ArchDaily is happy to announce our Media Partnership with @Oslo Architecture Triennale 2019! Throughout 2019 we will be sharing stories, interviews, and content related to the Triennale, which this year revolves around the theme of Degrowth. The interview below introduces Degrowth in the context of practice today - and hints at how this radical idea could irreversibly change how we value architectural production.
The world faces some significant challenges. The UN climate change report, which explained that we may have just 12 years and need “unprecedented changes” to avoid devastating effects from climate change, was released into a world that seemed to be plenty busy processing other things, such as rising economic inequality, increasingly partisan politics, escalating conflicts, and refugee crises, to name a few.
As part of the programming ahead of the 2019 Oslo Architecture Triennale, the “Degrowth” curatorial team have released a book in association with Oslo School of Architecture and Design (AHO.) The book, titled “Being Tectonic” was developed with students as part of a course focusing on domestic architecture.
Planning can, on occasion, feel Sisyphean. Emerging technologies, shifting economies, and changing governments can all enact dramatic and unpredictable change in short order. So what’s the use of planning for the future, let alone planning for a future nearly half a century away?
The engine of contemporary architectural production, and the basis of societies around the world, is economic growth. Global political orthodoxy declares GDP growth is always good; that more is more. Throughout the last two centuries increased economic growth brought with it many measures of prosperity, but for many decades now the limits to growth have been visible on the horizon. Social equity, health and wellbeing, quality of life, happiness and other non-monetary measures of success are faltering while resource extraction, greenhouse gas emissions, waste and toxicity, temperatures, sea levels, extreme weather, and many such indicators of climate breakdown make clear daily that the time of this worldview is running out.
The Oslo Architecture Triennale has announced the winner of the open call for Chief Curator of their 2019 event: Architecture and Engineering practice Interrobang (Maria Smith and Matthew Dalziel), with critic Phineas Harper and urban researcher Cecilie Sachs Olsen.
The winning team’s proposal, entitled Common Futures, seeks to acknowledge and investigate the “need to revise the pace and scale of extraction, production, consumption, development, and building that has driven the growth of industrialized societies and economies throughout the 20th century.”
This fall, the Oslo Architecture Triennale had an open call for its 2019 curator. Now, they have announced the five proposals which have been shortlisted for 2017. Upon reading their bios below, you will quickly see the amount of multidisciplinary work each of the shortlisted teams is composed of, including architects, curators, writers, and various other thought-leaders.
Following After Belonging, the sixth edition of the Oslo Architecture Triennale held in 2016, the Norwegian organization have today announced an open call for a Chief Curator, theme, and concept for its seventh edition, to be held in Fall of 2019. In the words of the sixth curatorial team:
The Triennale is an opportunity and space to rehearse research strategies and test working protocols which offer new forms of engagement for architects. We considered "After Belonging" and the Oslo Architecture Triennale not only as a 10-week event, but rather as a long-term collective research project that resulted in new forms of thought and action.
https://www.archdaily.com/879427/oslo-architecture-triennale-announces-open-call-for-2019-curatorAD Editorial Team
GSAPP Conversationsis a podcast series designed to offer a window onto the expanding field of contemporary architectural practice. Each episode pivots around discussions on current projects, research, and obsessions of a diverse group of invited guests at Columbia, from both emerging and well-established practices. Usually hosted by the Dean of the GSAPP, Amale Andraos, the conversations also feature the school’s influential faculty and alumni and give students the opportunity to engage architects on issues of concern to the next generation.
https://www.archdaily.com/806013/introducing-columbia-gsapp-conversations-inaugural-architecture-podcast-exhibition-models-james-taylor-fosterAD Editorial Team
In this film, presented in collaboration with +KOTE, theAfter Belonging Agency—Carlos Minguez Carrasco, Ignacio Galán, Alejandra Navarrese Llopis, Lluís Alexandre Casanovas Blanco, and Marina Otero Verzier—narrate a walkthrough of In Residence, one of the two core exhibitions at this year's Oslo Architecture Triennale: After Belonging – A Triennale In Residence, On Residence, and the Ways We Stay in Transit.
In the latest edition of Section D, Monocle 24's weekly review of design, architecture and craft, Henry Rees-Sheridan visits Oslo to speak to Hanna Dencik Petersson, Director of the 2016 Oslo Architecture Triennale, and Alejandra Navarrete Llopis and Ignacio González Galán – two members of its curatorial team, the After Belonging Agency. The show explores the concept behind the exhibitions of the Triennale, what it means to be located in Norway's capital, and how the event's trajectory is both a symptom and cause of Oslo’s development as a design city. ArchDaily's James Taylor-Foster weighs in on After Belonging's significance.
“Belonging,” the curatorial quintet of the 2016 Oslo Architecture Triennale, After Belonging, argue, “is no longer something bound to one’s own space of residence, or to the territory of a nation.” For this group of Spanish-born architects, academics and theorists—Lluís Alexandre Casanovas Blanco, Ignacio Galán, Carlos Minguez Carrasco, Alejandra Navarrese Llopis and Marina Otero Verzier—the very notion of our belongings and what it means to belong is becoming increasingly unstable.
After Belonging is the sixth incarnation of the Triennale and the first one in which a single curatorial thread has woven all of the festival’s activities together, including the international conference. The goal of the two primary exhibitions—On Residence and In Residence, including a series of Intervention Strategies—is to develop platforms with the aim of “rehearsing research strategies,” providing new ways for architects to engage with “contemporary changing realities."
https://www.archdaily.com/795067/atelier-bow-wow-oma-amale-andraos-live-from-the-2016-oslo-architecture-triennale-after-belongingAD Editorial Team
PANDA, an exhibition by OMA & Bengler, opens today at the 2016 Oslo Architecture Triennale – After Belonging.
From the architect. PANDA investigates the accelerating influence of digital sharing platforms, their social and political implications, and pervasive impact on the built environment. In the early 2000s, the democratic spaces of the web were greeted as an alternative to centralized commercial and social structure; in 2007, after the financial landslide, the sharing gospel gave hope to those struggling to make a living.
In May 2016, the After Belonging Agency discussed the theme of the forthcoming Oslo Architecture Triennale—entitled After Belonging: a Triennale In-Residence, On Residence, and the Ways We Stay In-Transit—as part of In Therapy, the exhibition of the Nordic Pavilion at the 2016 Venice Biennale. The hour-long discussion, which also includes presentations by Shumi Bose and Füsun Türetken, begins with an in-depth description of how the Triennale intends to focus on the future challenges of migration by investigating how cities and architecture can react to large groups of people moving and resettling.
https://www.archdaily.com/791923/three-nordic-refractions-the-after-belonging-agency-discuss-the-theme-of-the-2016-oslo-triennialeAD Editorial Team
The Oslo Architecture Triennale has announced the program and participants for this year's sixth edition of the event, titled After Belonging, which will open in September of this year. Participants will contribute to two exhibitions, occurring alongside a conference, and collateral events, taking place September 8-November 27, 2016.
As described by the Oslo Architecture Triennale website: "The 2016 Oslo Architecture Triennale designs the objects, spaces, and territories for a transforming condition of belonging. Global circulation of people, information, and goods has destabilized what we understand by residence, questioning spatial permanence, property, and identity—a crisis of belonging. Circulation brings greater accessibility to ever-new commodities and further geographies. But, simultaneously, circulation also promotes growing inequalities for large groups, kept in precarious states of transit. After Belonging examines both our attachment to places and collectivities—Where do we belong?—as well as our relation to the objects we own, share, and exchange—How do we manage our belongings?”
The After Belonging Agency, the curatorial team behind the 2016 Oslo Architecture Triennale (OAT), have revealed sixteen speakers who will present at the event's central conference at the Oslo Opera House this coming September. Atelier Bow-Wow, Snøhetta alongside a number of other academics, practitioners and decision-makers will come together to "address architecture’s relation to current pressing questions such as refugeeism, migration and homelessness, new mediated forms of domesticity and foreignness, environmental displacements, tourism, and the technologies and economies of sharing."
Following an international open call for 'Intervention Strategies' which connect and correspond to the 2016 Oslo Architecture Triennale’s theme—After Belonging—five proposals have been selected to be developed as part of its core program, to be displayed and discussed throughout the course of the event. The jury have been "pleased and impressed by the wide range of proposals, their creativity, seriousness and sometimes also the humor with which [the submissions] approach issues of real gravity, and by the care and hard work that was evident in almost all of them."
The 2016 Oslo Triennale – After Belonging: A Triennale In Residence, On Residence and the Ways We Stay in Transit – has launched a call for intervention strategies and associated projects. To be held from September 8- November 27, 2016, the Triennale will look at contemporary population mobility—including an interest in migration, new forms of tourism and refugeesim— with the intention of designing “the objects, spaces and territories for a transforming condition of belonging.” Specifically, it seeks to answer the questions: “How can different agents involved in the built environment address the ways we stay in transit?” And, “how can architects intervene in the reconfiguration of the contemporary residence?"
https://www.archdaily.com/774221/2016-oslo-triennale-launches-international-calls-for-intervention-strategies-and-associated-projectsAD Editorial Team