This article was originally published on Common Edge.
Recently I visited Pittsburgh for a fascinating hand-drawing conference at Carnegie Mellon’s superb school of architecture, which to my knowledge is not among the top 10 in U.S. News and World Report. I wonder why? The curriculum is cutting-edge, the faculty world-renowned, and the students well-grounded and talented. More people of color are in the design community at CMU than at Princeton, SCI-Arc, or Harvard.
The International Award for the Commission of Architecture “Dedalo Minosse” promoted the Italian association for professional Architects returns after three years on hold, to tribute worldwide architects. Firms like ODDO architects, Ryuichi Ashizawa, and The Kresge Foundation - Detroit are some of the winners for their promotion and contribution to the discipline. The Anniversary is also de 12th edition of the Dedalo Prize, which will be held From September 16 to October 2, 2022, in Vicenza, Italy. The event will host forums and workshops about and around the city, opening with the spectacular award ceremony at the iconic Teatro Olimpico, and continuing with a Multimedia exhibition at the Basilica Palladiana.
After a prolonged period known as the Middle-Ages, a growing desire to both study and mimic nature itself began to emerge, with an inclination to discover and explore the world. Between 1400-1600 A.D. Europe was to witness a significant revival of the fine arts, painting, sculpture, and Architecture. The ‘Renaissance’, meaning ‘rebirth’ in French typically refers to this period of European history, although most closely associated with Italy, countries including England and France went through many of the same cultural changes at varying timescales.
Prior to the dawn of the Renaissance, Europe was dominated by ornate and asymmetrical Gothic Architecture. Devoured by the plague, the continent lost approximately a third of its population, vastly changing society in terms of economic, social and religious effect. Contributing to Europe’s emergence into the Renaissance, the period ushered in a new era of architecture after a phase of Gothic art, with the rise of notions of ‘Humanism’. The idea of attaching much importance to the essence of individualism. The effect of Humanism included the emergence of the individual figure, greater realism and attention to detail, especially in depictions in art.
For Paul Lewis, Marc Tsurumaki and David J. Lewis, the section “is often understood as a reductive drawing type, produced at the end of the design process to depict structural and material conditions in service of the construction contract.” A definition that will be familiar to most of those who have studied or worked in architecture at some point. We often think primarily of the plan, for it allows us to embrace the programmatic expectations of a project and provide a summary of the various functions required. In the modern age, digital modelling software programs offer ever more possibilities when it comes to creating complex three dimensional objects, making the section even more of an afterthought.
With their Manual of Section (2016), the three founding partners of LTL architects engage with section as an essential tool of architectural design, and let’s admit it, this reading might change your mind on the topic. For the co-authors, “thinking and designing through section requires the building of a discourse about section, recognizing it as a site of intervention.” Perhaps, indeed, we need to understand the capabilities of section drawings both to use them more efficiently and to enjoy doing so.
Though only the Italian screenings have officially been announced, for May 20-22, international screenings of the upcoming 97-minute docu-film are promised to be announced soon. Created by Giacomo Gatti together with Scientific Director and Co-author Gregorio Carboni Maestri, “Palladio” features well-known scholars and aficionados of Palladian architecture, including Kenneth Frampton and Peter Eisenman, discussing the great architect’s legacy.
Cristopher Cichocki's Root Cycle combines installation art with existing architecture in an effort to spark a discussion regarding the relationship between design, both contemporary and historical, and environmental sustainability.
Cichocki partnered with Geoplast, a local Italian designer and manufacturer dedicated to producing innovative sustainable design products. The artist uses a particular Geoplast elevator product and Aloe Vera plants as the main components for the artwork.
Throughout history, there have been certain architects whose unique ideas and innovative styles have influenced generations to come. Some of these pioneers introduced ideas so revolutionary that entirely new words had to be invented to truly encapsulate them. Whether they became a style embraced by an entire era, or captured the imagination of millions for decades to come, we know a Gaudiesque or Corbusian building when we see one.
Here are eight adjectives derived from the works of architects whose names are now in the dictionary:
In his seminal work, Four Books on Architecture (1570), Andrea Palladio outlined the architectural elements that would make up his signature style, borrowing from the architecture of the ancient Romans and the principles directed by Vitruvius and Leon Battista Alberti. In designing his buildings, Palladio employed a full palette of motifs, from pediments to loggias to porticos, resulting in structures that followed a certain formula, while remaining individually distinct.
Recognizing the architectural patterns in his work, programmer “23” (Paul O’Leary McCann) set out to create a code project that could randomly generate Palladian-inspired facades. Adjusting the to size of your screen, the program can create facades ranging in scale from one-story temples to elaborate mega-structures that bear similarity to the magnificent toy block towers created by future-architect children.
In today's culture of narcissism and celebrity it's an assumed expectation that faces can be put to names. Even in 16th Century Europe, the large majority of notable persons had a likeness made of themselves and displayed for posterity – save for architects, it seems. Take, for instance, Andrea Palladio (1508-1580) – the Renaissance style-setter and author of the groundbreaking treatise The Four Books on Architecture, the seminal text of which inspired the likes of Thomas Jefferson. If challenged, could you easily put a face to Palladio's name? There is no accurate, agreed-upon "official" portrait of the architect – until now, that is.
The end of the War of 1812 left the young United States of America awash with nationalist fervor. In the following years, the world’s first modern republic experienced unprecedented growth and prosperity; it was not without reason that the period came to be known as the “Era of Good Feelings.”[1] It was into this epoch of unbridled national pride that Thomas Jefferson, one of the country’s founding fathers and its third President, introduced his master plan for the University of Virginia: an architectural manifestation of the Enlightenment and republican ideals he had helped cultivate.
Andrea Palladio is the only architect who has given his name to a style – one that is still in use around the world after nearly 500 years. From the US Capitol to a 21st century Somerset cowshed, 'Palladian Design: The Good, the Bad and the Unexpected' introduces Palladio’s design principles and explores how they have been interpreted, copied and re-imagined across time and continents from his death in 1580 to the present day.
Phillip Bond, an architectural photographer based in the US, recently made a trip back to the city of his birth: Vicenza. While there he took the opportunity to photograph a series of Andrea Palladio's most famous works, from the Palazzo Chiericati and the Basilica Palladiana, to the Palazzo del Capitaniato. The vast majority of Palladio's built works exist in the Veneto region of Italy in cities such as Padua, Verona, and Venice with the highest concentration in Vicenza, which was designated as a UNESCO World Heritage Site in 1994.
See the gallery in full after the break.
London based practice Henley Halebrown Rorrison’s (HHbR) have unveiled a scheme for affordable housing based on a model inspired by Andrea Palladio's Villa Capra (1566-1571) near Vicenza. The Pocket Rotunda model hinges around their developer’s ambition to offer new two-bedroom accommodation that will help open up home ownership to couples with young children, joint buyers, and single parent families who earn too much to qualify for social housing but are, nevertheless, priced out of the UK market.
Architect Andrea Palladio’s (1508–1580) influence can be found throughout the world in monumental architectural works on both sides of the Atlantic. His Four Books on Architecture (1570) are some of the most famous and influential writings on architectural theory. The Royal Institute of British Architects Trust in conjunction with the Centro Internazionale di Studi di Architettura Andrea Palladio, Vicenza, has organized a traveling exhibition called Palladio and His Legacy: A Transatlantic Journey. This display will offer up a unique opportunity to view the numerous works, drawings, and models of one of the most influential architects of the last 500 years. Hosted by the Carnegie Museum of Art in their Heinz Architectural Center, the exhibition will run from September 3-December 31, 2011.
The Canadian Centre for Architecture (CCA) is hosting an exhibition of Palladio’s drawings, giving new insight into the use of drawings as a tool to record, develop and disseminate his ideas. Curated by Guido Beltramini, in collaboration with Charles Hind, Palladio at Work will be on view in the museum’s Octogonal Gallery from March 3 to May 22, 2011.
More on the exihibition and on Andrea Palladio after the break.
