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South America: The Latest Architecture and News

2019 RAIC International Prize: Siamak Hariri on Designing the Bahá’í Temple of South America

This year, the Bahá’í Temple of South America in Santiago, Chile, designed by Hariri Pontarini Architects of Toronto was selected as the winner of the 2019 RAIC International Prize, by the Royal Architectural Institute of Canada (RAIC). The prize celebrates a “single work of architecture that is judged to be transformative within its societal context and expressive of the humanistic values of justice, respect, equality, and inclusiveness”.

Bahá’í Temple of South America. Image © Andrés Silva Bahá’í Temple of South America. Image Courtesy of Hariri Pontarini Architects Bahá’í Temple of South America. Image Courtesy of Hariri Pontarini Architects Bahá’í Temple of South America. Image © Sebastián Wilson León + 14

AIA Committee on Design Holds the First South American Conference in Chile

The American Institute of Architects Committee on Design is holding its first South American conference this week in Santiago and Valparaíso, Chile. Starting on October 20 and running through the 27th, the conference is organized by the Copperbridge Foundation in collaboration with Chilean Constructo and Massantiago. The CoD conference will include a focus on each city's contemporary architecture and urban fabric, as well as tours, presentations and exhibitions with Chilean institutions.

BIG Reveals Skyscraper Design for First Project in South America

Soon to become the tallest building in Quito, IQON is Bjarke Ingels Group's first project to be built in South America. Currently undergoing construction, the largely residential building is a curved tower with gradually protruding balconies. Encased between the dense city and the park, the self-dubbed "urban tree farm" aims not only to encompass the surrounding views of the volcanoes and nature beyond but also to integrate the landscape within the building itself.

Courtesy of Bjarke Ingels Group Courtesy of Bjarke Ingels Group Courtesy of Bjarke Ingels Group Courtesy of Bjarke Ingels Group + 14

Architectural Association Visiting School Chiloé Archipelago

Marking almost 200 years since Darwin's Voyage of the Beagle, we will journey to the Chiloé Archipelago in northern Patagonia and re-explore this remote area through fieldwork, relishing the opportunity to investigate an outdoor laboratory.

These Maps Show Why It's a Bad Idea To Make Things Up

It's difficult to imagine an uncharted world. Today, GPS and satellite maps guide us around cities both familiar and new, while scanning and mapping techniques are gradually drawing the last air of mystery away our planet's remaining unexplored territories. At one time, however, cartography was based on little more than anecdotal evidence and a series of educated guesses. But map-making in the 16th and 17th Centuries was an art nonetheless, even if these examples testify to the fact that just because you're missing important facts, total fabrication may not be the best way forward.

“Beyond the City”: A Captivating Look at the Design of the Hinterland

Courtesy of University of Texas Press
Courtesy of University of Texas Press

Felipe Correa’s latest book “Beyond the City: Resource Extraction Urbanism in South America” takes us to a region that architects and urban designers typically have neglected—the hinterland. The South American hinterland provides a unique subject of analysis as it has typically been urbanized for its natural resources, which are tethered back to the coastal cities where these resources are either consumed or distributed to global markets. Within this context, the hinterland is viewed as a frontier whose wilderness is to be tamed, put to work, and territorialized through infrastructure and urban design. Beyond the City provides an insightful look into these processes and the unique urban experiments that emerged in South America. Organized by five case studies, Beyond the City is tied together by what Correa has termed “resource extraction urbanism,” which he links to “new and experimental urban identities in the context of government-sponsored resource extraction frontiers.” Written as a lucid historical account that anchors the discussion within the political, economic, and social context, as well as within global design discourse, the book is also projective—setting the table for a series of questions on how design can act in these landscapes.