About a month after the closing of Expo 2025 Osaka, the designs and constructions presented at the world's fair remain as a legacy. While the Bahrain Pavilion, designed by Lina Ghotmeh Architecture, drew particular attention this year for receiving double recognition, it was one among many awarded projects. During the awards ceremony held on the penultimate night of the event, a total of 45 awards were presented among 165 participating countries. The Official Participant Awards are granted according to pavilion size and type, recognizing excellence in Architecture and Landscape (for self-built pavilions only), External Design (for module pavilions only), Exhibition Design, Theme Development, and Sustainability. The recipients were selected by an international jury of nine experts who visited all national and thematic pavilions during two evaluation sessions in May and October 2025. The following overview presents all 45 pavilions distinguished in the five categories of the Official Participant Awards.
The Ismaili Center in Houston, the first of its kind in the United States, was inaugurated on November 6, 2025, by Mayor John Whitmire. Designed by Farshid Moussavi Architecture and Nelson Byrd Woltz Landscape Architects, the 11-acre site overlooking Buffalo Bayou Park establishes a new architectural and cultural landmark within Houston's urban and social landscape. Located at the intersection of Allen Parkway and Montrose Boulevard, the Center builds upon a vision first outlined by His Highness Prince Karim Aga Khan IV in 2006 and later developed under the direction of his successor. Joining six existing Ismaili Centers worldwide, in London, Vancouver, Lisbon, Dubai, Dushanbe, and Toronto, the Houston Center aims to continue a global tradition of fostering intercultural dialogue and civic engagement.
Qiantang Bay Art Museum design by Snøhetta. Render. Image Courtesy of Snøhetta
Snøhetta has been selected to design the Qiantang Bay Art Museum, a new cultural landmark within the Qiantang Bay Future Headquarters development in Xiaoshan District, Hangzhou, China. Conceived in collaboration with the Architectural Design & Research Institute of Zhejiang University Co., Ltd. and Buro Happold, the project encompasses architecture, landscape architecture, and interior design over 18,000 square meters. The museum will form part of Hangzhou's expanding downtown area along the Qiantang River, serving as an important destination for art, culture, and public life.
The EUmies Awards are organized annually by the Fundació Mies van der Rohe and the European Commission, with the support of the European Union's Creative Europe Programme. Based on the principle that "architecture is not merely a technical or aesthetic matter, but a cultural, environmental, and democratic issue," this 19th cycle of the Prize brings together 410 works from 40 countries and 143 regions across Europe. Beyond recognizing contemporary architecture projects, the Awards also aim to reflect European values such as cultural diversity, sustainability, democracy, and solidarity. This year, most nominated works (23%) are residential projects, including both collective and single-family housing, followed by cultural (13%) and educational (12%) programs. The selection shows a balance between transformations of existing buildings (44%) and new construction (56%), while 12% of the nominees are transnational works and 33% of the studios are 10 years old or younger, underscoring the growing visibility of emerging practices.
This week's architectural highlights traced the intersections between heritage, climate awareness, and contemporary design practice. As the 19th Venice Architecture Biennale approaches its closing, projects exploring collective intelligence and material experimentation offer reflections on small-scale responses to global challenges. In Egypt, the completion of the Grand Egyptian Museum marks a long-anticipated moment in cultural preservation, while new competition initiatives in Jordan extend this dialogue toward sacred and archaeological contexts. Complementing these developments, the recognition of Abdelwahed El-Wakil with the Tamayouz Lifetime Achievement Award highlights the continued influence of tradition-informed design across contemporary practice.
Construction of Zaha Hadid Architects' Yidan Center in Shenzhen, China, has reached full height. The new landmark will serve as the headquarters of the Chen Yidan Foundation and the Yidan Prize, organizations dedicated to promoting lifelong learning and innovation in education. The center will host facilities for academic research, cultural events, and exhibitions, supporting the foundation's mission to advance global education. Located adjacent to the Qianhai Museum, the Yidan Center helps define a new cultural quarter in China's third-most-populous city.
Foster + Partners has opened Civic Vision, the first comprehensive exhibition of the practice's work to be presented in Australia. On view until December 21, 2025, at Parkline Place, the firm's latest completed project in Sydney, developed by Investa on behalf of Oxford Properties Group and Mitsubishi Estate Asia, the exhibition offers an in-depth overview of Foster + Partners' global portfolio since its founding in 1967 by Norman Foster. It explores the evolution of the practice's design approach and its exploration of civic architecture across different contexts and scales.
Bauhaus Earth is a Berlin-based non-profit organization working toward a systemic transformation of the built environment. Its mission includes transitioning to bio- and geo-based materials, reusing existing buildings, and restoring ecosystems. Together with the Bamboo Village Trust, a philanthropic financial vehicle, and Kota Kita, a participatory urban design organization, Bauhaus Earth has developed BaleBio, a bamboo pavilion designed by Cave Urban and rising above Mertasari Beach in Denpasar, Bali. The pavilion transforms a disused car park into an open community meeting space, offering a counterpoint to the city's tourism-driven coastal development. Designed as a regenerative building, BaleBio stores carbon instead of emitting it, challenging the extractive construction model that is replacing traditional wood and bamboo craftsmanship with concrete structures across the island.
RSHP has announced the completion of the Barangaroo South Masterplan in Sydney, marking the realization of a 15-year redevelopment that has reconnected the city's north-western harbour edge to its urban core. Once a disused container port, the 22-hectare site has been transformed into a mixed-use, carbon-neutral precinct, integrating commercial, residential, and public spaces along the waterfront. Developed in collaboration with Lendlease following an internationaldesign competition, the masterplan is organized into three zones: Barangaroo South, a high-density extension of the Central Business District; Barangaroo Reserve, a reconstructed natural headland that reintroduces native landscapes to the harbour; and Barangaroo Central, a low-density residential area linking the northern and southern ends of the development.
With just a few days left before the six-and-a-half-month 19th Venice Architecture Biennale comes to an end, it is possible to look back on some of the most notable contributions within its thematic framework. Marked by the largest call for participants to date, the Biennale's diversity of topics and the range of installations on display go beyond easy recapitulation. As part of that reflection, several initiatives can be highlighted as illustrative of the principles reflected in the curatorial theme, "Intelligens. Natural. Artificial. Collective." The concepts interwoven in Carlo Ratti's title form a call to address the urgent need for substantial solutions amid the accelerating climate crisis, positioning the Biennale as a platform for diverse design proposals and experiments organized around three forms of intelligence: natural, artificial, and collective. Beyond the national pavilions and numerous collateral events held throughout Venice over the past six months, among the more than 700 participants are projects that, through practice, embody four shared intentions: opening conversations about the future, proposing systemic responses to local realities, placing technology at the center of design innovation, and pursuing material research rooted in local sensitivity.
The Sax residential towers by MVRDV. Render. Image Courtesy of MVRDV
The City of Rotterdam, developers BPD and Synchroon, and architecture firm MVRDV have officially begun construction on The Sax, a major residential project located on Rotterdam's Wilhelminapier. Designed to contribute to the city's ongoing densification efforts, the development will deliver 916 apartments within two interconnected towers. Once completed, The Sax will make Wilhelminapier the most densely populated area in the Netherlands, making the project an example of compact urban growth. The design comprises two towers, combining a wide mix of housing types and shared amenities with strong connections to public transport and sustainable mobility solutions, including parking for 1,800 bicycles and a fully automated car garage. With its silver façade and undulating balconies, the building's form echoes the shape of a saxophone, reflecting the character of Rotterdam.
Left to right, top to bottom: AAU Anastas, heneghan peng architects, Níall McLaughlin Architects, Studio Anne Holtrop, Tatiana Bilbao ESTUDIO, Toshiko Mori Architect, Trahan Architects. Image Courtesy of The teams and Malcolm Reading Consultants
As the 19th Venice Architecture Biennale enters its concluding weeks, the global architecture scene continues to unveil significant projects and recognitions. This week's highlights include Studio Libeskind's residential complex in Prague; sauerbruch hutton's Panorama Constance exhibition building in Germany, and CRA–Carlo Ratti Associati's digitally fabricated bivouac for the upcoming Milano Cortina 2026 Winter Olympics. In New York, Venezuelan artist Miguel Braceli designed a major public artwork for the city's waterfront, addressing themes of migration, diversity, and the complexities of geopolitical identity. The week also brought recognition to sustainable and creative achievements, from the Holcim Foundation's regional awards for sustainable construction to the publication of Tadao Ando. Sketches, Drawings, and Architecture by Taschen, celebrating nearly five decades of the architect's design process.
Two views, by Marie-Louise Raue. Image Courtesy of The Architecture Drawing Prize
The eighth edition of The Architecture Drawing Prize has revealed its 15 winners, following a radical restructuring of its judging criteria to reflect the evolving landscape of architectural representation. For the first time, the competition assessed all entries together, rather than by category, embracing the growing influence of digital and AI-assisted tools in the creative process.
Launched in 2017 and co-curated by Make Architects, Sir John Soane's Museum, and the World Architecture Festival (WAF), the Prize celebrates the art and skill of architectural drawing across multiple modes of creation. Sponsored by Iris Ceramica Group and supported by ArchDaily as media partner, this year's edition attracted a record number of more than 200 submissions from around the world. Drawings were evaluated for their technical skill, originality, and capacity to convey architectural ideas through diverse techniques, ranging from traditional hand drawings to complex hybrid compositions.
Taschen's new book, published in October 2025, Tadao Ando. Sketches, Drawings, and Architecturepresents an in-depth exploration of the Japanese architect Tadao Ando's creative process, bringing together over 750 sketches, drawings, models, and technical plans developed over nearly five decades. Created in close collaboration with Ando himself, the book provides a rare view into how his ideas take shape, from the immediacy of the first pencil lines to the precision of architectural drawings that define his built works. Through these materials, the publication highlights Ando's enduring focus on the relationship between hand, thought, and space.
CRA–Carlo Ratti Associati, in collaboration with Salone del Mobile.Milano, recently unveiled the design of a digitally fabricated bivouac set to debut as an urban pavilion during the 2026 Winter Olympics in Milan. The digitally fabricated wooden structure is designed to be self-sufficient, incorporating systems for energy production and storage, as well as water harvesting through air condensation. After its debut at Milano Cortina 2026, the structure is planned to be airlifted by helicopter to its permanent high-altitude location in the Italian Alps, where it will serve as a refuge for mountaineers.
Museum Erhardt by Kéré Architecture. Exterior garden view. Render . Image Courtesy of Kéré Architecture
Construction has officially begun on the Museum Ehrhardt in Plüschow, northeast Germany, marking the first cultural project in Germany by Francis Kéré and his firm Kéré Architecture, as well as their first museum building in Europe. Developed in cooperation with HK Architekten and Hermann Kaufmann + Partner ZT GmbH, the 1,400-square-meter museum will be dedicated to photography and contemporary art. The initiative was launched by Dr. Jens Ehrhardt, son of the artist Alfred Ehrhardt (1901–1984), together with his wife Elke Weicht-Ehrhardt, to honor the painter, photographer, and filmmaker who was a leading figure of Germany's New Objectivity movement. The museum will stand near the Baltic Sea, adjacent to Schloss Plüschow, an artist residency and gallery.
2025 marks the 60th anniversary of Singapore's independence, commemorating its separation from Malaysia on August 9, 1965. The occasion is celebrated in the country's national pavilion at the 19th Venice Architecture Biennale with a multisensory installation that honors Singapore's diversity and reimagines city-making through food, culture, and collective design. Titled RASA–TABULA–SINGAPURA, the installation invites visitors to take a seat at the Table of Superdiversity: an enticing reimagining of city-making and nation-building through the universal act of dining. According to the curatorial team from the Singapore University of Technology and Design (SUTD), the purpose of the installation is to showcase how the convergence of multicultural differences, collective histories, design, and new technology creates opportunities for more inclusive and adaptive urban futures.
