Singapore Architecture

Mercer released their annual list of the Most Livable Cities in the World last month. The list ranks 231 cities based on factors such as crime rates, sanitation, education and health standards, with Vienna at #1 and Baghdad at #231. There’s always some furor over the results, as there ought to be when a city we love does not make the top 20, or when we see a city rank highly but remember that one time we visited and couldn’t wait to leave.

Sand is the most-consumed natural resource in the world after water and air. Modern cities are built out of it. In the construction industry alone, it is estimated that 25 billion tons of sand and gravel are used every year. That may sound a lot, but it’s not a surprising figure when you consider how everything you’re surrounded with is probably made of the stuff.

Heatherwick Studio is believed to have won an international competition for the design of the new Terminal 5 at Changi Airport, Singapore. Although no formal announcement has been made, The Architects' Journal and BD Online are reporting that a collaboration between Heatherwick and KPF has prevailed against a shortlist containing Grimshaw and SOM. If confirmed, the successful team will be tasked with the design of one of the world’s largest airport terminals.

After finishing a building, the client is faced with an important question: How do they celebrate the new architecture? This moment offers an essential opportunity to inform the public about the existence and mission of the building. Therefore, the designs of opening ceremonies are often loaded with symbolic imagery to construct a new identity. Fireworks and light shows are an especially common part of the powerful repertoire used to magnify the aura of architecture. This luminous storytelling can underline the client’s uniqueness and superiority on both a local level and an international stage. I spoke with two leading designers to get their insights on how opening ceremonies have changed in recent years: Christophe Berthonneau, Creative Director at Groupe F, who introduced the Louvre Abu Dhabi, and Fred Thompson, Creative Director at Laservision Mega Media, who worked on the opening of the Marina Bay Sands in Singapore.

To speak of Paul Rudolph’s illustrious career is to trace a grand arc stretching from the 1940s to the 1990s. More often than not, the popular narrative begins with his student days at Harvard under the tutelage of Walter Gropius, touches upon his earliest, much-loved Florida beach houses, circles around his eventual break from the rigidity of both the Sarasota School and the International Style, and finally races towards the apex: his chairmanship of the Yale School of Architecture, and the concurrent shift to a Brutalist architectural style characterized by monumental forms, rugged concrete, and interwoven, multilevelled spaces awash with a remarkable interplay of light. Then comes the fall from grace: the beloved Yale Art and Architecture Building went up in flames just as the architecture profession began to question modernist ideals, and eventually Postmodernism was ushered in. Flickering, sputtering, Rudolph's grand narrative arc lurched towards Southeast Asia, bearing away the “martyred saint.” Save for several scattered commissions in the United States, Rudolph spent the last two decades of his life building abroad, mostly across Hong Kong, Indonesia, and Singapore, until his death in 1997.

Dande-lier – a pavilion designed for the Marina Bay waterfront promenade in Singapore uses PVC pipes and translucent umbrellas to form a reciprocal dome – reimagining everyday items as architectural components. The result is an ethereal shelter, referential of the commonly seen umbrella in Singapore and resembling a dandelion from afar. At night the project becomes a chandelier, lit up in an array of colors.

Humans are adaptable animals; we have evolved to adjust to, and survive in, many difficult and extreme conditions. In some cases, these extremes are natural, while in other modern cities extreme living situations are created by us, and we are forced to accept and adjust. Here is a list of extreme settlement conditions: some challenging, some wonderful and all of them offering a fascinating insight into how we occupy the planet in 2017.

Diverse, green and dynamic, in this video Singapore is shown through a new kind of lens, one that exists above the city, pans down it, rolls over it and offers a view of its architecture from an alternative angle. André Eckhardt's drone hyperlapse video takes us onto the street, up in the air, and down by the sea as the weather shifts and changes, and as people go about their day to day lives. Using clever speed adjustments, Eckhardt switches between the fast-paced movements of the city up-close and moments of pause as he takes us up over it. Picking out architectural works including the iconic Bayside projects of Moshe Safdie, PARKROYAL on Pickering and the Oasia Hotel by WOHA, the Gardens by the Bay, and the Helix Bridge, Eckhardt brings Singapore's colorful skyline to life.

Video of Changi Airport by Safdie Architects and WET.

On a tree-lined avenue in Singapore, fittingly named Orchard Road, Apple has opened its first Flagship store in the city-state, highlighting its role as a global center for creativity and innovation. Designed by Fosters + Partners, in collaboration with the design team at Apple, the Orchard Road Flagship seeks to create a new social focus by working in tandem with nature, blurring the boundaries between inside and out.