Architecture is never an accident. It is a carefully planned out scheme of patterns and styles that respond to natural surroundings, celebrate materiality, and/or are referential of stylistic movements throughout history- all a means of understanding why things are the way that they are. There are different ways to understand how to analyze architecture, through the use of diagrams, patterns, relationships, and proportions to name a few. To both architects and laypeople alike, there’s a subconscious desire for a decision-making structure in design. As a result, architecture has become an exercise in self-positioning- a microcosmic reflection of the world around us as seen in the designs we build.
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This article was originally published on Common Edge.
Pretty much everyone hates waiting rooms. Here are four statistics about them from a survey administered by Software Advice, an Austin, Texas-based consultation group: 80% of respondents said being told the accurate wait time would either completely or somewhat minimize their frustration; 40% said they would be willing to see another physician if it meant a shorter waiting time; 20% would be willing to pay an extra fee for quicker service; and 97%—virtually all of us!—are frustrated by wait times. And now, waiting rooms, in addition to being some of the dreariest places on earth, have become one of the easiest places in the world to get sick.
Human Rights Day is celebrated every year on the 10th of December. After visiting numerous sites that commemorate the scenes of regrettable crimes against humanity and violence, one common observation can be made: the place of memory is not only a building. In fact, it is more about the encounter, the appropriation, and the gesture.
Children's furniture is all furniture –fixed or mobile– that is designed according to the ergonomic guidelines and anatomical dimensions of children specifically. Following this definition, we can identify two types of furniture: (1) those that facilitate a relationship between the caregiver and the child, and (2) those that allow the child to use them independently.
The big difference between these two types is that the first has dimensions that mainly adapt to the ergonomics of the adult, while the second is designed to meet the ergonomic needs of the child at each stage of their development. Since the growth of children occurs relatively quickly, it is common for the furniture of this second group to be multifunctional or even extendable.
The International Committee of Architectural Critics CICA is pleased to announce an invitation to publishers, editors, curators and authors to submit their publications for consideration for the 10th CICA Awards 2020 by 30th November 2019. Award winners will be announced during the UIA XXVII World Congress of Architecture to be held in Rio de Janeiro from July 19th to 23rd, 2020.
The Awards fall into four categories:
“Bruno Zevi CICA Book Award”
For published books on architectural criticism, theory and history
“Pierre Vago CICA Journalism Award”
For an article
Layered Landscapes Lofoten — Understanding of Complexity, Otherness and Change adresses today’s most urgent issues about living together in landscapes and territories under severe pressure and transformation. The landscape holds essential information about our common history, ecology and social behavior — both rational and cognitive experience, and even hidden enigmas. The authors suggest how an open and unbiased approach to the landscape enables us to understand and operationalize knowledge and theory into valid proposals and projects for the future — not primarily through the traditional and habitual idea of the architectural object, but rather in contact with a global, collective
For more than 20 years, The Arhitext Design Foundation has been developing editorial and cultural projects that raise awareness of the national and international state of architecture, urbanism, design and visual arts. The most important projects of the Foundation are the Arhitext Magazine and the Bucharest Triennale, dedicated to the Central and Eastern European region. In October 2019, the Foundation, in partnership with the Romanian Order of Architects and the "Ion Mincu" University of Architecture and Urbanism will organize the third edition of the Bucharest Triennale East Centric Architecture. The main topic of this edition, HOME|any|more|?, proposes an interrogative approach
Dealing with the context of a project’s site is an essential part of architecture, be it by denying or incorporating preexisting elements and the environment’s conditions in the design. However, understanding what lies around as an active agent of the decisions and space organization goes beyond simply considering the good views, natural ventilation, solar orientation, etc; it is about seeing these conditions as co-authors.
These cases are most notable when practices think of the architecture's surrounding environment as an active agent.
In 1948, the architect Charles-Édouard Jeanneret-Gris, better known as Le Corbusier, released one of his most famous publications titled Modular, followed by Modular 2 (1953). In these texts, Le Corbusier expressed his support of the research that Vitrubio, DaVinci, and Leon Battista Alberti started centuries before: to find the mathematical relationship between human dimensions and nature.
The research of the previously mentioned authors also represents the search to explain the Parthenon, the temples, and cathedrals built according to exact measurements that reference a code of essentiality. Knowing what instruments were used in finding the essence of these buildings was the starting point, instruments that at first glance seemed to bypass time and space. It wouldn't be farfetched to say that the measurements came from essence: parts of the body such as the elbow, the finger, thumb, foot, arm, palm, etc. In fact, there are instruments and measurements that carry names alluding to parts of the human body, an indication of architecture's proximity to it.
Ierimonti Gallery New York is pleased to present Re-Constructivist Architecture, curated by Jacopo Costanzo and Giovanni Cozzani with Giulia Leone and promoted by the Scientific Technical Committee of Casa dell'Architettura in collaboration with Consulta Giovani Roma. The exhibition will feature the work of thirteen international emerging architecture firms, aiming to portray a generation of architects born in the ‘80s: a countertrend that tries to recover a debate lost years ago and obstructed by a cumbersome star system.
Timeless | Adjective | org. 1550
: staying beautiful or fashionable as time passes
: lasting forever
: having no beginning or end, eternal.
: not affectetd by time
: referring or restricted to no particular time
: untimely, ill-timed
: without time
Dallas Architecture Forum, a non-profit organization for everyone interested in learning about and improving the architecture, design, landscape and urban fabric of the North Texas region is pleased to continue its 2015-16 Lecture Season with outstanding architect Iñaki Ábalos, Chair of the Department of Architecture at the Harvard Graduate School of Design and Co-Founder and Partner of Abalos+Sentkiewicz Arquitectos in Boston and Madrid, with Renata Sentkiewicz,Co-Founder and Partner at A + S and Design Critic at the Harvard Graduate School of Design. Their projects and built work are internationally recognized and have been the subject of 15 individual exhibitions and many collective exhibitions in the most prestigious centers in London, Paris, New York and Venice.
No architect played a greater role in shaping the twentieth century Manhattan skyline than Ralph Thomas Walker, winner of the 1957 AIA Centennial Gold Medal and a man once dubbed “Architect of the Century” by the New York Times.  But a late-career ethics scandal involving allegations of stolen contracts by a member of his firm precipitated his retreat from the architecture establishment and his descent into relative obscurity. Only recently has his prolific career been popularly reexamined, spurred by a new monograph and a high-profile exhibit of his work at the eponymous Walker Tower in New York in 2012.
"While artists work from the real to the abstract, architects must work from the abstract to the real."