The Royal Institute of British Architects (RIBA) has announced the shortlist of six projects competing for the 2018 Stirling Prize, the UK’s most prestigious award for architecture, given to the building “that has made the biggest contribution to the evolution of architecture in a given year.” Selected from the list of national award winners, the finalist buildings range from a highly-innovative new workplace in central London to a rammed-earth wall cemetery in Hertfordshire.
Foster + Partners
Foster+Partners-Led Trailblazer Apprenticeships Bring Overdue Relief for Disenfranchised Architecture Students
Earlier this month, a “Trailblazer Group” comprising 20 leading architecture firms led by Foster + Partners announced the creation of the UK’s first Architecture Apprenticeship Standards. Supported by the RIBA, ARB (Architects Registration Board) and over a dozen UK universities, the group has structured a program which tackles the financial feasibility of an architectural education through paid apprenticeships, and addresses the disparity experienced by students transitioning between education and practice.
While doing little to alter the notorious seven-year length of the UK's accreditation process, the apprenticeship is a welcome and proactive step in reforming an education system which, on the ground, breeds an atmosphere of financial insecurity, mental health issues, and a disenchantment among students with the value of their £45,000 investment in architecture degrees.
The Royal Institute of British Architects (RIBA) has announced the 49 winners of the 2018 RIBA National Awards. From skyline-altering buildings to sensitive small-scale sculptures, this year’s top projects showcase a wide-ranging selection of scales, featuring designs from Foster + Partners, Hawkins\Brown, Rogers Stirk Harbour + Partners, and Niall McLaughlin Architects.
Sir Norman Foster has received the American Prize for Design, an award presented the Chicago Athenaeum Museum of Architecture and Design and The European Centre for Architecture and Urban Studies. The award, which was established in 2016, is presented to an individual for their lifetime achievement in the fields of design.
Foster + Partners will detail its vision of life on Mars and the Moon at the UK’s Goodwood Festival of Speed 2018. Forming part of the festival's Future Lab event, the vision will be presented through a range of models, robotics, and futuristic designs exploring the future of life in space.
The firm's showcase will include a virtual reality experience, allowing visitors to explore the inside of a proposed state-of-the-art habitation pod.
Foster + Partners has published photographs of their recently-opened Apple Store in Macau, intended as a “new oasis of calm” against the city’s buzz and excitement. The store, opened on June 29th, was designed in response to a brief calling for “an inviting, contemplative space, where technology, entertainment, and arts come together to make a positive contribution to the city.”
Apple Cotai Central was designed in a close collaboration between Foster + Partners and Apple’s chief design officer Sir Jonathan Ive, a collaboration which has previously produced Apple stores at Michigan Avenue in Chicago, and Regent Street in London.
A new genre of film is emerging: the luxury skyscraper promotional video. Usually released before a new building is even finished, these filmic renderings follow an uncannily standard format: A stirring soundtrack reliably accompanies a time lapse of a city’s skyline; viewers ascend a rendered building until we reach the top floor. There, we see some variation of the most common scene found in these videos: a businessman silently overlooking the expansive city below. The figure tends to be pensive, well-dressed, white, and male. Read on to see three prime examples of this odd trend.
Foster + Partners has released details of their proposed comprehensive refurbishment of the Plaza Colón building in Madrid. Located at a historically significant site in Madrid, the scheme will see the transformation and revitalization of the existing structure to “create a new iconic landmark.”
Located at the junction of Madrid’s main north-south and east-west arteries, the building occupies one of the most important intersections in Madrid and forms a key part of the city’s long-term urban vision. The building also faces the bustling Plaza de Colón, one of the largest public spaces in Madrid, while linking three distinct districts containing luxury shopping, finance, art, and historic tradition.
When the Greeks carved stone steps into the side of a hill, they were aiming to create a seated area for people to rest and from which to have an excellent view of the stage at the amphitheater's center. over two millennia later, these objectives are still key to stadium design principles, however, with an ever-increasing global reach and the need for multiple functions, the goal posts for what makes a successful arena are always being moved. As you prepare to watch the 2018 World Cup hosted in Russia, take a look at this list of notable stadium designs in World Cup history which have influenced the evolution of stadium design.
As the 2018 World Cup approaches, we architects can already look ahead to the next tournament. The 2022 FIFA World Cup in Qatar offers the most exciting opportunity in stadium design for decades, with the competition relying on an almost entirely new footballing infrastructure. Several world-renowned designers have submitted proposals, and the following set of newly released time-lapse videos show the progression of each stadium, as we approach four years to the competition’s start. Emphasising the structural shells, the videos highlight a sometimes overlooked facet of stadium design. To materialize the effortless magic of the initial renders - like those produced by Foster + Partners and Zaha Hadid Architects - phenomenal levels of engineering and problem solving are required, and in the early stages of construction, this becomes the visual focal point. Read on to see the beauty of these structural marvels, but be warned - you may develop World Cup fever.
Arguably the leading name of a generation of internationally high-profile British architects, Norman Foster (born 1 June 1935)—or to give him his full title Norman Robert Foster, Baron Foster of Thames Bank of Reddish, OM, HonFREng—gained recognition as early as the 1970s as a key architect in the high-tech movement, which continues to have a profound impact on architecture as we know it today.
With the opening of the 16th Venice Architecture Biennale comes a look at the first ever contribution by the Holy See, an exhibition that brings together architects to design chapels that, after the Biennale, can be relocated to sites around the globe.
Located in a wooded area on the Venetian island of San Giorgio Maggiore, 10 chapels by architects including Norman Foster, Eduardo Souto de Moura, and Smiljan Radic, are joined by the Asplund Chapel by MAP Architects. This 11th structure serves as a prelude to the other chapels, while reflecting on Gunnar Asplund's 1920 design for the Woodland Chapel.
Design development of the new governmental complex in Amaravati is ongoing as Norman Foster makes a visit to Andhra Pradesh to oversee the progress and meet with Chief Minister N Chandrababu Naidu and his team.
After being selected as winners of an international competition to design the new capital state of Andhra Pradesh in Southeast India in 2017, Foster + Partners will be designing the central area of the 217-square-kilometer city which includes numerous secretariat buildings, along with two key buildings: Legislature Assembly and High Court Complex.
Foster + Partners has unveiled their vision for the headquarters of DJI, the world’s leading robotics company, to be located in the Chinese technological powerhouse of Shenzhen. Symbolizing the “heart of innovation” for the robotics giant, the scheme seeks to alter the traditional concept of office architecture, generating a “creative community in the sky.”
Comprised of two towers, the scheme strikes a balance between research, development, office space and public amenities. The floors comprise floating volumes cantilevered from central cores by steel mega-trusses, ensuring maximum flexibility in large, column-free workspaces.
Foster + Partners has released a video depicting their vision for a future high-speed transportation infrastructure, taking advantage of recent advances in hyperloop technology. Designed for DP World Cargospeed, a collaboration between cargo giant DP World and Virgin Hyperloop One, Foster + Partners’ vision for an infrastructural network seeks to create a new ecosystem where urban centers and rural landscapes are interconnected, as are humans and nature.
What is the role of sound and acoustics in the work of leading architecture practices? In February this year, reSITE and MAAT in collaboration with Meyer Sound hosted RESONATE: Thinking Sound and Space, a conference focused exclusively on the intersection of architecture and sound.
Elizabeth Diller of Diller Scofidio + Renfro, Snøhetta's Kjetil Trædal Thorsen, Michael Jones from Foster + Partners, the founders of Meyer Sound, and the pioneer of sound art Bernhard Leitner spoke with reSITE and Canal 180 at MAAT Museum in Lisbon, Portugal. Below are the 4 episodes in the series, where they discuss the role of sound in designing cultural venues and concert halls and the changing role of the architect in an age of specialization:
Foster + Partner’s Musée de la Romanité Narbonne (Roman Museum of Narbonne) has moved closer to completion, with the scheme's building envelope now fully constructed. The museum seeks to become one of the most significant cultural attractions in the Southern French region, hosting more than 1000 Roman artifacts. The scheme’s progress was celebrated at a topping out ceremony on 30th January 2018, with the installation of VELUX Modular Skylights marking the completion of the building envelope.
Once a major Roman port, the city of Narbonne has amassed an abundance of ancient buildings, relics, and archaeological sites. The Foster + Partners scheme, designed in collaboration with museum specialist Studio Adrien Gardere, centers on the prime exhibit for the museum: a collection of over 1000 Roman funerary stones recovered from the city’s medieval walls in the 19th century. The stones are to be placed at the heart of a simple rectilinear structure, separating the public galleries from private research spaces.
Foster + Partners has released details of their proposed chapel to form part of the Vatican’s inaugural entry to the Venice Biennale. The Holy See Pavilion will comprise ten chapels designed by ten architects, to be situated on the Venetian Island of San Giorgio Maggiore. Among the architects contributing to the circuit of chapels are Foster + Partners, Eduardo Souto de Mourao, and Francesco Cellini.