In an article for The Guardian Richard Rogers questions why, with space still left in urban areas, we should build in the countryside? Lord Rogers, no stranger to political activism, chaired the UK’s Urban Task Force in the 1990s, culminating in his report Towards an Urban Renaissance. Now, over fifteen years later, his plea for denser, better designed urban environments has been rekindled as he argues that: “We can’t go on like this. The housing shortage threatens both the economy and our quality of life.” Laying out a clear argument reinforced by his forty years of experience as an architect, you can read his article in full here.
In collaboration with client Shinsegae, Olson Kundig Architects has designed a 20,000 square foot roof garden in Uijeongbu, South Korea. Sitting atop the ninth floor of a twelve story department store, the park acts as a playground for children and a cultural center for the community. The project follows a rising trend: placing green spaces on top of buildings in urban areas to create safe and secluded public places. This particular garden uses entirely native species and incorporates sculptures by the artist Do-Ho Suh.
On Saturday night, the awards were announced in the 2014 Solar Decathlon Europe, which is currently ongoing in the grounds of the Versailles Palace in France. The competition challenges university teams to build and run a full scale solar powered house, with awards being judged on a range of requirements including sustainability factors, architecture and comfort, with a different jury of three experts judging each requirement.
The overall winner, based on a combination of all the factors, was “Rhome for Dencity”, by the team from Roma Tre University, with a proposal that seeks to ”re-densify and re-qualify the boundaries of Rome” by applying principles of density and sustainability to this area where ”housing, country, archaeology and illegal buildings are interwoven.”
Read on after the break for images of all the winners
The Japan Art Association (JAA) has named American architect Steven Holl as the 2014 Praemium Imperiale Laureate for Architecture. Holl will be honored at a ceremony in Tokyo on October 15th. The jury’s citation states that Holl’s ”works are internationally highly regarded, primarily as a result of his philosophy regarding the unification of the “experience” of space, as depicted by color and light, with the history and culture of each site of construction.”
Since its inauguration in 1989, the annual global arts award has recognised “outstanding contributions to the development, promotion and progress of the arts” in the fields of architecture, painting, sculpture, music and theater/film. Only a small handful of architects have received this award, including James Stirling, Tadao Ando, Alvaro Siza, Richard Rogers, Jean Nouvel, Toyo Ito, Zaha Hadid, Peter Zumthor, David Chipperfield, and Jacques Herzog and Pierre de Meuron.
Chinese architecture firm Penda, known for their ecologically sensitive designs, has redesigned the tent in a bold new way for the AIM “Legend Of The Tent” Competition. Their proposal, ”One With The Birds,” is a flexible and sustainable structure that integrates sleeping pods into the forest canopy. Inspired by Native American Tipis, which are moveable and reusable, the structure, made from bamboo sticks latched together with rope, leaves no impact on the site nor causes any harm to the bamboo itself.
A mock-up of the project will soon be installed as a temporary hotel. According to the architects, “after the temporary hotel is deconstructed, the materials can be reused as scaffolding on a construction site or reused as another temporary hotel on a different location.”
Learn more about this remarkable structure, after the break.
In a recent article for The Telegraph Jonathan Ruffer, a hedge fund manager turned campaigner for architectural heritage, discusses the significance of historic buildings in a time when they are “increasingly having to justify itself in the cold light of cost cuts.” The notion of architectural “heritage” covers not only castles and stately homes but increasingly post-war and early contemporary structures. Speaking from a financier’s point of view, Ruffler examines the “gulf” between public and private funding for restorative architectural schemes alongside the difficulty of mobilising large bodies to activate change. Arguing that “heritage has the power to change lives,” the need for people to engage with their built heritage is more important than ever. Read the article in full here.
Federico Babina is back with his latest illustration! This time, he explores 23 works of architecture through the lens of one interesting or intense detail that speaks to the character of the work as a whole. Seeing these illustrations as movie posters, which use visual imagery to suggest, insinuate, and convey “the essence” of the film, each illustration reflects the work and the architect’s aesthetic overall. See all 23 after the break!
Martino Stierli, a Swiss architecture and art history professor interested in ”how architecture is represented in the media and intersects with art,” has been named Barry Bergdoll’s successor as the chief curator of architecture and design at the Museum of Modern Art (MoMA).
In a Press Release, Stierli comments upon his appointment: ”Since its inception, MoMA has presented groundbreaking exhibitions that promote and critically reflect upon modern and contemporary architecture. By continually expanding its comprehensive collection, the Department of Architecture and Design has been pivotal to the preservation of modernism for the future, and to making that heritage accessible to scholars and the broader public alike. I am excited to continue this tradition at MoMA and look forward to working with the Museum’s extraordinary team to contribute to shaping the current discourse on architecture and the city—locally, nationally, and globally.”
He will begin his new role in March 2015. Learn more about Stierli, and how his appointment will influence the MoMA’s exhibitions, at The New York Times’ Arts Beat Blog.
ArchDaily has been asking architects ”What is Architecture?” for over 6 years. It’s a question that few interviewees answer without hesitation or bristling. But after asking over 200 architects, we’ve noticed a pattern: even though many people start very similarly, the answers soon diverge in a way that demonstrates the promise of the profession. And no matter how architecture is defined, the strong majority of architects hold an underlying belief in its ability to influence.
When the ArchDaily team visited the Venice Biennale and entered the Central Pavilion of the Giardini, home to the Elements exhibition, we saw it as a dynamic, immersive, exhaustive response to the question “What is Architecture?” Visitors to the Biennale are introduced to architecture through its elements–the pieces, parts and fundamentals that comprise built structures around the globe.
When Koolhaas chose to focus on Elements, he produced a text (in both book and exhibition format) that gives us the tools to understand what architecture is and how is it has evolved (or stagnated). Even though he didn’t invite people to show projects in the traditional sense, the AD editors saw a hopeful undertone to Elements — it is a resource that can be revisited over and over again, one that will arm the current and future designers of our built world with the knowledge they’ll need to address the issues they have yet to even confront.
After the break, see images of the exhibition and read Koolhaas’ curatorial statement.
This article was originally published on Black Spectacles.
Ever wonder what software skills and licensure/accreditation are required to get a job at the top 50 Architecture firms in the world? Our study has compiled it all…
We surveyed 928 job postings at the top 50 architecture firms, based on Architectural Record’s July 2013 Top 300 Architecture Firms study, and compiled the software requirements and the licensure/accreditation requirements listed for each job. We then sorted them by average, and then by the experience level required, from 0-3, 4-10 and 11-20+.
The results are in the infographic below:
The time has come for architects, across the globe, to register for their .archi domain names. This year has seen the launch of a entirely new range of domains which explicitly indicate the field of business a particular domain name points to; .archi, the new extension reserved exclusively for architectural bodies, is one such. Not only will it differentiate architects from other fields but, perhaps more importantly, will also help internet users find architects when browsing the web. The development of this domain extension, which has been supported by the International Union of Architects (UIA), will mean that only academically qualified architects and their affiliates will be able to use .archi.
Paul Andreu, designer of the Shanghai Pudong International Airport and the Taiyuan Archaeological Centre, alongside Corinne Vezzoni, have both pledged their support of the new domain name in an advertising campaign by the regulating body Starting Dot.
Click here to register a .archi domain name or find out more after the break…
At its debut at the Venice Architecture Biennale 2014, Indonesia offers a peek into the country’s past 100 years of architectural history in its pavilion: “Craftsmanship: Material Consciousness.” Moving images projected onto glass panels tell Indonesia’s story through the development of six materials, traced over time: wood, stone, brick, steel, concrete and bamboo. See images of the pavilion and enjoy a statement from the curators after the break.
“Embassies and consulates serve as the front door for US diplomacy. The safety and security they provide to our personnel are the first priority, but they must also reflect our national values of openness and ingenuity. Embassies and consulates must exemplify the best of American architecture, environmental stewardship, and innovation.” – Secretary of State John Kerry on the US Department of State’s Design Excellence program, November 2013
As the meeting point for diplomacy, embassies serve as the face of America abroad. Embassy location and architectural design have the potential to promote inclusion and openness, but when tucked behind tall fences and bunker-style architecture they can convey exclusion and hostility.
While protecting diplomatic personnel is critical, conveying core American values such as transparency, openness and equality is also key. But how do you balance security and openness? Does a focus on design put safety at risk?
These questions are currently at the center of debate, as the State Department’s embassy Design Excellence program is facing criticism for being too costly and jeopardizing security.
The designs of the Nordstrom Tower in New York, the world’s tallest residential building at 1,775 feet tall, have been revealed to New York YIMBY by an anonymous tipster close to the project. The project at 225 West 57th Street by Adrian Smith + Gordon Gill Architecture will be one foot short of 1 World Trade Center, and with its 1,451 high roof will finally reclaim the title of United States’ tallest roof from Chicago‘s Willis Tower.
More on the Nordstrom Tower after the break
English Heritage has announced that the RMC headquarters building designed by Edward Cullinan Architects in 1990 has been listed at grade II*, preventing a plan to demolish the building and replace it with a terraced housing scheme. The listing comes after a campaign to protect the building which was orchestrated by Cullinan Studio and the 20th Century Society, and supported by a a number of high profile architects including Nicholas Grimshaw, Richard Rogers, Peter Clegg (Feilden Clegg Bradley) and Sunand Prasad (Penoyre & Prasad).
Read more about the building and the listing decision after the break
It is a curious fact that architects do not put their signature on buildings. While even a novice architecture enthusiast can pick out a Frank Gehry building in any given city, there is no physical statement within that building identifying Frank Gehry as the designer. But why not? This article by Planetizen asks explores this interesting question.
We caught up with Kenneth Frampton earlier this week at the event to announce the finalists of the Mies Crown Hall Americas Prize (MCHAP) in Santiago, Chile. Beyond asking him about the MCHAP jury’s selection process, we took a moment to ask our classic ArchDaily question: what is architecture? Listen to his answer in the video above, or read the transcript of his answer after the break.