Using only natural light to document English cathedrals can turn into a logistical and technical challenge. However, Peter Marlow's photography has resulted in a remarkable series of iconic spiritual sites whose contemplative atmosphere is rarely accessible to others. Looking east with the camera towards the nave as the dawn light streamed through the main window opens a purist and mystical perspective to the time when these sacred structures were erected.
Cathedral: The Latest Architecture and News
After a prolonged period known as the Middle-Ages, a growing desire to both study and mimic nature itself began to emerge, with an inclination to discover and explore the world. Between 1400-1600 A.D. Europe was to witness a significant revival of the fine arts, painting, sculpture, and Architecture. The ‘Renaissance’, meaning ‘rebirth’ in French typically refers to this period of European history, although most closely associated with Italy, countries including England and France went through many of the same cultural changes at varying timescales.
Prior to the dawn of the Renaissance, Europe was dominated by ornate and asymmetrical Gothic Architecture. Devoured by the plague, the continent lost approximately a third of its population, vastly changing society in terms of economic, social and religious effect. Contributing to Europe’s emergence into the Renaissance, the period ushered in a new era of architecture after a phase of Gothic art, with the rise of notions of ‘Humanism’. The idea of attaching much importance to the essence of individualism. The effect of Humanism included the emergence of the individual figure, greater realism and attention to detail, especially in depictions in art.
As the restoration and rebuilding of Notre Dame Cathedral progress, heritage experts are faced with essential and sensible decisions regarding the future architectural expression of the elements that need replacing. The latest developments saw France’s National Heritage and Architecture Commission approving a contemporary take on the cathedral’s interior, involving a re-arrangement of the furniture items, as well as the inclusion of contemporary artworks and light projections. The proposal was put forward by the diocese of Paris as a way of creating a better visitor experience; however, critics of the decision argue that it would diminish the architectural value of the Gothic monument.
Kengo Kuma was asked to preserve the western portal of the Cathédrale Saint-Maurice in Angers, France, to protect 12th and 17th century polychromatic sculptures displayed within the historic structure. The proposed design creates a "harmonious dialogue" with a subtle contemporary arched intervention that preserves its medieval architectural heritage and pays tribute to the original builders' regulatory framework and unified proportions. Construction of the new arched portals have begun and are expected to be complete in 2024.
From Festivals to Schools, Cathedrals, and Bomb Sites: The Story of Mid-Century Modernism in Britain
The term “mid-century modern” conjures up images of a sharp-suited Don Draper, slender teak cabinets, and suave chairs from Scandinavia. That is, at least, one perspective of the design movement and a view more of 1950s-era Manhattan offices than anything else. But in Britain, mid-century modernism manifested as something slightly different, coming in the form of schools, cathedrals, housing, and an era-defining festival, all eloquently described and illustrated by the prolific architectural historian Elain Harwood in Mid-Century Britain: Modern Architecture 1938-1963.
The most recent edition of The Cathedrals of England brings to a new generation the classic 1930s Batsford guide to England’s religious architecture. Concisely written and speaking to a broad readership, the book serves as a practical guide today as it did almost a century ago, acting as a reference catalogue for every Church of England cathedral in the country at the time.
Grand Prize: $1,000
Deadline: June 30 11:59PM PST
Winner Announced: July 31, 2019
On the evening of April 15th, 2019 the world held its breath as the Notre-Dame Cathedral was engulfed in flames. A few hours after the fire begun, the centuries-old cathedral had lost its entire roof, spire, and was severely damaged by the flames. Thankfully it was not completely destroyed and many priceless artifacts from the interior were saved.
The prime minister of France has announced an international architectural competition to redesign the roofline of Notre Dame Cathedral after this week's devastating fire. Prime minister Édouard Philippe made the announcement following a special Cabinet held by French President Emmanuel Macron on the reconstruction of cathedral. Philippe said the competition would give the cathedral “a spire suited to the techniques and challenges of our time”. So far, close to one billion dollars have been pledged to rebuild Notre Dame.
This article was originally published on July 28, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Six million yellow bricks on a hilltop just outside Copenhagen form one of the world’s foremost, if not perhaps comparatively unknown, Expressionist monuments. Grundtvigs Kirke (“Grundtvig’s Church”), designed by architect Peder Vilhelm Jensen Klint, was built between 1921 and 1940 as a memorial to N.F.S. Grundtvig – a famed Danish pastor, philosopher, historian, hymnist, and politician of the 19th century. Jensen Klint, inspired by Grundtvig’s humanist interpretation of Christianity, merged the scale and stylings of a Gothic cathedral with the aesthetics of a Danish country church to create a landmark worthy of its namesake.
It was decided in 1912 that Grundtvig, who had passed away in 1873, had been so significant to Danish history and culture that he merited a national monument. Two competitions were held in 1912 and 1913, bringing in numerous design submissions for statues, decorative columns, and architectural memorials.
More than 500 years after it was built, Filippo Brunelleschi's dome of Santa Maria del Fiore in Florence, Italy, remains the largest masonry dome ever built. But the dome's construction methods are still a secret, as no plans or sketches have been discovered. The only clue Brunelleschi left behind was a wooden and brick model. While the dome has been plagued by cracks for centuries, new breakthroughs in muon imaging may help preservationists uncover how to save the iconic structure and reveal new ideas on its construction.
This article was originally published by Common Edge as "It’s a Book. It’s a Building. It’s a Behavioral Intervention!"
A few years ago, while visiting, or rather exploring, Notre-Dame, the author of this book found, in an obscure corner of one of the towers, this word carved upon the wall:
These Greek characters, black with age, and cut deep into the stone with the peculiarities of form and arrangement common to Gothic calligraphy that marked them the work of some hand in the Middle Ages, and above all the sad and mournful meaning which they expressed, forcibly impressed the author.
42 photographs representing all 42 cathedrals of the Church of England by Magnum photographer Peter Marlow (1952 – 2016) are to be exhibited in The Lady Chapel at Ely Cathedral. This is only the second time this work has been displayed in one of the spaces featured in the series and the first time the project has been exhibited in this region of the UK.
A huge cathedral with tall towers and a magnificent dome rises slowly in the municipality of Mejorada del Campo, 20 kilometers from Madrid. It seems like a common occurrence, but it is not. The building has been under construction for 50 years - brick by brick - by one man: Justo Gallego Martínez, farmer, ex-monk and a self-taught architect of 91 years of age.
Learn about his life's work (literally) after the break.
A soaring contemporary space for the divine, The Cathedral of Our Lady of the Angels opened to the public in 2002. Designed by Pritzker Prize-winning Spanish architect Rafael Moneo, the Roman Catholic cathedral is a monument to the successes of postmodernism deep in the heart of downtown Los Angeles. The cathedral features modernist decoration, from angular wooden pews to steel chandeliers complete with blown glass orbs, and can host up to 3,000 visitors in its sunlight spaces with ample outdoor space in the adjacent gardens and plaza.
Ryan McAmis, an artist from Brooklyn, New York, is designing and building a miniature, scale model of a late Gothic Italian Cathedral, recreating everything from the stained glass windows to the vaulted ceiling, wall tombs and paintings. He first creates the pieces from a variety of materials, ranging from hand scribed brickwork on treated paper, to clay and wood. He then combines the materials together and creates a silicon mold, casting each piece in white plastic to be hand painted later. See more photos and read about his process after the break.