
This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

Zaha Hadid Architects, in collaboration with Bureau Cube Partners, have won an international competition to design a new tower for Alta Bank in New Belgrade, Serbia. Conceived as a mixed-use development, the project integrates the bank's new headquarters with residential units, rental office spaces, and retail and dining areas within a public plaza. The design aims to provide a future-oriented base of operations that reflects evolving patterns of work and urban life, continuing the collaboration between the two firms following their winning proposal for the new Nikola Tesla Museum in Belgrade in 2025.

India carries an ancient lineage of tradition that has long shaped the very conception and crafting of its cities. Vastu Shastra is one such tradition, more a science than a belief, intimately woven into the principles of architectural design. The practice remains widespread and highly regarded, with 93% of homes designed to align with Vastu principles. As India urbanizes at an unprecedented pace, projected to add 416 million city dwellers by 2050, Vastu Shastra continues to influence billions of real estate decisions amid the trials of modern city living. How might an 8,000-year-old spatial science evolve to guide the design of cities housing millions?

Today, on the first Monday of October, we celebrate World Architecture Day. This year, the International Union of Architects (UIA) has set the theme "Design for Strength," a powerful call to action that resonates deeply with the UN's focus on urban crisis response. In a world facing unprecedented environmental and social disruptions, this theme challenges us to move beyond temporary fixes. It asks: How can our buildings and cities not only withstand shocks but also foster equity, continuity, and resilience?
While the concept of strength in architecture can easily evoke images of reinforced concrete and steel, a more profound interpretation is emerging, one that defines strength not as mere rigidity, but as a holistic capacity to endure and adapt. This includes many facets, from ecological resilience and stewardship to long-lasting concepts of social resilience or the long-lasting conservation of existing urban structures, all contributing to a built environment more able to respond to the multitude of crises faced by cities worldwide.

Buildner, in partnership with the Government of Dubai, has announced the results of the 2024/25 House of the Future competition. Following the success of its inaugural edition in 2023, this second edition invited architects and designers worldwide to develop an affordable, expandable, and forward-thinking prototype home tailored to the evolving needs of Emirati families.
Organized in collaboration with the Mohammed bin Rashid Centre for Government Innovation and the Sheikh Zayed Housing Programme, the competition offered a total prize fund of €250,000 (1 million AED). Winning entries are now being reviewed for potential inclusion in the UAE's national catalogue of housing designs, which provides citizens with a selection of pre-approved, innovative home models.

OUALALOU+CHOI has won the international competition for the design of the new Casa Sud Train Station in Casablanca, Morocco. Based in Paris and Casablanca, the architecture and urban design practice led by Tarik Oualalou and Linna Choi is recognized for its work exploring the relationship between architecture, infrastructure, and public life. The winning proposal envisions the new station as both an infrastructural hub and a civic landmark, addressing the needs of a rapidly expanding metropolis while contributing to the urban and social fabric of Morocco's economic capital.

On September 30, 2025, AC Milan and Internazionale Milano football clubs announced that the Milan City Council had given preliminary approval for the sale of San Siro Stadium, officially named the Giuseppe Meazza Stadium, one of the city's most recognized sports venues. Located about six kilometers from central Milan, the stadium is among the largest in Europe and was spared from demolition in 2023 after the Regional Commission for the Cultural Heritage of Lombardy recognized its cultural significance.
According to the clubs' joint statement, the City Government's latest decision will enable the design of a new international-standard stadium alongside an urban regeneration project for the surrounding area, reportedly led by Foster + Partners and MANICA. The announcement comes only months before the Milano-Cortina 2026 Winter Olympics, an event that will initiate the farewell period for San Siro as an active venue.

The Lisbon Architecture Triennale announced as the winner of the fifth edition of the Début Award the Indian office ReSa Architects. The office is known for its collective approach to spatial practice, treating architecture as a process of rewriting social and bodily relations. In previous editions, the award recognized the work Vão (Brazil, 2022), Bonell+Dòriga (Spain, 2019), Umwelt (Chile, 2016) and Jimenez Lai, from Bureau Spectacular (USA, 2013).
The announcement was made on October 4, during the opening festivities of the Triennale, which in this edition awarded the Lifetime Achievement Award to the architect, Yasmeen Lari from Pakistan, the first person from the global south to receive the honor. Lari joins Marina Tabassum (2022 award winner), Denise Scott-Brown (2019), the duo Lacaton & Vassal (2016), Kenneth Frampton (2013), Álvaro Siza (2010), and Vittorio Gregotti (2007).

As countries in Africa emerged from colonialism in the mid-twentieth century, many expressed their independent identities through architecture. This process continues several decades later, exemplified by several new museums in West Africa, recently completed or in planning. Although varying in purpose and form, they have some common goals: addressing the need for restitution of many artifacts taken during colonialism and mostly kept in European museums; and defining a museum with local identity as opposed to a non-contextual import.

The museum and gallery visit has long been a highly curated experience. Visitors are guided through a carefully orchestrated sequence of rooms, with hand-picked works arranged to tell a specific narrative, supported by signage, graphics, scenography, and calibrated lighting. Even the rarely changed exhibitions - the permanent collections, also typically rely on a strong curatorial voice— led by noted artists or curators—to set institutional stance and shape interpretation.
At the same time, storage areas for museums and galleries are typically kept separately—often within the same building but under tightly controlled access, and not infrequently off-site in dedicated facilities, such as the Louvre Conservation Centre. These zones have long been understood as highly controlled spaces not only in terms of access, but also in relation to climate, humidity, archival order, handling protocols, maintenance, and repair. For fear of thefts and that the spatial, environmental, and sequencing requirements of the archive could be disturbed, storage has traditionally been somewhat secretive and primarily serves academic researchers and art practitioners by request. Rarely does the general public gain a comprehensive picture of the works safeguarded by any given institution.

Interior design has been characterized by infinite alternatives in coatings, finishes, and furniture to achieve unique and unrepeatable spaces. Designers are constantly coming up with innovative solutions and materials specifically created for a distinctive spatial perception. However, there is also a trend that seeks the warmth of the interior spaces by exposing the raw building materials as they are. The richness of materials such as wood and concrete gives that feeling of durability and low maintenance that, combined with an attention-to-detail design, makes spaces look warm yet stay true in essence. See below for 35 examples of interior spaces where concrete and wood appear in their almost purest state.

Materials can carry memory. They do more than finish a space; they can anchor it, shape atmosphere, and connect interiors to broader cultural and material narratives. Some architects and designers explore local techniques, natural resources, and craft traditions to balance cultural preservation with modern functionality, introducing context and depth. This is not necessarily a return to the past, but a reinterpretation of inherited knowledge to create architecture that resonates with contemporary needs.
Founded in 2006 in Copenhagen, Cobe Architects has become known for its focus on public life, urban transformation, and strategic master planning. From cultural buildings and public spaces to large-scale urban developments, the office has played a central role in shaping Copenhagen's contemporary identity, particularly through its work on harbor regeneration. Among these, the Nordhavn master plan stands out as one of Europe's most ambitious waterfront redevelopments. During the Copenhagen Architecture Biennial, ArchDaily's Editor-in-Chief, Christele Harrouk, met with Mads Birgens, Head of Urbanism at Cobe, at the firm's office in Nordhavn. In the conversation, Birgens reflected on the evolution of the project since the office first won the open international competition in 2008, and on the broader lessons of designing cities for proximity, diversity, and long-term adaptability.

Henning Larsen has been selected to design Gothenburg's new Centralbadet, a public swimming and sports facility intended to strengthen the city's network of community and health-oriented spaces. The winning team includes Winell & Jern Architects, Ramboll, and John Dohlsten, Sports Science Lecturer at the University of Gothenburg. Organized by the City of Gothenburg, the competition included teams such as BIG and Wingårdh Arkitektkontor. The new center is planned as a multifunctional public facility that supports both everyday recreation and organized sport for residents of all ages.

When approaching the design of cultural spaces such as museums, performance venues, or places of research and study, architecture and design professionals often have to assemble pieces of a uniquely challenging puzzle in order to make the structure resonate with a variety of visitors and occupants. Hitting the right chord can be difficult, especially when trying to combine forms into a whole that pays respect to a building's intended use while being timeless in its universality.
One way of making sure a sense of culture is omnipresent: adaptive reuse. The practice of breathing life into historic structures has been on the rise in recent years and is particularly well-suited to creating spaces that address and embody contemporary issues while connecting their inhabitants to the past. But it's not just a sense of updated heritage that makes them stand out; adaptive reuse buildings can fight urban sprawl and unsustainable building practices simply by way of existing.

The shortlist for the prestigious BRICK AWARD 26 has been announced, revealing 50 exceptional brick buildings from across the globe. Organized by wienerberger, the biennial award celebrates architectural innovation and craftsmanship in brick and ceramic design, recognizing projects that push the boundaries of material, form and context. This year's selection spans five continents and 21 countries, highlighting the enduring relevance of brick in contemporary architecture; from intimate homes and cultural institutions to industrial facilities and public spaces. Winners will be announced in Vienna in June 2026, with all shortlisted entries featured in the BRICK 26 Book.

In the Dutch city of Hilversum, a municipal building completed in 1931 redefined the very idea of what a town hall could be. More than a house for local administration, the Hilversum Town Hall became the architectural expression of a community in transformation. With its tower rising above reflective ponds, its brick masses composed around courtyards, and its carefully detailed interiors, the building asserted that civic architecture could unite function with symbolism, efficiency with ceremony.
The architect behind this vision, Willem Marinus Dudok, was not only responsible for individual buildings but for the broader shaping of Hilversum itself. As a city architect and planner, he designed schools, housing districts, and parks, developing a language that fused Dutch craftsmanship with Modernist clarity. The town hall represented the culmination of this trajectory: a civic centerpiece where urban ambition, material refinement, and human scale converged in a single, coherent form.

We Design Beirut returns for its second edition from October 22–26, 2025, reaffirming the city's role as a vital node in the global design conversation. Set against a backdrop of some of Lebanon's most historically significant sites the five-day design event weaves together architecture, craft, and culture to reflect on themes of legacy, revival, and continuity.
Anchored in empowerment, preservation, and sustainability, We Design Beirut fosters collaboration among designers, artisans, students, and architects — creating a vibrant platform for exchange, connection, and creative expression. It's a space for healing, innovation, and showcasing the region's growing design talent on an international stage.

French-Lebanese architect Lina Ghotmeh has been recognized on the TIME100 Next 2025 list, an annual ranking of emerging leaders and innovators across disciplines. Known for her sensitive approach to context and materiality, Ghotmeh has built an international portfolio that bridges tradition and modernity. In her TIME profile, written by Danish architect Bjarke Ingels, Ghotmeh is praised for combining historical awareness with forward-looking experimentation. The acknowledgment positions her as the only architect on this year's list, highlighting the continued presence of design voices in a ranking that typically spans entertainment, politics, science, and business.

September marks a shift in seasonality worldwide, bringing with it a renewed focus on cultural and architectural events that encourage reflection on contemporary global challenges. This week's major news highlighted international exhibitions and design initiatives addressing questions of resilience, urban transformation, and collective futures, alongside new projects dedicated to preserving both cultural and natural heritage. Across continents, biennales, urban developments, and restoration efforts are shaping a broader conversation on how architecture and design can foster adaptation, memory, and coexistence in rapidly changing environments.

Across China, a legacy of vast industrial structures stands decommissioned, as a direct result of the nation's economic shift to different forms of industry. These buildings are defined by their colossal height and deep structural capacity. Today, they present an architectural challenge for contemporary urban renewal and a new topic for heritage preservation. As they become absorbed by growing urban developments, architects are tasked with translating them into functional, public-facing assets. Thus, recent interventions are capitalizing on defining elements such as furnaces and chimneys to help reposition these massive complexes as critical urban landmarks.

For centuries, architecture has been shaped by the aspiration to create a smooth transition between the indoors and the outdoors. Today, technologically sophisticated window and facade systems allow architects to design open, light-flooded room concepts without losing heat. The Solarlux cero maximum sliding window can eliminate the boundaries between spaces, demonstrated most impressively when large-format elements replace building corners. This is a technical achievement accomplished entirely without supports that disrupt the view. cero creates a direct, immediate connection to nature that goes far beyond what standard solutions can offer.

The first images have been released of the completed Athletes' Village for the 2026 Winter Olympics in Milan, following its official handover to the Milano Cortina Foundation ahead of the Games in February. Developed by COIMA and designed by Skidmore, Owings & Merrill (SOM), the project has been envisioned as both a temporary residence for athletes and a long-term urban asset for the city. Delivered in 30 months and ahead of schedule, the Village is located within the Porta Romana railway yard, and comprises six new residential buildings and the restoration of two historic structures: the former Squadra Rialzo locomotive workshop and the Basilico building. Together, they provide housing for athletes during the Games, along with 40,000 square meters of community spaces, landscaped courtyards, and three sports courts.

A blast destroyed 40% of the city of Beirut on August 4, 2020. Five years after the port explosions, the UNESCO Director-General visited Lebanon to assess the institution's work in the capital city. UNESCO's efforts have been based on the recognition that the explosion destroyed numerous buildings and historic neighborhoods that were home to a community of cultural professionals, leaving a void in the city's cultural landscape and economy. The organization mobilized international efforts to restore, reactivate, and safeguard Beirut's heritage buildings, schools, museums, and cultural institutions, seeking to provide a comprehensive response to protect the city's cultural fabric. During the visit in September, new restoration and reconstruction programs were announced, including the rehabilitation of the Mar Mikhael train station and Beirut's Grand Theatre, as well as support for cultural industries in Tyre and Baalbek.

Culture is the set of knowledge and practices people use to express themselves and make sense of the world collectively. As Brazilian philosopher Marilena Chauí reminds us, the word derives from the Latin colere, which means "to take care of." In that sense, agriculture means taking care of the soil, while religious cults are the care of the gods. At its core, culture is the creation of symbolic universes, expressed through different languages, including architecture, that weave connections across time. It safeguards the memories of the past while opening new possibilities for the future.
This month, ArchDaily explores The Architecture of Culture Today, asking a central question: How does architecture shape the way culture is produced, consumed, and experienced? This theme examines how architecture both shapes and responds to cultural life — from the permanence of museums, theaters, and libraries to the ephemerality of pavilions, installations, and virtual platforms. It considers the architect's role in curation, scenography, and exhibition design, as well as the portrayal of cultural spaces in film and digital representations.