Nicolás Valencia speaks with Chilean architect Germán Valenzuela about the book Del territorio al detalle (Bifurcaciones), a selection of the most interesting contemporary architects in Latin America, from Al Borde to Rozana Montiel, including Mauricio Rocha, Inés Moisset, and Solano Benítez.
As of July, 11 new Brazilian cities will join the Urban95 initiative. In total, 24 cities in Brazil have already committed to creating and strengthening actions focused on early childhood in public spaces, data management, programs, and services, ensuring these initiatives are transformed into public policies.
Urban95 begins with the following question: "If you were 95 cm tall (the average height of a three-year-old child), what would you do differently in the city?" With this vision in mind, the proposal is to design and implement urban transformation and service policies. The goal is to build cities that are good for children and, consequently, for everyone.
Professionals and students from several countries are about to participate in an unprecedented way in the world's largest architecture and urbanism event. The main program of the 27th World Congress of Architects (UIA2021RIO), which was scheduled to take place in July 2020 in Rio de Janeiro and postponed due to the coronavirus pandemic, begins on Sunday, July 18, in a 100% digital format for the first time in history. Through July 22, attendees will watch lectures by twenty of the most prominent names in global architecture and roundtables with more than one hundred internationally award-winning architects, as well as paper presentations, cultural activities, and awards. Since March, nearly 90,000 people from over 180 countries have been following the preparatory panels—an absolute record in the more than 70-year history of the event, which is held every three years by the International Union of Architects (UIA).
Houses are the most intimate structures we as architects can design. It is no coincidence that intimacy, security, and privacy are recurring concepts in residential architecture. Yet, like all architecture, houses are inevitably embedded in a context—an environment with which they must engage. There are many ways to achieve this, particularly within highly dense urban fabrics, as is the case in many Brazilian cities.
"There is coconut candy and peteca
Let the child play
Today is a day of celebration
The ibejada comes to bless."
— Song for the erês
Streets come alive when they belong to the erês and die when they belong to cars. I dream of a project that I intend to put into practice when time allows: writing a manual of the fabulous rules of hopscotch, carniça, button football, preguinho, capture the flag, ring-around-the-rosy, lenço-atrás, slope soccer, dodgeball, and the variations of marbles. The title is already set: "The Loving Ecology of Street Games."
What happened at the conventual Church of Saint Francis of Assis in Salvador is yet another sad chapter in a process afflicting Brazilian cultural heritage, which has intensified in recent years with the fires at the National Museum in Rio de Janeiro, the Cinemateca, and the Museum of the Portuguese Language in São Paulo. Consequently, over the last few days, there has been intense debate regarding who is to "blame" for what occurred in Salvador, or who bore the "responsibility" to prevent this disaster, which also claimed the life of a young tourist: whether the church administrators, IPHAN (the National Institute of Historical and Artistic Heritage), or local cultural and heritage agencies. This is a difficult and indeed important issue to discuss, demanding careful investigation into the causes of the incident. Yet the debate must be broader, aimed above all at considering how we can prevent such events from happening: greater investment, greater appreciation of artistic and architectural heritage, stricter and more effective safety protocols, preventive conservation, and heritage education. In the days following the incident in Salvador, numerous colonial-period buildings were closed across the country under the claim that they, too, might collapse. Our heritage demands attention—in many cases, urgently.
A small shelter for people experiencing homelessness has been designed in Ecuador. Combining a sleeping space and a kiosk, the structure features four wheels, allowing it to be moved as needed.
The project, named “El Ambulantito,” was designed by the firm Natura Futura Arquitectura. The emergency shelter model consists of foldable components. “El Ambulantito was born from a reality we witness every day. A temporary shelter and production device for people who are homeless or in transit from one city to another, it prompts reflection and awareness while public policies address the issue,” the architecture firm explains.
The debate on crime and public safety in Brazil has been shaped by polarization between proponents of hardline measures—ranging from stricter sentencing and streamlined legal procedures to legal immunity for police violence—and critics of the public safety and criminal justice systems, who point to systemic abuses and the ineffectiveness of incarceration in curbing crime.
Beyond this often counterproductive dichotomy—which does little to address a problem affecting a vast portion of the Brazilian population whose physical safety and property are threatened daily—crime prevention has been rarely discussed and even less prioritized. Yet, successful initiatives do exist, and they all involve local governments taking a leading role in implementing programs and coordinating police action with other social actors.
Since 1895, the Venice Architecture Biennale has taken place across various venues in the Italian city, bringing together the most representative examples of architectural production from around the globe. What is commonly known as the Venice Architecture Biennale is, in fact, the international architecture exhibition that forms part of a broader group of multidisciplinary showcases. As both an institution and an event, the Venice Biennale involves the simultaneous organization and promotion of international festivals and exhibitions spanning art, cinema, contemporary dance, and theater.
Designed by Atelier Marko Brajovic, the project ROOTS - mangrove ecosystem is part of the exhibition Future Assembly, curated by Studio Other Spaces, by artist Olafur Eliasson and architect Sebastian Behmann, which responds to the theme How will we live together? proposed by Hashim Sarkis, curator of the 17th International Architecture Exhibition of the Venice Biennale. The project features a 3D-printed model, hand drawings, and videos, which remain open to visitors until November 21, 2021, at the Giardini.
Future Assembly aims to introduce the United Nations' alternative multilateral value system to the Venice Architecture Biennale, reflecting on the past 75 years of UN multilateralism and imagining new futures of how we can collaboratively come together. The Atelier believes that a future multilateralism must expand beyond a human-centered worldview to a more-than-human gathering.
Today, Paulo Mendes da Rocha would have received the highest honor from the International Union of Architects at the World Congress of Architects (UIA 2021 RIO). To mark the occasion, the IAB São Paulo sent a letter to the city's mayor and councilors proposing a tribute to the architect.
The Romano Guerra Editora and the Instituto Tomie Ohtake are launching a new book on the work of Ruy Ohtake, exploring aspects of the architect's career that have received little attention in previous publications. According to editors Abilio Guerra and Silvana Romano Santos, “the nine previous monograph publications lacked consistent technical drawings. Unrestricted access to the architect's archives, however, made it possible to analyze and present the complexity of the designs.”
The World Stage at UIA2021RIO, the 27th World Congress of Architects, hosted three award-winning architects from its keynote speaker lineup this week: Elizabeth de Portzamparc, a Brazilian-born architect based in France; Anna Heringer of Germany; and Tatiana Bilbao of Mexico.
Elizabeth de Portzamparc discussed the concept of “Nexus Architecture,” which advocates for connecting various elements when thinking about and creating architecture. Meanwhile, Anna Heringer advocated for a working method focused on social justice and community inclusion in projects that can transform lives. Finally, Tatiana Bilbao gave a poetic presentation on the home as a social act, housing rituals that architecture must always consider.
“Waking up early, waking the kids, making and serving breakfast, showering, bathing them, heading to the bus stop. The bag drops, the child throws a tantrum, the bus is late. Arms, backpack, child... you lose track of the order. First task of the day: the first bus and the kids arrive at school; then, rushing to another stop and another wait until the second bus arrives. Boarding, standing, dodging fatigue and harassment on the way to work. At lunchtime, a quick run to the pharmacy, and maybe the nearby open-air market. Or is today the day to stop by the butcher? Heading home from work: bags, purse, and exhaustion. A stop along the way to pick up the kids, and an inconvenient reminder of what's missing at home drives a detour to the grocery store before finally arriving back home as the day ends—though not before making dinner. Phew!”
This excerpt recounts a fictional day. However, this routine is the daily reality in many households, especially low-income ones, in peripheral areas, and in single-parent homes headed by women, where the drama of constant back-and-forth travel can be intensified by intersectional factors such as gender, race, social class, generation, territory, physical ability, and sexual orientation.
Brazil has just gained another World Heritage site. The legacy of one of the 20th century's greatest landscape architects, the Roberto Burle Marx Site (SRBM) was recognized on Monday, July 26, during the 44th Session of the World Heritage Committee of the United Nations Educational, Scientific and Cultural Organization (UNESCO).
The Site was recognized under the Cultural Landscape category, which includes properties that represent the interaction between the natural environment and human activities, resulting in a modified natural landscape. Brazil now has 23 properties inscribed on the UNESCO World Heritage List, a registry of sites considered to possess outstanding universal value for human culture.
The Women’s House in Africa design competition aimed to promote the involvement and empowerment of the female community in Senegal. The competition was organized by Kaira Looro International, a non-profit organization that hosts contests open to students and young architects to foster humanitarian projects in developing countries and spotlight emerging architectural talent.
The competition, which challenged participants to design a “women’s house” featuring symbolic, ecological architecture inspired by local traditions, selected a Brazilian team among its finalists, composed of students Marcela Luana Sutti and Adenir Filho. Read more about the featured proposal and its project description below.
Anyone who has played with wooden blocks or the famous LEGO toy knows the satisfaction of imagining something and building it with their own hands. In Belgium, this concept has taken on a whole new scale. Construction specialist Gabriel Lakatos has always loved playing with blocks and turned this passion into a building system for wooden houses. His company, Gablok, sells home construction kits designed to make building simple and efficient.
Few people have the opportunity to design a city. Even fewer do so by chance. This is the story of illustrator and comic artist Eloar Guazzelli, who since 1990 has been developing an art project titled Cidade Nanquim. Working with A4 sheets of paper, the artist composes a kind of black-and-white urban mosaic that portrays fragments of an imaginary city.
The winner of the top awards at the 2021 Oscars is the subject of the latest episode on architecture and cinema from Arquicast. Nomadland, directed by Chinese-born, US-based filmmaker Chloé Zhao, portrays the life of a woman who, after losing her husband and her financial stability, moves into a van, traversing the American West and adopting a lifestyle described as nomadic. The film depicts the reality of people who, for various reasons, find themselves in this situation, prompting us to reflect on what it means to belong to a place, the definition of dwelling today, and the emotional connections we forge with the cities and landscapes we experience. Joining us to discuss these issues is Romullo Baratto, who holds a master's degree in architecture and cinema from FAU-USP and serves as the Editorial Manager of ArchDaily.
The Rio de Janeiro Charter, which outlines proposals for the urban development of cities worldwide in the coming years, was presented during the closing of the 27th World Congress of Architects on July 22. The document advocates for a new city model in the post-pandemic world—one more attentive to climate change, quality spaces, public health, dignified housing, and the reduction of inequalities. The UIA2021RIO Executive Committee announced that the Rio Charter will be delivered to the mayors of all state capitals in Brazil, marking the consolidation of the proposals discussed throughout the event, which was hosted in the country for the first time.
On Tuesday, July 27, it was announced that Eladio Dieste's Church of Atlántida, one of his most renowned works in Uruguay, has been added to the UNESCO World Heritage List.
The administration of the Pontifical Catholic University of Goiás intends to dissolve the Professor Edgar Albuquerque Graeff School of Arts and Architecture.
The justification for this unexpected move is institutional cost-cutting. This argument might even be acceptable; managing or reducing expenses is standard practice, and not only for philanthropic universities. What is neither clear nor reasonable, however, is why reducing ordinary operating costs requires dissolving one of its oldest and most recognized divisions. This is a School that has stood out exceptionally on the national stage, with a history that must be recalled here to fully grasp the tragic nature of this unfolding decision—one made without dialogue with the professors, artists, and architects currently there, and without considering the identity and memory of the thousands of architects, artists, and designers who have passed through its doors over the last 70 years.
The Museu dos Emboabas Competition, an initiative of the municipality of Caeté, Minas Gerais, seeking architectural proposals to honor the memory of the War of the Emboabas, has selected the firm ARQLIQ arquitetura and architect Laila Bentes, with collaboration from Márcio Motta and Giulia Sgarbi, as the winners. The winning proposal was chosen for its careful attention to both the building's interior, with its spacious and versatile areas, and its surrounding environment.
The MArch Valencia Postgraduate School offers a unique educational proposal, featuring three postgraduate programs and two master's degrees designed to effectively connect academic knowledge with professional experience. Its teaching methodology is based on a practical approach and collaboration with renowned professionals and architecture and design studios, providing students with the necessary tools to excel in a highly competitive job market.
