A collection of stones piled one on top of the other, dry stone is an iconic building method found just about anywhere across the world. Relying solely on an age-old craft to create sturdy, reliable structures and characterised by its rustic, interlocking shapes, the technique has deep routes that stretch back to ancient times. Its principles are simple: stack the stones in a certain way, as to create a unified, load-bearing wall. But the efficient, long-lasting results—coupled with the technique’s cultural significance—have lead to continued use and interpretation throughout today’s architecture.
Norman Foster. Image Courtesy of Foster + Partners
Vatican City participated in the Venice Architecture Biennale for the first time this year, inviting the public to explore a sequence of unique chapels designed by renowned architects including Norman Foster and Eduardo Souto de Moura. Located in the woods that cover the island of San Giorgio Maggiore, the chapels offer interpretations of Gunnar Asplund’s 1920 chapel at Woodland Cemetery in Stockholm, a seminal example of modernist memorial architecture set in a similarly natural wooded context.
A new video produced by Spirit of Space offers a brief virtual tour of the structures that make up the Holy See’s pavilion, lingering on each just long enough to show different views and angles. As members of the public circulate through the chapels in each shot, the scenes give an impression of how each chapel guides circulation.
Eduardo Souto de Moura (born 25 July 1952), the Portuguese architect that won the 2011 Pritzker Prize, is known for designs that are formally simple yet serious and at times, dramatic, created through his thoughtful use of colors and materials. His architecture is both versatile and consistent, contextual yet universal, and rarely affected by current trends or styles.
Eduardo Souto de Moura, in collaboration with META architectuurbureau, has released images of a proposed urban renewal project in the Belgian city of Bruges. The Beursplein & Congresgebouw consists of a new exhibition hall and covered public square on the site of a recently demolished trade fair complex.
The $46million (€40million) scheme seeks to act as a catalyst for urban renewal at the center of Bruges, with a dual role of exhibition hall and conference center capable of receiving business delegates on weekdays, and tourists on weekends.
With the opening of the 16th Venice Architecture Biennale comes a look at the first ever contribution by the Holy See, an exhibition that brings together architects to design chapels that, after the Biennale, can be relocated to sites around the globe.
Located in a wooded area on the Venetian island of San Giorgio Maggiore, 10 chapels by architects including Norman Foster, Eduardo Souto de Moura, and Smiljan Radic, are joined by the Asplund Chapel by MAP Architects. This 11th structure serves as a prelude to the other chapels, while reflecting on Gunnar Asplund's 1920 design for the Woodland Chapel.
The Pritzker Prize is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." The Prize rewards individuals, not entire offices, as took place in 2000 (when the jury selected Rem Koolhaas instead of his firm OMA) or in 2016 (with Alejandro Aravena selected instead of Elemental); however, the prize can also be awarded to multiple individuals working together, as took place in 2001 (Herzog & de Meuron), 2010 (Kazuyo Sejima and Ryue Nishizawa of SANAA), and 2017 (Rafael Aranda, Carme Pigem, and Ramon Vilalta of RCR Arquitectes).
The award is an initiative funded by Jay Pritzker through the Hyatt Foundation, an organization associated with the hotel company of the same name that Jay founded with his brother Donald in 1957. The award was first given in 1979, when the American architect Philip Johnson, was awarded for his iconic works such as the Glass House in New Canaan, Connecticut.
The Pritzker Prize has been awarded for almost forty straight years without interruption, and there are now 18 countries with at least one winning architect. To date, half of the winners are European; while the Americas, Asia, and Oceania share the other twenty editions. So far, no African architect has been awarded, making it the only continent without a winner.
In 2018 the Vatican will participate in the Venice Architecture Biennale for the first time. Ten international architects will construct 10 different chapels as part of the representation of the city-state in the Italian architecture event. The news was confirmed by Paraguayan media outlets ABC y Última Hora, who revealed that one of the participants was local architect Javier Corvalán.
The elite group of architects was selected by Francesco Dal Co, an Italian architecture historian and curator. The designers have been instructed that their chapels must be able to be relocated so that they can be deployed around the world, in places that are in need of these spaces of worship.
The architects who will build chapels in the 2018 Venice Architecture Biennale:
The architectural approach of 2011 Pritzker Prize-winner Eduardo Souto de Moura can be difficult to summarize. His convictions on matters of aesthetics and design are strongly held, but also highly individual and at times even unusual. In his work, this translates to buildings that are enigmatic, yet not flashy—in the words of the 2011 Pritzker Prize jury, “His buildings have a unique ability to convey seemingly conflicting characteristics—power and modesty, bravado and subtlety, bold public authority and sense of intimacy—at the same time.” In the latest interview from his “City of Ideas” series, Vladimir Belogolovsky speaks to Souto de Moura to probe his architectural mind and understand the thinking behind these powerful yet modest works.
Vladimir Belogolovsky:I had a chance to visit your Paula Rego Museum in Cascais outside of Lisbon, which is a very sculptural composition of iconic forms...
Eduardo Souto de Moura: Why are you saying it is sculptural? I don’t agree.
During an interview with Portuguese newspaper Diário de Notícias, Pritzker Prize laureate Eduardo Souto de Moura spoke to Ana Sousa Dias about his path through the Fine Arts School, his work alongside Noé Diniz and Álvaro Siza, and his consolidated international career – which he says has given him projects, but not pleasure.
"If I have to do 30 projects, there are three that give me joy and 27 that don't. I'm tired of it. It doesn't annoy me arguing when the assumption is intelligible, but when only time and money matters, it can get ugly. Respecting elections and economically have big profits," said Souto de Moura.
The office of Peter Zumthor has been selected to design an expansion to the Beyeler Foundation, located just outside Zumthor’s childhood home of Basel, Switzerland. The Swiss architect was chosen from a prestigious shortlist of 11 firms to add to the existing museum building, designed by Renzo Piano Building Workshop and completed in 1997.
“The sky above Basel, the city and its surroundings–those are the landscapes of my youth,” said Zumthor. “It is heart-warming to be able to design a major building here.”
On April 2nd, the jury of the 10th Ibero-American Architecture and Urbanism Biennial DESPLAZAMIENTOS / DESLOCAMIENTOS met in Madrid to select the winner of the Ibero-American Award for Architecture and Urbanism.
https://www.archdaily.com/785352/eduardo-souto-de-moura-wins-the-ibero-american-award-for-architecture-and-urbanismPola Mora
Images of Souto Moura Arquitectos' first US project has emerged. Aimed to replace a former gas station at 2715 Pennsylvanian Avenue NW in Washington DC, the five-story red brick and concrete building will feature a ground floor restaurant and eight 2,000-square-foot apartment units with balconies, a gym and penthouse terrace.
As BizJournals reports, the proposal is being pitched by EastBanc Inc. as the new "entrance to Georgetown." The Portuguese architect chose red brick "because it seems to be the most appropriate for this part of the city."
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![10 Architects to Design Chapels for the 2018 Venice Architecture Biennale, © <a href='https://www.flickr.com/photos/archer10/5115399433/'>Dennis Jarvis [Flickr]</a>, bajo licencia <a href='https://creativecommons.org/licenses/by-sa/2.0/'>CC BY-SA 2.0</a>. ImageBasílica papal de San Pedro, El Vaticano](https://images.adsttc.com/media/images/5a5d/f7e8/f197/cc2b/ba00/007e/newsletter/5115399433_ba76497051_o.jpg?1516107736)
.jpg?1513004532 "Braga Municipal Stadium, 2003. Image © Leonardo Finotti")
