Founded in Shanghai in 2001, Lacime Architects has always adhered to the architectural philosophy of "simplifying complexity and returning to the origin," aiming to root its practice locally while creating world-class architecture. Drawing on the design excellence of international practices, the firm prioritizes design innovation and independence. It is committed to utilizing new materials and technologies that reflect contemporary trends, integrating cultural concepts into its architectural works to honor cultural heritage while celebrating the spirit of the times.

This article curates Lacime Architects' portfolio of 2018, showcasing public buildings, demonstration zones, and residential developments through four thematic lenses: civic engagement, Neo-Chinese research, urban renewal, and contemporary living. (The following projects are listed in no particular order.)

Located on the west bank of Xiang Lake in Nanchang, the project sits in a new district whose large-scale block morphology contrasts sharply with the organic, "natural" fabric of the old town. The Fuhe River, flowing south from the Tengwang Pavilion Delta, preserves the city's natural landscape character, turning bridges into a key element of the urban landscape. The project seeks to capture the morphological memory of this contemporary city, anchoring itself to the edge of its cultural context.

Ever since the classic example of the Piazza di Spagna stairway in Rome – where local citizens gather, fashion shows happen, and tourists make an (almost) mandatory stop – we understand that the possibility of being on different levels contemplating space has great appeal to human sociability. In contemporary architecture, there is no shortage of examples in the use of bleachers to create these meeting places marked by its versatility.

Next, we present 17 projects that have adopted the bleachers as one of its main elements.

Text by Henry Heng Lu

By Henry Heng Lu

The escalating use of air conditioning is pushing urban temperatures to unprecedented heights. In highly populated nations like India, China, Indonesia, Brazil, and Mexico, major urban centers are becoming virtual ovens. At the same time, heat absorbed by buildings is re-released into the environment, driving local temperatures even higher. This outdoor heat, in turn, triggers demand for more air conditioning, creating a vicious cycle that increases both energy consumption and atmospheric carbon emissions.

In response to this feedback loop, UNStudio partnered with Swiss paint specialists Monopol Colours to develop “The Coolest White”—an ultra-durable coating that protects buildings and urban structures from excessive solar radiation, thereby mitigating the urban heat island effect. Darker materials used in urban construction are a primary driver of urban heat accumulation. These materials absorb up to 95% of solar radiation, re-releasing it directly into the atmosphere, whereas standard white surfaces reduce this absorption to 25%. Now, The Coolest White lowers this absorption and emission value to a groundbreaking 12%.

Recently, HASSELL was invited to participate in the master planning and landscape design competition for this site, reimagining it as Hefei Central Park while preserving the memories of its past. Ultimately, HASSELL's proposal was selected as one of the two winning designs. The jury commented: "HASSELL’s proposal features a well-structured urban design framework, and the treatment of the interface between the park and the city is particularly striking. The skeletal road network is highly feasible, and the internal circulation system is thoroughly designed. While the runway is preserved intact, its potential for future adaptation is enhanced. Additionally, the 'Green Ribbon' concept at the intercity transit node is highly distinctive." 

Tracing the development of Chinese civilization reveals a journey that moves from the lower reaches of the Yellow River upstream. Journeying backward from Beijing of the Ming and Qing dynasties, through Luoyang of the Sui and Tang, to Xi'an of the Qin and Han, one eventually reaches Qin'an—the site of an 8,000-year-old prehistoric civilization. Recently, the Qin'an Archives, designed by WEISHE Studio, broke ground in this historic and cultural city, celebrated as the birthplace of the mythological figures Fuxi and Nuwa. The new facility will not only preserve county records and archives but will also serve as a public cultural hub, integrating research, reading, cultural exhibitions, and academic exchange.

* Original Author: Xie Xiaofan, Vice President of the China National Academy of Painting. Xie collaborated with Arata Isozaki to build the Central Academy of Fine Arts (CAFA) Art Museum and has curated a series of large-scale exhibitions. Xie is the author of "Exhibiting the Art Museum" and "Discerning Forms: Walking Between Art and Construction", led the drafting of the state-issued "National Standards for Art Museum Construction," and previously oversaw the construction of the new National Art Museum of China.
*This article is published with the authorization of Xie Xiaofan.

At 23:30 on March 5, upon receiving the first news of Arata Isozaki winning the prize, I immediately sent the following message to Hu Qian: "It would be incredibly badass if Old Iso immediately declined the Pritzker. Tell him my thoughts right away. The Pritzker is about celebrity and fashion; Old Iso is a literati avant-garde." As the person who turned Isozaki’s ideas and drawings into physical architecture, and as someone who has bickered and fought alongside Hu Qian, this was my immediate, gut-reaction response.

On World Water Day (March 22) during the 2019 Year of the Pig, SPARK is launching “The Three Little Pigs” research project. The project proactively treats wastewater from pig farming at its source rather than allowing it to discharge into freshwater systems. “The Three Little Pigs” supports the Chinese government’s efforts to address nationwide water pollution caused by livestock farming. The unchecked dumping of livestock waste not only degrades the quality of freshwater supplies but also causes mass fish deaths, triggering eutrophication that compromises the ecological value of China’s scenic lakes. SPARK’s practical, playful, and iconic concept diverts livestock waste from drainage systems, converting it instead into biogas that can generate electricity or serve as fuel for cooking and heating. The slurry remaining in the biogas reactor can then be used as agricultural fertilizer. SPARK’s 360-degree life-cycle proposal underscores the urgency of addressing water pollution in China, highlighting the opportunity to actively repurpose waste as energy.

Designed by LYCS Architecture, the new headquarters for GeTui (Zhejiang Daily Interactive Network Technology) is located in Hangzhou's Unicorn Industrial Park. The project represents a collaborative milestone between LYCS Architecture and the independent smart big data service provider. The architectural scheme has officially received planning approval, with construction slated to begin in mid-2019 and completion scheduled for 2021.

Rozana Montiel, alongside Werner Sobek, Ersen Gürsel, Ammar Khammash, and Jorge Lobos, has won the Global Award for Sustainable Architecture 2019. The award ceremony will take place on May 13 in Paris, France.

The project is located in Baxoi County, Qamdo, Tibet, approximately 48.5 kilometers from the county seat. The "Nujiang 72 Curves," also known as the "72 Curves of the Heavenly Road," is a critical passage along the southern route of National Highway 318 (G318), renowned worldwide for its treacherous terrain. The viewing platform is sited on a cliff edge between the 72 Curves and the Nujiang River Canyon, with National Highway 318 winding past to the north and the roaring Nujiang River flowing eastward to the south.

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Following two weeks of enthusiastic voting, ArchDaily readers have selected their top 10 projects of the year from a pool of over 400 nominees.

The nomination phase demonstrated the positive impact of these awards on architectural development. The shortlisted projects are undoubtedly those that have most inspired and resonated with our readers.

The selection features not only industry-leading design firms but also small practices and highly personal works. This year's competition also highlights projects that actively improve our built environment.

In mid-April, world-renowned Swiss architect Mario Botta and filmmaker Loretta Dalpozzo attended the Sino-Swiss Architectural Dialogue at Tsinghua University. Initiated by the Embassy of Switzerland in China and co-organized by the Swiss Consulates General in Shanghai and Chengdu, the event also hosted the premiere of the documentary “Mario Botta: Beyond Space.”

On April 17, 2019, details were announced for the "2019 Shanghai Urban Space Art Season" (SUSAS), hosted by the Shanghai Urban Sculpture Committee and co-organized by the Shanghai Municipal Planning and Natural Resources Bureau, the Shanghai Municipal Culture and Tourism Bureau, and the People's Government of Yangpu District, Shanghai.

Following the successful editions in 2015 and 2017, the 2019 Space Art Season continues to explore urban space topics against the backdrop of Shanghai's current phase of urban regeneration. This year's theme is rooted in the municipal government's "One River, One Creek" public space development strategy. Focusing on the global topic of "waterfront spaces bringing a better life to humanity," the event will span nearly two months. Through themed exhibitions, case studies, joint exhibitions, and various public activities—combined with cultural and tourism initiatives like "One Million Citizens Viewing Shanghai"—it will showcase Shanghai's recent achievements and future vision in connecting and improving waterfront spaces citywide. The main exhibition will open at the Yangpu Waterfront at the end of September.

Nanjing Chengtian Bridge spans the Qinhuai River, crossing the Beijing-Shanghai High-Speed Railway to the south and running adjacent to the Ring Expressway to the north. Connecting the city's CBD with an ecological park, the bridge serves as a major gateway and urban landmark for the Southern New Town.

The Southern New Town occupies a unique geographical position, situated at the center of four mountains: Jiangjun Mountain, Fang Mountain, Qinglong Mountain, and Purple Mountain. The silhouettes of these four mountains converge here, inspiring the main structure of the bridge. Floating above the Qinhuai River, its flowing lines present a picturesque landscape from afar. Four triangular arches symbolize the converging mountains, giving the Chengtian Bridge structural stability and a dynamic, tension-filled presence.

In 2018, ArchDaily China’s reach grew stronger than ever. We brought Chinese architecture into the global conversation, introducing Chinese design to the world while delivering global architectural news to our Chinese readers. Remaining true to our founding mission, we strive to be an open platform that benefits the public, fostering a more inclusive and equitable architectural community. This year, we once again invited our Chinese readers to vote for the 2019 ArchDaily China Building of the Year Awards. Through an unbiased, geographically unrestricted voting process, our readers became part of a massive jury to select the most representative architectural projects of our time.

Over the past three weeks, more than 300,000 votes were cast. From over 400 Chinese projects published in 2018, voters selected the top ten nominated projects, and ultimately, the three most representative winners. Because ArchDaily’s readers consist of industry professionals and architecture enthusiasts, this award represents peer-to-peer recognition, carrying immense significance.

The following are this year’s winning projects:

Located in Pingle, Qionglai, Sichuan, the M50 Art Hotel project takes inspiration from "music," aligning with Pingle Ancient Town's master plan as a music-themed town. In this design, MUDA-Architects sought to activate the local cultural DNA, creating an iconic, forward-looking landmark that honors historical context while engaging with the future.

(Article by Wang Xin) Recently, Chengdu officially launched the detailed design phase for the “Capital of Pandas,” marking the start of construction on the new home for the pandas. In January 2019, the master planning and conceptual design scheme developed by the consortium of Shanghai Tianhua Architecture Planning & Design, Chapman Taylor LLP, and Masa Studio (Hong Kong) Co., Ltd. won the competition. The consortium was awarded the detailed design contract for the “Beihu Area,” the project's largest plot and home to the Chengdu Research Base of Giant Panda Breeding.

The “Peace Pavilion,” located in Sédhiou in southern Senegal, is the winning proposal of the KAIRA LOORO International Architecture Competition, organized by the Balouo Salo Association. The organization's team of architects and engineers, in collaboration with Senegalese authorities and institutions, will conduct a construction evaluation of the winning design to assess its financial and technical feasibility. The project is situated in a particularly delicate urban environment, on a flat clay site along the Casamance River. It serves as a multifunctional venue for hosting permanent and temporary art exhibitions, sharing the values of peace and memory.

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According to announcements on the UNESCO website, the World Heritage List represents an invaluable legacy of monuments, natural beauty, and cultural treasures belonging to all humanity. The sites inscribed on this list serve as milestones on our planet, symbolizing regional and national awareness of the significance of place and shared wealth, while preserving this collective heritage for future generations.

Founded in the 1970s by Rem Koolhaas, Elia Zenghelis, Madelon Vriesendorp, and Zoe Zenghelis, the Office for Metropolitan Architecture (OMA) is one of the world's most renowned practices. While the firm has realized numerous projects and built iconic works across various countries, its work is not limited to architectural design alone. Instead, OMA frequently transcends strict disciplinary boundaries to engage with other areas of practice.

The relationship between the human body and architecture has always been a fundamental element of architectural design and practice, yet it was only in recent history that this connection was formally documented, let alone fully accepted. The question today is: how is the human body interpreted in the contemporary era, and how do these perceptions shape the way we design buildings and spaces? Ergonomics is often viewed as a discipline that highlights the separation between body and object; in reality, however, it not only bridges the two, but also serves as a blueprint designed to maximize and synchronize efficiency between them. At its core, ergonomics is a technical discourse concerning an increasingly mechanized human habitat.

At the 2019 AIA Conference on Architecture, Turkish architect Emre Arolat (EAA) shared insights with ArchDaily regarding architectural technology, how the future role of the architect will evolve, and the significance of building materials in his projects.