Local Materials: The Latest Architecture and News

Modular homes are houses either partially or fully constructed in a factory. This process involves creating a series of three-dimensional 'modules' delivered to a site in a predetermined spatial pattern and assembled into a complete product. These homes have become popular solutions to housing crises as they can be produced 50% faster and emit half as much pollution.

However, the locality of the materials used is a significant factor that gives homes their character. It conveys a sense of place, culture, construction history, and local craftsmanship. This raises questions about its role in modular housing: Can local materials be used in the factory production of homes? Can they be combined with a modular framework and temporary connections? What are the limitations of building modular homes in the local contexts of the Global South?

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Ammar Khammash is a Jordanian architect, designer, and artist best known for his approach that focuses on the preservation of cultural and natural heritage while crafting an architecture that engages with its surroundings. With deep admiration for nature and its ecosystems, Khammash trusts that "the site is the architect”, a statement for which he is renowned that underscores the profound influence of context on his architectural design. With over three decades of experience spanning various disciplines and across several Middle Eastern countries such as Jordan, Oman, Palestine, Egypt, Syria, and the UAE, Ammar Khammash has consistently attempted to preserve and enhance the symbiosis between human constructions and the natural environment. His contributions include the Royal Academy for Nature Conservation, the Wild Jordan Center, and the restoration of the Church of Apostles.

In 2022, he was featured in the first edition of the Dongola Architecture Series, a biannual publication that offers unique perspectives into Arab culture by highlighting prominent contemporary architects. The issue, titled “Notes on Formation: Ammar Khammash,” written by Raafat Majzoub, explores "architecture as a transdisciplinary tool of expression, and as a method of imagining and reimagining the future," encapsulating the ethos of the publication. ArchDaily had the opportunity to talk to Ammar Khammash and Sarah Chalabi, founder of Dongola Limited Editions, to delve into the architect’s perspectives on site, materiality, and culture, along with his philosophy, notions on academia, and insights into the future of the profession.

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Videos

Weaving is not only a technical craft but also a way to design material experiences. Engaging in the process of weaving allows us to structure, communicate, reflect on, and connect with our designs. By experimenting with different fabric structures, we gain insight into how materials behave under tension and compression. This understanding helps us push the boundaries of textiles and their limitations, resulting in designs that stretch and test the properties of the materials.

In architecture, the construction mechanism of weaving centers the shelter to the building process. In this sense, shelter becomes a direct manifestation of material production. Additionally, weaving offers numerous environmental and social benefits by creating shelters that actively engage with materials, tools, technologies, and creative potentials, thereby supporting placemaking.

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Cameroon boasts a rich architectural heritage of Catholic Christian worship buildings. These buildings encompass various styles, including contemporary designs, Terracotta brick explorations, and Gothic, and Byzantine architectural influences. Since the arrival of missionaries and colonial communities in 1890, numerous religious buildings have been constructed with the involvement of local communities. These buildings not only contributed to the development of the Christian faith but also served as venues for the exchange of architectural ideals between the local and foreign communities.

During this period, Cameroon explored the Gothic and Byzantine movements, which had reached their peak in Europe, to create these churches. They were interrogated through local building practices and now represent the historical heritage of the country's cathedrals.

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