Safdie Architects have unveiled details of their proposed corporate headquarters for Surbana Jurong in Singapore. The scheme seeks to reflect the mission of Surbana Jurong (Singapore’s leading architecture, urban design, and infrastructure firm) of characterizing Singapore as the “Garden City.” Located on a previously undeveloped site, the campus will “integrate harmoniously with its natural landscape” while also offering over 740,000 square feet of space for the firm’s 4000 employees. The scheme marks the first initiative for the Safdie Surbana Jurong joint venture, which was established in 2017 to develop innovative and iconic projects in Asia-Pacific.
The scheme manifests as a series of treehouse-like pavilions united by a central pedestrian “street,” all shaped by a careful examination of, and respect for, the site’s existing trees and unique flora. The result is a distinctive network of offices embedded within surrounding parkland, with the glazed pedestrian street interweaving interior and exterior landscapes.
Moshe Safdie has been named the laureate for the 2019 Wolf Prize for Architecture. The award recognizes a winner in either painting, music, sculpture, or architecture. As one of Israel’s most prestigious international awards, the prize is bestowed upon luminaries for their accomplishments in advancing science and art for the benefit of humanity. The jury cited Safdie’s exemplary career motivated by the social concerns of architecture and his formal experimentation.
It's easy to feel overwhelmed by the massive production of architecture today. Scroll through ArchDaily for more than a minute and even we'd forgive you for losing track of it all. But what seems like an endless scroll of architectural production doesn't quite fit with the popular movements surrounding resource sharing and community.
Hidden among the mass production that has defined architecture in the last century is a germ - one that seems to be marching to the forefront of practice today. More and more designers seem to be taking on locally-focused and/or adaptive reuse works. Award shortlists today highlight not icons by recognizable names, but sensitive international works that are notable for their process as much as their product.
The common image of the architect may be of one obsessed with ego and newness, but practice today doesn't bear that out as much as it used to. This week's news touched on issues of reduction, reuse, and a radical rethink what architecture is in the 21st century.
The first Brazilian project by Safdie Architects has broken ground in Sao Paolo's Morumbi neighborhood on November 6. Developed in partnership with Perkins+Will, The Albert Einstein Education and Research Center is part of the Albert Einstein hospital complex.
The new center, named Campus Cecilia and Abram Szajman, will be one of the most advanced institutions in Latin America for medical studies. It will feature innovations in learning methods and technologies, as well as flexible research laboratories capable of adapting to the advancement of hospital techniques.
While Moshe Safdie may be more well known for the bold forms defining his portfolio of built projects—ranging from the National Gallery of Canada and the horizontal Raffles City Chongqing to the iconic Habitat 67—the architect considers his unbuilt works as important, if not more. Safdie ponders the role of these projects and more in PLANE-SITE’s latest addition to the series Time-Space-Existence.
Currently under construction in Chongqing, China, Moshe Safdie's Raffles City Chongqing features an extraordinary engineering feat of erecting a 300 meter long “horizontal skyscraper” above four 250 meter high towers. An extensive urban district set at the meeting point between the Yangtze and Jialing rivers once constructed Raffles City Chongqing will hold the world record of the highest sky bridge linking the towers.
Last week, Boise City Council unanimously approved world-renowned Safdie Architects to lead the local design team for the new cultural and civic center in downtown Boise. The center will expand the main library and bring it into the 21st century as well as becoming the new home for Boise Department of Arts & History that will house a performing arts venue for 400 capacity, gallery, and retail space.
Theorist, architect, and educator Moshe Safdie (born July 14, 1938), made his first mark on architecture with his master's thesis, where the idea for Habitat 67 originated. Catapulted to attention, Safdie has used his ground-breaking first project to develop a reputation as a prolific creator of cultural buildings, translating his radicalism into a dramatic yet sensitive style that has become popular across the world. Increasingly working in Asia and the Middle East, Safdie puts an emphasis on integrating green and public spaces into his modernist designs.
In honor of the 50th anniversary of the 1967 International and Universal Exposition or Expo 67 in Quebec, Canada Post, and renowned architect Moshe Safdie have revealed a celebratory stamp depicting Safdie’s iconic Habitat 67, which was unveiled as the Canadian Pavilion for the world fair.
The housing complex, commissioned by the Canadian government and the city of Montreal, now holds the status as a National Heritage Site and its commemorative stamp is the first of ten to be issued by Canada Post in celebration of the country’s 150th anniversary. Each stamp highlights a key moment in Canada’s history since its centennial in 1967.
There’s no doubt that one of the best things about architecture is its universality. Wherever you come from, whatever you do, however you speak, architecture has somehow touched your life. However, when one unexpectedly has to pronounce a foreign architect’s name... things can get a little tricky. This is especially the case when mispronunciation could end up making you look less knowledgeable than you really are. (If you're really unlucky, it could end up making you look stupid in front of your children and the whole world.)
To help you out, we’ve compiled a list of 22 architects with names that are a little difficult to pronounce, and paired them with a recording in which their names are said impeccably. Listen and repeat as many times as it takes to get it right, and you’ll be prepared for any intellectual architectural conversation that comes your way.
In the latest edition of Section D, Monocle 24's weekly review of design, architecture and craft, the team speak to Moshe Safdie – the Israeli-Canadian architect whose "signature geometric style of lavish curves and green space has made the self-styled Modernist an influential voice" in the profession. The conversation, broadcast from Safdie's Marina Bay Sands complex in Singapore, reflects on his life and work – including Montréal's Habitat 67.
https://www.archdaily.com/800490/moshe-safdie-architects-have-a-deep-social-responsibilityAD Editorial Team
Moshe Safdie will be honored with a Lifetime Achievement Award at the 2016 National Design Awards of the Cooper Hewitt, Smithsonian Design Museum. The museum states, “The Lifetime Achievement Award is given in recognition of a distinguished individual who has made a profound and long-term contribution to the contemporary practice of design.” Safdie and his fellow recipients will be honored at the 17th annual National Design Awards gala in New York in October.
This month, Family Design Day will be taking inspiration from the exhibition Global Citizen: The Architecture of Moshe Safdie and following Moshe Safdie FAIA’s design principle (and book of the same name), For everyone a garden, participants will transform a basic shoe box into a dream apartment with unique green space that reflects the goals of Habitat ’67, the 1960s housing complex that launched the architect’s career.
World-renowned architect and 2015 AIA Gold Medal–winner Moshe Safdie FAIA’s masterful use of light and geometry is explored in Global Citizen. This international exhibition is a retrospective that spans decades, from Safdie’s formative period in the 1960s and early 1970s to his recent projects around the world. Featuring more than 100 objects, including drawings, sketches, videos, photographs, and scale models, Safdie’s architecture is portrayed not only as visual art but also as a medium for advancing social, political, and cultural goals.
This exhibition is curated by Donald Albrecht and designed by Nader Tehrani.
In conjunction with the exhibition Global Citizen: The Architecture of Moshe Safdie on display at BSA Space, this portrait film celebrates the life and work of world-renowned Israeli-Canadian architect Moshe Safdie FAIA by highlighting his outstanding contribution to the field of architecture. From the Holocaust Museum, Yad Vashem, in Jerusalem to the masterplan for the city of Modi’in to the Peabody Essex Museum in Salem, Massachusetts, this personal documentary delves into some of Safdie’s most famous design projects and explores what makes each one unique.
Walking along the High Line in his self-designed wardrobe, Moshe Safdie spent the day with New York Times journalist Ruth La Ferla to discuss his views on architecture and the city. "Look what happens in the city when something becomes a destination,” he told Ferla, referring to the High Line. The 77-year-old architect is preparing to build his first project in New York. Follow this link to read the New York Time's complete conversation with Safdie.
In It’s A Wonderful Life the film’s protagonist George Bailey, facing a crisis of faith, is visited by his guardian angel, and shown an alternate reality where he doesn’t exist. The experience gives meaning to George’s life, showing him his own importance to others. With the increasing scale of design competitions these days, architectural “could-have-beens” are piling up in record numbers, and just as George Bailey's sense of self was restored by seeing his alternate reality, hypothesizing about alternative outcomes in architecture is a chance to reflect on our current architectural moment.
On this key date for one of the most crucial designs of this generation, we decided to look back at some of the most important competitions of the last century to see how things might have been different.