the school’s influential faculty and alumni and give students the opportunity to engage architects on issues of concern to the next generation.
“Belonging,” the curatorial quintet of the 2016 Oslo Architecture Triennale, After Belonging, argue, “is no longer something bound to one’s own space of residence, or to the territory of a nation.” For this group of Spanish-born architects, academics and theorists—Lluís Alexandre Casanovas Blanco, Ignacio Galán, Carlos Minguez Carrasco, Alejandra Navarrese Llopis and Marina Otero Verzier—the very notion of our belongings and what it means to belong is becoming increasingly unstable.
After Belonging is the sixth incarnation of the Triennale and the first one in which a single curatorial thread has woven all of the festival’s activities together, including the international conference. The goal of the two primary exhibitions—On Residence and In Residence, including a series of Intervention Strategies—is to develop platforms with the aim of “rehearsing research strategies,” providing new ways for architects to engage with “contemporary changing realities."
This event frames embodied energy—defined as the sum of energy required to produce, transport, assemble, and dispose of any building element—in the context of broader design ecosystems and architectural issues. Opening keynote by Michael Specter (The New Yorker), closing keynote by Paola Antonelli (The Museum of Modern Art), and 3 panels featuring international experts from universities and private practices. The event is organized by Columbia GSAPP professor David Benjamin (The Living, NY), who also directs the GSAPP Incubator.
Ever present in the forum of architectural discourse, WORKac is known not only for their playful and well-developed projects, but also for their exhibits, installations and publications that all have a message: architecture has the power to change the way we live. Most recently, they’ve participated in the Chicago Architecture Biennial, re-producing famous speculative drawings by Antfarm to illustrate alternative ways of living. Even before that however, WORKac has been shifting its focus on the impact of architecture on the environment, looking at the way city planning and housing could improve to lessen our damage to the earth. Their book, 49 cities, explores the plans and strategies of its namesake to speculate on how we can begin to improve our own, current cities, while their exhibit at the MoMA PS1 event, “Foreclosed: Rehousing the American Dream” advertised a potential “Nature City” that could change the way we live.
We recently sat down with Amale Andraos, co-founder of WORKac, about her past year as the new dean of Columbia University’s Graduate School of Architecture, Planning and Preservation (GSAPP). Appointed as the University’s dean in September 2014, Andraos has made steps to improve the program’s connectivity within itself and challenge students and faculty with considering the role of discourse in architecture.
The Avery Review (AR), a new online journal dedicated to thinking about books, buildings and other architectural media, seeks to utilise the potential in the critical essay and repackage it for the digital realm. A project of the Office of Publications at Columbia University's Graduate School of Architecture, Planning and Preservation, the AR's responsive website (designed by Nothing in Common) perfectly matches the exceptional quality of the content. Featuring essays from Owen Hatherley and Amale Andraos, among others, the overarching aim of the review is to "explore the broader implications of a given object of discourse" whether that be "text, film, exhibition, building, project, or urban environment."
Find out more from editors Caitlin Blanchfield and James Graham after the break.
New York-based architect and co-founder of WORKac, Amale Andraos, has been selected as the new dean of Columbia University’s Graduate School of Architecture, Planning and Preservation (GSAPP), the Columbia Spectator has reported. Andraos will assume the position on September 1, replacing Mark Wigley who announced his retirement last year.