This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Based on the Urban Design Planning and Implementation Scheme for Banxuegang High-Tech City, this international competition was launched to implement the phase results of the implementation scheme through four sub-projects. The project evaluation meeting has been successfully concluded. Following the competition rules (the jury has provided evaluation opinions on the top two winning agencies of each project and recommended them to the host; the host will further study and determine the final ranking of the top two winning agencies based on full respect for the expert evaluation opinions, and the top two winning agencies will receive different bonuses and undertake corresponding follow-up work), the host has decided to launch a public consultation based on these results to widely collect opinions and suggestions as an important reference for the final ranking and subsequent design refinement. The competition consists of four sub-projects, covering planning, architecture, landscape, and art, with two winners selected for each category.

Winners of the International Competition for the Architectural Conceptual Design of Banxuegang Art Center and Surrounding Plots: URBANUS Architecture & Design, Architectural Design & Research Institute of South China University of Technology & Shenzhen WAAO Architects (Consortium)
Winners of the International Competition for the Conceptual Design of the Integrated Connectivity of Characteristic (Country) Parks Around "Bantian in the Forest": Guangzhou Landscape Architecture Design and Research Institute, MLA+ B.V.
Winners of the International Competition for the Landscape and Greenery Enhancement of Urban Streets and Nodes in Banxuegang High-Tech City: Shenzhen Meidao Landscape Architecture & Urban Planning Design Institute Co., Ltd. & Beijing Vision 4D Directional System Planning & Design Co., Ltd. (Consortium), Beijing Zhonghai Huayi Urban Planning & Design Co., Ltd. & Shenzhen Gardens Co., Ltd. (Consortium)
Winners of the International Competition for the Visual Identity (VI) and Application Design of Banxuegang High-Tech City: Shenzhen Shida Creative Design Co., Ltd., Thonik Design Studio

On Friday, December 22, 2017, the inaugural MUGAK Basque Country International Architecture Biennial opened the exhibition "The City We Lost: Urban Heritage Management in San Sebastián, 1950-2017" at the Santa Teresa Convent in San Sebastián, Spain. The exhibition showcases recognizable local buildings that have disappeared over the last few decades. 

Curated by the Áncora association, the exhibition traverses San Sebastián's neighborhoods to examine a city that now exists only in collective memory—specifically, buildings lost over the past seven decades. Stretching from Martutene to Igeldo, and including Alza, Amara, El Antiguo, and Ibaeta, the survey goes beyond the city's iconic heritage, looking past San Sebastián's most prominent areas to highlight other architectural works.

+ 15

A massive fire caused the collapse of a 22-story skyscraper in downtown São Paulo overnight. Located at the intersection of Avenida Rio Branco and Largo Paissandu, near Vale do Anhangabaú, the building previously served as the headquarters of the Federal Police and was occupied by about 90 families from a housing movement.

According to residents, the fire started around 1:30 a.m. following an explosion on the fifth floor and quickly spread throughout the structure, also affecting neighboring buildings, such as the Martin Luther Church located on the square and another high-rise facing the collapsed structure.

Born in Artigas, Uruguay, in the second decade of the twentieth century, Eladio Dieste became an exceptional builder, with most of his work located in Montevideo, the capital of his home country, and its adjacent cities. However, his work gained broader international recognition posthumously, after the Massachusetts Institute of Technology (MIT) celebrated it in 2005 through the theoretical work of Stanford Anderson. Trained as an engineer, his relationship with the construction site and in situ experimentation allowed him to push materiality and structural possibilities to their absolute limits.

With a practice deeply connected to the relationship between materiality and the construction site, he developed a rich architectural output based on studies of thin ceramic shells, which he termed reinforced ceramics. Alongside this construction technique, Dieste found that ceramic bricks offered the essential structural resolution he sought. The material possessed excellent structural properties—highly resistant to compression, quick to build with, and easy for local labor to handle—while the addition of steel reinforcement allowed it to resist tension and bending. Consequently, he found in brick the ideal medium for the plasticity and structural design he envisioned, enabling him to span large distances with slender self-supporting structures anchored only at their ends. Free of central supports, these structures unified walls, floors, and ceilings into a single cohesive body.

But what makes Eladio Dieste such a remarkable builder?

+ 7

Santiago Arau is a renowned photographer whose work focuses on aerial shots of the Mexican territory. His lens travels from Ciudad Juárez to Cancún and Holbox, from the northern border to the Mexican southeast, spanning from 5,500 to minus five meters above sea level, from minus 15 to 45 degrees, and covering over 5,000 kilometers. Arau defines this approach as "a different perspective than what we are used to, since seeing things from above situates where we stand; it is a way to calibrate the human, urban, and geographical scale within a territory. The framing possibilities a drone offers are infinite; you can choose the height, framing, and technique to photograph an object, maximizing the power of a camera."

Possibly the largest exhibition dedicated to Brazilian architecture held outside the country since Brazil Builds, shown in 1943 at MoMA, opens today at Casa da Arquitectura in Matosinhos, Portugal. The Portuguese Centre for Architecture is also presenting the exhibition "Duas Casas" (Two Houses) by Paulo Mendes da Rocha, who will receive the title of Honorary Member of Casa da Arquitectura at a ceremony on September 30. This exhibition will feature the Gerassi House and the House on Rua do Quelhas in Lisbon, which was co-designed with Portuguese architect Inês Lobo.

Since the mid-20th century, the Castagnino Museum has established itself as one of Argentina's most important cultural spaces. The historic building by the architectural firm Hérnandez Larguía-Newton (1937) was built in a privileged setting, conceived as the gateway to the city—a condition that will be further emphasized by the new intervention.

There is nothing personal against the color yellow, but let us be honest: we were saturated by the monotony.

We love yellow, but not when it is used tastelessly and to mask corruption. We like the yellow that is natural to Lima, like the one in the header image—that earthy tone, the tone of every sunset, the one that shines like the sun. In recent years, our city has been forcibly invaded by this color: yellow staircases, yellow bridges, yellow walls, yellow railings... perhaps too much. And even if certain works were not yellow themselves, the intentions behind them carried a distinct whiff of that hue.

Architect Antonio Miranda, writing for the ARKRIT Collective, invites us to reflect in this article on romantic subjectivism in criticism, presenting a simple example in defense of the objective criticism of the object, which speaks to us much more honestly and sincerely than the author of the work themselves. He puts this assertion to the test by comparing two famous buildings in Madrid's Plaza de España: the Edificio España and the Torre de Madrid.

The Infonavit Cuauhtémoc Neighborhood Library is the latest project by Proyecto Reacciona A.C. located in Monterrey, Nuevo León, Mexico. Led by architect Antonio Garza Ferrigno in collaboration with muralist Juan Alcocer Zúñiga, the project spans 135 m² (1,453 sq ft) and was completed on a budget of 120,000 Mexican pesos. Read on to learn more about the project:

Whenever I cross the imaginary line on the Monumental Axis connecting the National Congress to the Itamaraty Palace, catching a glimpse of the Three Powers Plaza from the top of the ramp leading into it, I am overcome by a genuine emotion that never fades with repetition. This privileged view of the plaza as a whole, flanked by its three main buildings and framed by the perspective of the Itamaraty Palace on the right, is an image comparable only to the great iconic urban spaces of the world.

The Three Powers Plaza is a contemporary construction that evokes classical urban planning tradition, whether that of the "people's Versailles," as Lucio Costa envisioned, or the ancient Greek agora. Yet, there are also references to the "plazas mayores" or "plazas de armas" of Iberian and Spanish-American cities, as well as the plazas of the Brazilian colonial period. This mix of influences could have resulted in a postmodern pastiche of styles were it not for Lucio Costa's genius in translating it into the clear, elegant synthesis of a modernist design, complemented by Niemeyer's architecture, which has already been so widely discussed and praised. 

Videos

The open course Arquitetura Paulistana, organized by Marco Artigas, took students to visit the Congonhas Airport Pedestrian Bridge project, designed by Estúdio Artigas in partnership with the firm H2C Arquitetura. Begun in 2014, the project took four years to complete and featured the participation of Nitsche Arquitetos, who were responsible for the project's visual communication.

Today in Brazil, there are several groups spearheading initiatives aimed at improving our living environment. Unfortunately, many face difficulties in getting their ideas off the ground, primarily due to a lack of financial resources, as shown by data gathered by the Como Anda Project.

The Fenômenos Foundation sees this demand as an opportunity: through the Fenômenos Challenge, the organization supported the implementation of three ideas with great transformative potential in the city of São Paulo. The challenge's premise was to select initiatives promoting physical activity and sustainability in vulnerable areas, offering solutions to local issues. The selected groups were: Cidade Ativa, Canto da Arte Jaguaré, and the Dente de Leão Collective. The selection process considered criteria such as impact, feasibility, and how the program could help boost the projects.

My mind is undoubtedly diffuse and scattered, gathering and comparing disparate elements, architectures from distant eras, reading and enjoying them with equal passion. There is no doubt that an early reading of this article's protagonist has shaped my thoughts and those of many of us. Having just passed away (on Tuesday, September 18), Robert Venturi, at the age of 93, remains an essential reference for us.

And why is that? Robert Venturi wrote a book titled Complexity and Contradiction in Architecture, which acted as a catalyst for the entire discipline. It seems that in this book, Venturi set out to explain a quote by Charles Rennie Mackintosh: “There is hope in honest error; none in the icy perfection of mere stylisticism.”

+ 2

Originally titled "Colombian Bamboo: A Strategic Ally for the Sustainability of Tropical Ecosystems," architect Luca Bullaro reflects on the work of architect Simón Vélez and designer Marcelo Villegas with bamboo—often called vegetable steel—through new assembly methods, new connections, and various structural support systems.

Simón Vélez, a Colombian architect recognized for his contribution to sustainable architecture, has earned an international reputation backed by outstanding works across the globe. With over forty years of experience in bamboo construction, he is a tireless traveler, inaugurating projects and exhibitions, and leading workshops and lectures.

Today, he seems to have entered a new phase of his professional life. At one point, Vélez remarked: "I want to focus on social housing, but on my own terms. I want to show that high-quality, affordable housing can be built using a hybrid technique of concrete, steel, and laminated bamboo. We have already opened a factory in Manizales to create the first prototypes."

Videos

Humberto Eliash, architect, academic at the Universidad de Chile, and former vice dean of the university's Faculty of Architecture and Urbanism, is the new President of the Colegio de Arquitectos de Chile. This was ratified following the first meeting of the national board on January 12, after the online voting held among members throughout Chile last December.

Although the position of national President is determined by an internal agreement of the board of directors, historically the candidate with the highest majority takes office. Eliash—with 21.5% of the valid votes cast—was widely expected to secure the position, as ArchDaily en Español reported a few weeks ago.

Known as the most German city in Brazil, Pomerode (SC) is home to the largest collection of half-timbered buildings outside of Europe. The preservation of this rich architectural heritage is the focus of the Immigration Cultural Heritage Requalification Project in Pomerode. Developed through a partnership between the National Institute of Historic and Artistic Heritage (Iphan), the Municipal Government of Pomerode, and the Regional University of Blumenau (FURB), the project aims to assess the conservation status of the city's protected properties to identify restoration needs for these cultural assets.

There is no denying it: Revit is a sensation. And if you haven't fallen in love with it yet, get ready: you will.

I don't understand why some people are still so resistant to this software. No, I am not an Autodesk employee, and I am not paid to speak well of their programs—in fact, they don't even need me to. I am saying this as an architect, designer, project manager, virtual construction modeler, and BIM manager.

Identity, memory, and ways of living are the main themes explored by Chilean architect Nicolás Norero in his new personal podcast, where he converses with prominent architects from across the Americas, such as Chilean Mathias Klotz, American Rick Joy, and Mexican Frida Escobedo.

"My goal is to talk with people I admire and respect. Memory, identity, and ways of living are intangible concepts, but in my view, they are fundamental to our discipline," Norero told ArchDaily. "Through a biographical lens, we understand how architects develop their own language and a unique way of doing things," he adds.

In this fourth and final installment of his New York chronicles, Kosme de Barañano from the ARKRIT Collective poses a two-part question: on one hand, a new architectural “type” has emerged in an extraordinarily limited “ecological” niche—the super-slender skyscraper designed for luxury residences around Central Park—and, on the other, the construction of “installations” where some architects experiment in a new field where architecture shares territory with sculpture.

Videos

For the 59th meeting of the free course Arquitetura Paulistana, taught by architect Marco Artigas, students visited the headquarters of the production company Paranoid, designed by the firm Sub Estúdio in a warehouse in the industrial neighborhood of Vila Leopoldina, São Paulo.

The property was divided into two parts: an enclosed section with a mezzanine and a staircase connecting the two levels, and a completely open, double-height space with the feel of an outdoor area, albeit covered under the same warehouse structure. A white wall separated these two spaces.

On Friday, January 26, the Better City International Forum took place in Mexico City. The event convened key figures from the Mexico City (CDMX) government, academia, the business sector, and civil society to outline a vision for turning this great metropolis into an exemplary city by strengthening the roles of each sector.

Videos

The Helium Pavilion —GA estudio— not only demonstrates a design and construction exploration of temporary installations, but also highlights the compelling capabilities of inflatable architecture: lightweight, easy to assemble, flexible, economical, and nomadic.

Once again, the EUROPAN competition for urban and architectural ideas—which aims to deepen knowledge and research in the fields of habitat and urban planning—has highlighted the high caliber of Spanish architecture and its young architects. Through their hard work and dedication, these professionals deliver outstanding proposals with high levels of creativity, providing coherent and effective solutions to the contemporary challenges facing our cities.

Indeed, the jury for this latest edition of EUROPAN 14 awarded five first prizes, seven second prizes, and ten special mentions to projects by young architects under 40 submitted for the Spanish sites in this cycle: Alcoy, Barcelona, La Bazana, Madrid, Playa de Palma, and Torrelavega. A total of 165 teams submitted proposals in Spain.