At a time when architectural practice is increasingly tied to climate and context, the boundary between the built and the natural has become a critical site of experimentation. This month's unbuilt selection gathers eight conceptual projects that work with the edges of landscape. In Ramia by João Teles Atelier, the architecture draws directly from the metaphor of a seed breaking through soil, using wood, concrete, and water to create a sensorial route through Tulum's ecology. Meanwhile, Mobius Pier by X Atelier loops gently over the river edge, becoming both infrastructure and observation point. Similarly, Il mare degli Umbri approaches the threshold differently, restoring the historic shoreline of Lake Trasimeno and reintroducing local wetland ecologies. Each project in this collection reflects a unique position: some treat the edge as a spatial experience, others as a regulatory line, and others still as a point of cultural or ecological return.
It has been nearly three weeks since one of California's most devastating wildfires began, triggering an immense effort to combat the blaze and mitigate further damage. As firefighters work to contain the remaining flames, the city braces for its first significant winter rainfall, raising concerns about flooding and landslides that may exacerbate the already extensive destruction.
Amid these challenges, the wildfire has spurred widespread reflection at local and global levels. Discussions have emerged on topics such as the insurance system, firefighting infrastructure, water resources, global warming's role in high-wind fire conditions, and the impact of landscape design, particularly the use of non-native vegetation.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss the Design-Build model of home construction. They cover the definition of the Design-Build model; lack of licensed architects in Design-Build companies; efficiency and economy; quality of construction; how costs are lowered; lack of transparency; who should / shouldn't engage with Design-Build companies; and more.
https://www.archdaily.com/1022287/the-second-studio-podcast-the-problem-s-with-design-buildThe Second Studio Podcast
Over-providing traditionally implies offering more than is necessary, often carrying a negative connotation due to the potential for excess and waste. However, could there be scenarios within the built environment where over-providing proves advantageous? The question critically examines how overprovisioning might enhance a building's flexibility and adaptability to diverse and evolving conditions.
The underlying assumption of accurately providing what is needed for a building is that stakeholders—including owners, architects, and designers—can accurately predict and cater to a structure's current and future needs. This assumption, however, is challenging to realize, as societal, economic, and cultural shifts frequently occur in unpredictable ways. In this context, over-providing emerges as a counterintuitive yet potentially beneficial strategy. As buildings and structures inevitably transform, those designed with inherent adaptability reduce the need for costly renovations or complete rebuilds.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design are joined by Robert Gilligan, Senior Technology Advisor at Amplified Lifestyles to discuss his background in audio-visual technology; advancements in smart home technology; home audio-visual system management; the role of audio-visual engineers in architecture projects; home security systems; the future of audio-visual technology; and more.
https://www.archdaily.com/1020465/the-second-studio-podcast-av-design-in-architectureThe Second Studio Podcast
Today, interconnected and fast-paced lifestyles, future mobility trends and constant material innovation puts pressure on a slow-moving building industry. How can architecture keep up with this trend? Following dynamic and nomadic lifestyles, architects must explore new structural systems that should be able to reach multiple locations, as well as be adaptable and reusable in the future. By applying revolutionary technology for circular, scalable components and carbon-negative buildings, UrbanBeta –a spatial innovation studio designing strategies, building concepts, predictive tools and platforms for creating transformative spaces– has developed BetaPort, a robotic construction system powered by artificial intelligence and automation.
Based on the principles of a circular economy, Urban Beta and BetaPort create a sustainable construction plan, ready to grow and change over time. The studio conceives sustainable on-demand architecture systems for flexible buildings based on a kit of parts.
El Tume House / abarca+palma. Courtesy of abarca+palma
The current demands of the industry lead architects to design based on construction solutions that accelerate processes without compromising quality, while reducing waste and dependence on intensive labor. Among these options, SIP panels stand out as a modular alternative that combines thermal and acoustic insulation with speed and construction precision.
Named after their acronym, SIP panels are self-supporting elements consisting of a rigid foam core sandwiched between two structural claddings, typically OSB boards. Strong yet lightweight, these panels are manufactured under strict factory controls and transported to the construction site, facilitating the rapid assembly of floors, walls, and ceilings, while creating an airtight thermal and acoustic envelope. The thickness of the panel depends on the combined thickness of its components, and its weight typically does not exceed 20 kg per square meter.
Rising demands for energy efficiency, technical functionality, and interior comfort in buildings necessitate the development of more efficient building envelope constructions. The building envelope serves as a mediator between a building's exterior and interior. In today's architectural landscape, it performs a multitude of functions to enhance the building's performance. These functions include building control systems, energy supply (such as gas and electricity), and heating, ventilation, and air conditioning (HVAC), among others. These elements primarily determine the functionality, efficiency, and safety of building spaces. Given that the nature of building envelopes heavily depends on these services, how can they serve as primary frameworks for building design development?
As society, technology, and architecture have evolved, designers and architects have embraced novel construction systems and innovative approaches to reshape the built environment. This advancement has stretched the boundaries of traditional construction techniques and ignited fresh ideas in building design.
In the past, some architects and artists aimed to question an architectural paradigm deeply entrenched in anthropocentrism. Historically, architecture has been linked to the notion that buildings, being conceived by human beings, must be extremely durable, even imperishable. Considering the principle that the best intervention is the least intrusive, inflatable architecture, in contrast to these human-centric viewpoints —but aligned to our ephemeral nature—, can propose structures that may exist one day and vanish the next, leaving a temporal imprint on the landscape. This architectural approach uses textiles as the primary material and air as the structural system, potentially challenging the traditional Vitruvian ideals of Venustas, Firmitas, and Utilitas.
https://www.archdaily.com/1007496/inflatable-architecture-pneumatic-structures-transforming-built-environmentsEnrique Tovar
Innovation in materials and construction systems has been a significant theme in 2023, and BASE Studio has decided to surprise us with a new material configuration that showcases the mechanical and aesthetic capabilities of Colihue. Alongside this proposal, innovative ideas for habitable projects have been generated, setting them apart from others through a distinctive spatial morphology created within a rigid perimeter of arches that inscribe a paraboloidal surface.
Today’s cities have been substantially reshaped to correspond with environmental and social needs or to reconstruct themselves after natural disasters or war. Whereas master plans and regulations take years, millions of people remain trapped in the crossfire and urgently need aid in their cities. With this pressing issue in mind, WZMH Architects developed a prefabricated- modular system for salvaging thousands of structures across Ukraine that have been partially or fully destroyed during the war. This system aims to integrate building technology into new buildings to create more sustainable communities.
“We should admit nature as an immense multitude of forms, including each part of us, who are part of everything”, says Ailton Krenak, renowned indigenous leader, in his book Ideas to Postpone the End of the World. The culture of native peoples does not understand humanity and the environment as things that are separate or superior to each other, but rather as parts of a whole. Through this particular understanding of the universe, these peoples are led to a sensitive appropriation of the territory, with structuring beliefs that are also reflected in their architecture, raising the very concept of sustainability to another level, since nature is not seen as a resource to be used, it is thought of as part of the community.
As with any industry, most skills are acquired through years of hands-on working and problem solving, and not just what's taught at school. For fresh architecture graduates, engaging with general contractors, engineers, and builders during their first site visits might feel overwhelming, especially since they are exploring the practical side of the practice.
Among the many things acquired on site are the terminologies used by construction workers that may not have been necessarily taught at school. And while an architecture dictionary might seem like the most suitable solution, carrying around a book with over 25,000 terms such as Cyril M Harris' Dictionary of Architecture and Construction wouldn't be the most convenient on a construction site. This is why we have put together list of 50 construction terms and concepts that every architect will come across at least once during their practice.
In case you missed it, our world continues, after two years, to suffer cultural spasms in response to unseen, unrelenting, and deadly infective agents that continue to wash over entire populations, spreading fear, illness, and death.
The U.S. is also suffering a quieter—but equally invasive—architectural plague, metastasizing into every part of the country. This architectural contagion has largely escaped criticism, but not since the raised ranch has an architectural “type” so fully transformed communities. In the 1950s, thousands upon thousands of dumbed-down Prairie Home allusions swept across fallow suburban farm fields like a wildfire. More than style, the half-buried lower level and split floors (one half-stair run apart) were a new way to explore how buildings could house people, especially in rapidly suburbanizing America.
Josep Ferrando is an architect based in Barcelona. He is the Dean of the La Salle Higher Technical School of Architecture (ETSALS), as well as Director of the Obert d'Arquitectura Center of Barcelona and of the Department of Culture of the College of Architects of Catalonia (COAC). Combining his academic career and his frequent lectures, his office develops projects that explore different scales and materials, experimenting with constructive systems and innovative solutions. We talked with him about the importance of materials in architecture, and about the synergies he finds between practice and teaching.
More than half the world’s population lives in dense urban areas. Uncomfortably loud restaurants, stores, hotels, or offices are enough to keep patrons away. When planning a meeting or even a night out with friends, we are conscious of selecting a location where we can focus and hear one another. The noisier our world gets, the more difficulty we have focusing on the sounds we actually want to hear.
Since the beginning of time, our ears have warned us of approaching danger. While their function remains the same, the dangers of today are different than they were in the past. Unwanted sounds can have serious health effects such as: hearing loss, cardiovascular disease high blood pressure, headaches, hormonal changes, psychosomatic illnesses, sleep disorders, reduction in physical and mental performance, stress reactions, aggression, constant feelings of displeasure and reduction in general well-being. With this laundry list of side effects, it would be foolish to leave the acoustic comfort of our spaces up to consultants alone. When we take acoustic comfort into our own hands, the end result can be quite extraordinary.
Have you ever found yourself losing a good night’s sleep due to an overly warm room? Or wearing four jackets and a scarf just to tolerate your office’s frigid air conditioning? Truth be told, you can’t please everyone when it comes to adjusting an indoor climate, and there is always that one unfortunate individual who ends up sacrificing their own comfort for the sake of others.
Evidently, there are no ‘universal standards’ or ‘recommended comfort ranges’ in designing building systems, since athletes training in a gym in Mexico will not feel comfortable in an interior with the same building systems of a nursing home in Denmark, for instance. Which is why, if we were to briefly define ‘thermal comfort’, it is the creation of building systems that are adapted to the local environment and functions of the space, cooperatively.
-45.jpg?1545636155 "© Saint-Gobain / illustration by Elisa Géhin")
-44.jpg?1545636138 "© Saint-Gobain / illustration by Elisa Géhin")
