With its monumental form, swept diagonal lines and elevated concrete walkways, the Issam Fares Institute building at the American University of Beirut by Zaha Hadid Architects emphasizes movement, evoking the speed of contemporary life as it presides over a connecting system of pedestrian walkways. Begun in 2006 and completed in 2014, Hadid’s award-winning concrete and glass building makes a bold statement with its prominent 21-meter, two-story-tall cantilever, which creates a covered courtyard and reduces the footprint of the building to avoid blocking circulation routes. The elevated walkways carry pedestrians through the branches of huge Cypress and Ficus trees, many of which significantly predate the building at 120 to 180 years old.
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Lebanon Pavilion at 2018 Venice Biennale To Reflect on The Built Environment Through a Reflection on The Unbuilt Land
As part of our 2018 Venice Architecture Biennale coverage we present the proposal for the Lebanon Pavilion. Below, the participants describe their contribution in their own words.
In the rapidly burgeoning city of Beirut, the post-war building boom is far from over. Much like its middle-eastern neighbors, it boasts of a plump share of designer architecture—as critic Oliver Wainwright refers to it, “a diverse shopping list”. It is here that the Beirut Terraces, a residential complex designed by Herzog & De Meuron, rises up to 119 meters, occupying a prominent place in the city’s skyline. In this collection of photographs by Bahaa Ghoussainy, one sees the Beirut Terraces from within, getting a glimpse of both the interior, as well as the multiple, unique views offered from inside the building.
Citizens of Beirut have been left behind in the city's drive to attract more tourism, leading to a building boom on the Lebanese capital's periphery.
With the Jarahieh Refugee School, CatalyticAction Demonstrates the True Potential Of Temporary Structures
The 2015 Milan Expo required the input of more than 145 countries and 50 international organizations resulting in over 70 temporary pavilions; a combined effort totaling more than €13 billion. Norman Foster’s rippling pavilion for the United Arab Emirates ended up at €60 million. The massive slab of concrete, laid out over the previously green agricultural land to act as the Expo’s foundation cost a whopping €224 million. Even Vietnam’s “low cost” pavilion came in at $2.09 million.
BAD. Built by Associative Data, in collaboration with MARZ Studio, has released the plans for its newest project, No. 5, a mixed-use space in the heart of Jonah in Beirut City, Lebanon. Designed with parametric studies in mind, the project takes into account view orientations, solar radiation, wind infiltration, and program through its various levels of massing.
The U.S. State Department is moving forward with plans for a new Embassy in Beirut, Lebanon. After awarding the commission to California architects Morphosis in 2013, the government has now granted the construction contract to to B.L. Harbert of Birmingham, Alabama, willing allow the project to get underway.
109 Architectes has released its proposal for the Beirut Museum of Modern Art (BeMA), for which a competition was recently held. The proposal was shortlisted, but did not ultimately win. In this proposal, BeMA is a box—“a generic form that belongs to everyone”—based on a scene in The Little Prince, where a traveler is asked to draw a sheep. The Prince rejects each sheep drawing until the traveler draws a box, inside of which a sheep is hidden. “The cube is a neutral form in the Little Prince’s search for identity. Within it, he sees what he wants to see.”
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