In Jacques Tati's Mon Oncle (1958), architecture itself becomes a character: sliding doors, an automatic fountain, gates that emit mechanical sounds, devices that both enchant and frustrate the inhabitants. The comedy arises precisely from the fact that these seemingly trivial systems silently shape everyday life. More than six decades later, the observation seems prophetic. In contemporary buildings, countless systems work autonomously and discreetly, going unnoticed when they function well. Among them, automatic doors, traditionally seen as secondary elements, are emerging as part of a new "invisible infrastructure": connected, efficient, and intelligent systems that support comfort, sustainability, and operational resilience.
Monasticism emerged from a deep impulse to withdraw—a radical pursuit of spirituality and transcendence. The word itself comes from the Greek μόνος (mónos), meaning “alone,” reflecting the ideal of the holy hermit who retreats from the world to dedicate life entirely to the divine. By the late 3rd century, in Egypt and Palestine, the first Christian monks began to follow this path, creating ways of life that would later give rise to a distinct architecture centered on seclusion.
The Mir-i-Arab Madrasa. Image Courtesy of Uzbekistan Art and Culture Development Foundation
The inaugural edition of the Bukhara Biennial opened on September 5, 2025, bringing over 70 site-specific commissions by more than 200 participants from 39 countries to the historic core of the Uzbek city. Commissioned by the UzbekistanArt and Culture Development Foundation (ACDF) and Commissioner Gayane Umerova, the Biennial is described as the largest and most diverse cultural event in Central Asia to date. Curated by Diana Campbell under the theme Recipes for Broken Hearts, the ten-week event is staged across a constellation of newly restored sites, including madrassas, caravanserais, and mosques, all part of Bukhara's UNESCOWorld Heritage listing. Beyond an exhibition platform, the biennial is framed as part of a broader master plan, positioning culture as a catalyst for urban transformation and heritage renewal.
Lina Ghotmeh — Architecture has recently unveiled images of a project to transform a historic residence in Bukhara, Uzbekistan, into a "21st-century cultural destination." The proposal envisions a museum dedicated to the ideas and influence of Jadidism, a Muslim reform movement that advocated for the modernization of education across Central Asia during the late 19th and early 20th centuries.
The project was commissioned by the Uzbekistan Art and Culture Development Foundation (ACDF), established in 2017 to preserve, promote, and nurture the country's heritage, arts, and culture, while integrating them into the global art world and cultural landscape. Scheduled to open to the public in 2027, the museum is part of the ACDF's broader efforts to create landmark cultural institutions that engage audiences worldwide.
The capsule wardrobe concept, popularized in the 1970s by Susie Faux, proposes an exercise in synthesis: a compact set of versatile pieces, capable of combining in countless ways to suit different occasions. In visual culture, there are a few metaphors for this: in cartoons like Doug Funnie or Dexter's Laboratory, opening the closet revealed rows of identical clothes, ready to simplify life (and, in the case of animators, the work). In the real world, figures like Steve Jobs turned this logic into a method, adopting a daily uniform to eliminate the small but recurring decision of "what to wear?", freeing up time and energy for more important matters.
For others, however, this would be far from a burden. Choosing what to wear is a pleasurable moment, capable of setting the tone for the day and influencing one's mood. In this sense, the wardrobe is also an extension of identity, a space where practical and symbolic choices meet. Unsurprisingly, expressions like "coming out of the closet" or "skeleton in the closet" are deeply rooted in language, revealing the cultural dimension of this element of the home. In contemporary interior design, this notion has gained new layers: the wardrobe can define the character of a space, guide circulation, influence perception, and even shape the atmosphere of an environment.
The noise of overlapping conversations, the flashing lights of a billboard, hurried footsteps on the sidewalk, and the constant hammering of a nearby construction site: public spaces are sometimes experienced as environments where stimuli accumulate and often overwhelm us. Each person perceives and responds to these sensory inputs differently, and recognizing neurodiversity means understanding that some individuals require more time to adapt, slower-paced journeys, or more gradual interactions with their surroundings. These encounters raise fundamental questions about contemporary public space: how can it accommodate the diversity of ways people perceive and inhabit it? How can we envision it as a space that embraces all ways of experiencing it?
Working with the site instead of against it, the exhibition "Architecture is Cooperation," curated by Josep Ferrando, emphasizes the value of cooperation at the essence of architecture. Showcasing the work of professionals, organizations, and communities in cooperation projects driven from Spain, the installation takes shape through an exhibition design in earth and wood. The choice of these materials is understood not only from their aesthetic or symbolic qualities but also from their functionality and commitment to the principles of the circular economy. Until September 30, 2025, the exhibition will be on view at the Casa de la Arquitectura in Madrid, highlighting the necessary attention of architecture to the demands of the most vulnerable societies and communities by aligning the constructive language with the content of the exhibition.
As cities continue to develop, we are seeing ever more well-planned, thoroughly executed, and tightly regulated approaches to shaping urban centres and their surrounding spaces—for better and for worse. As codes, restrictions, and guidelines improve and tighten, urban environments become safer, more balanced, and less prone to surprise. Yet the flip side is that highly managed districts can drift toward over-order and sanitisation, shedding the messy, accretive character that once produced alleyways, residual spaces, and unexpected sequences of movement—conditions often born from ongoing community improvisation in the grey zones of regulation.
In response, a growing number of initiatives around the world are proposing short-term urban installations that test alternate futures for the city. These works aim to provoke dialogue between what the city is and what it could offer its communities through thoughtful, context-specific spatial practices. One notable example is Concéntrico, the international festival in Logroño, Spain, conceived as an urban innovation laboratory. Marking its tenth edition, the festival is about to publish Concéntrico: Urban Innovation Laboratory, a book that surveys a decade of urban design and collective transformation shaped through successive editions of the festival. Its launch is paired with an international tour designed to share a decade of insights on collective transformation and design.
Asking questions is the first step toward challenging what we take for granted and opening up new possibilities for planning and building. These questions, valuable in themselves, gain new strength when shared and examined through different perspectives. As they intersect with the experiences of professionals and brands, they weave together viewpoints that enrich the discussion. Design fairs and events around the world have become spaces where these conversations gain momentum, fostering connections and encouraging collaborative dynamics. In this landscape, Colombia has emerged as a hub, serving as a platform that promotes architecture and design across Latin America and the Caribbean while bringing the region's voice to the global stage.
The Uzbekistan Art and Culture Development Foundation (ACDF) has announced the transformation of a 1912 industrial building in Tashkent into the Centre for Contemporary Arts (CCA), set to become the first permanent institution dedicated to contemporary art and research in Central Asia. Designed by the French architecture practice Studio KO, led by Karl Fournier and Olivier Marty, the project integrates preservation of the city's industrialheritage with a new cultural identity for the historic site. The building, originally designed by Wilhelm Heizelmann, known for the Treasury Chamber, was constructed as a diesel station and depot for Tashkent's first tram line. After decades of serving the city's electricity network, the structure was transferred to the Foundation in 2019 as part of Uzbekistan's long-term cultural development strategy. Under the leadership of Gayane Umerova, the project now represents a major step in shaping a contemporary cultural infrastructure for the region.
"Spinning Around" installation by Sophia Taillet. Musée de la Chasse et de la Nature, 4–13 September 2025. Image Courtesy of Maison & Objet
This year, the Maison&Objet interior design trade fair and the city-wide celebration Paris Design Week joined forces to highlight emerging designers, bring renewed value to French métiers d'art, and temporarily transform heritage landmarks with contemporary design visions. Both events began on September 4, turning Paris into a city-wide design festival. Galleries, showrooms, and concept stores opened their doors, while renowned landmarks became venues for designers from more than 30 countries. The abundance and diversity of the program have drawn comparisons to Milan Design Week, while giving Paris a distinct platform on the global design calendar. This article presents a selection of installations and exhibitions of architectural interest that emerge from the synergy between the two initiatives.
In traditional Chinese medicine, acupuncture works through strategically placed needles that trigger healing throughout the entire body. Urban planner Jaime Lerner's concept around targeted architectural interventions find success in China as well as neighboring countries in Asia, where localities are revitalized through simple interventions. Libraries, specifically, are bringing in social, cultural, and economic transformation to the continent.
Lina Bo Bardi / Preliminary Study – Practicable Sculptures for the Belvedere at Museu Arte Trianon, 1968. Credit line: Doação Instituto Lina Bo e P.M. Bardi, 2006. Cortesia de MASP.
Aldo van Eyck and Lina Bo Bardi were two subversive figures. Their visions of collectivity and playfulness—though applied to very different kinds of structures—shared a common ground: an idea of architecture that goes beyond design. For both, architecture was a living space, animated by appropriation, movement, and exchange. From Dutch playgrounds to thw São Paulo Museum of Art, their ideals intertwined, reinforcing the notion of an architecture where anyone could become a child again.
In the pursuit of connecting with the architectural traditions of cities and integrating their natural environments into design projects, the contemporary reinterpretation of colonial homes in Mexico faces the challenge of enhancing the contrast between the old and the new. Through the conservation of historical elements, the reuse of materials, and the fusion with contemporary design, the architecture of Mérida recognizes in its original colonial configuration new opportunities to create spaces in line with today’s demands. From achieving a direct connection with nature to naturally lighting and ventilating interior spaces, numerous ancient constructions, whether in ruins or not, choose to highlight their architecture by giving them a new life.
Behind facades lie vibrant lives, where the exterior melds with the interior, transforming neglected urban spaces into captivating residences. In cities around the world, architects, engineers and designers face the challenge of integrating new buildings into existing urban landscapes with limited space. Many architects are now embracing this concept, expanding their designs beyond conventional boundaries and transforming small city lots into layered and interconnected living spaces.
VUILD has presented the design for a wooden soccer stadium planned for Fukushima, Japan, as the future home of Fukushima United FC. Commissioned by SportX, the proposal combines community participation, an innovative timber structure, and sustainable strategies, positioning the stadium as both a functional sports venue and a potential symbol of renewal. Inspired by the Japanese tradition of Shikinen Sengu, the periodic rebuilding of shrines, the concept introduces three cycles: resources, community, and craftsmanship.
As cities and communities adapt to new cultural, environmental, and social realities, architecture is taking on an expanded role in shaping spaces of resilience, gathering, and imagination. This edition of Architecture Now highlights six recent projects that span continents and typologies, from the redevelopment of post-industrial landscapes to sacred architecture, cultural pavilions, and civic hubs. Whether through mass timber innovation in Vancouver and Jülich, adaptive reuse in Ostrava, a children's pavilion in London, a spiritual centre in India, or a parametric church in Kyiv, each project demonstrates how design can bridge heritage and innovation while fostering connection, care, and community.
Architecture has always been more than bricks and mortar. It is equally constructed through words, ideas, and narratives. From ancient treatises to radical manifestos, from technical manuals to poetic essays, the written word has served as a spatial, pedagogical, and political tool within the field. Writing shapes how architecture is conceptualized, communicated, and critiqued — often long before, or even in the absence of, physical construction.
Historically, figures such as Vitruvius, Alberti, and Palladio employed writing to codify principles, project ideals, and legitimize architecture as a discipline. In the modern era, Le Corbusier, Adolf Loos, and Lina Bo Bardi wrote prolifically to expand the scope of architecture beyond form and function, often using publications as tools for persuasion and experimentation. The postwar period gave rise to new editorial strategies, as evident in the manifestos of Archizoom and Superstudio, and the polemical publications of Delirious New York and Oppositions, where writing served as both critique and project.
Does architecture alone define how we inhabit a space? It's becoming increasingly clear that it does not. The objects within a space—particularly furniture and other design pieces—not only serve functional purposes but actively shape the spatial and human experience. As schools, homes, and offices evolve to accommodate new ways of working, living, and socializing, furniture accompanies these transitions, prompting conversations that extend beyond functionality and engage the corporeal dimension implied in its use.
Several decades ago, British architects Alison and Peter Smithson were already exploring the relationship between the body, everyday experience, and space at an architectural scale. Since then, contemporary concepts of flexibility and comfort have expanded this framework to include other scales, such as furniture. These transformations have fostered the consolidation of modular seating systems whose flexibility and adaptability respond to diverse ways of living and relating to space. Emerging from this context are forward-thinking proposals, such as Beau's comprehensive range of seating and table units—an expansive modular seating system designed for multiple possibilities, with a significant emphasis on comfort and sensory appeal.
https://www.archdaily.com/1031877/an-expansive-modular-sofa-system-reimagining-comfort-beyond-sitting-onEnrique Tovar
The Royal Institute of British Architects (RIBA) has revealed the six shortlisted projects for the 2025 RIBA Stirling Prize. Since its establishment in 1996, the prize has recognized works that respond to contemporary challenges while shaping more inclusive futures. This year's shortlist spans a diverse range of scales and programs, including the restoration of one of the nation's most iconic landmarks, a pioneering medical research facility, a contemporary almshouse designed to reduce isolation among older residents, a university's "factory for fashion," a fully accessible home, and a creative house extension. The winner of the award will be announced live at the Stirling Prize ceremony on 16 October in the Roundhouse, London.
The Philippines' Pavilion at the 19th International Architecture Exhibition – La Biennale di Venezia presents Soil-beings (Lamánlupa), an exhibition curated by artistic director Renan Laru-an. Through interdisciplinary collaborations, the Pavilion brings together architects, technical experts, indigenous leaders, artists, policymakers, and local communities to explore the cultural, ecological, and technological dimensions of soil. Its objective is to challenge conventional architectural paradigms by shifting the focus from structure to soil, not as a passive material, but as a living force with agency, history, and power.
