The Pritzker Prize is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." The Prize rewards individuals, not entire offices, as took place in 2000 (when the jury selected Rem Koolhaas instead of his firm OMA) or in 2016 (with Alejandro Aravena selected instead of Elemental); however, the prize can also be awarded to multiple individuals working together, as took place in 2001 (Herzog & de Meuron), 2010 (Kazuyo Sejima and Ryue Nishizawa of SANAA), and 2017 (Rafael Aranda, Carme Pigem, and Ramon Vilalta of RCR Arquitectes).

The award is an initiative funded by Jay Pritzker through the Hyatt Foundation, an organization associated with the hotel company of the same name that Jay founded with his brother Donald in 1957. The award was first given in 1979, when the American architect Philip Johnson, was awarded for his iconic works such as the Glass House in New Canaan, Connecticut.

The Pritzker Prize has been awarded for almost forty straight years without interruption, and there are now 18 countries with at least one winning architect. To date, half of the winners are European; while the Americas, Asia, and Oceania share the other twenty editions. So far, no African architect has been awarded, making it the only continent without a winner.

Architects are often bound by the will of their client, reluctantly sacrificing and compromising design choices in order to suit their needs. But what happens when architects become their own clients? When architects design for themselves, they have the potential to test their ideas freely, explore without creative restriction, and create spaces which wholly define who they are, how they design, and what they stand for. From iconic architect houses like the Gehry Residence in Santa Monica to private houses that double as a public-entry museum, here are 9 fascinating examples of how architects design when they only have themselves to answer to.

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Some architects love color, some are unmoved by it, some hate it, and some love to dismiss it as too whimsical or non-serious for architecture. In an essay on the subject, Timothy Brittain-Catlin mentions the “innate puritanism among clients of architecture,” architects and their “embarrassment of confronting color,” and how “Modernism tried to ‘educate out’ bright colors.” So, while the debate on color in architecture is far from being a new one, it is not finished, and probably never will be.

In today’s world where the exhausted stereotype of the no-nonsense architect clad in black still persists, and while we quietly mull over the strange pull of the Cosmic Latte, there are some architects who haven’t been afraid of using broad swathes of color in their work at all. Read on for a list of 7 such exemplary architects both from the past and the present.

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On November 22, 1988, one of the most important and revered figures in the history of Mexican and international architecture died in Mexico City. Luis Barragán Morfín, born in Guadalajara and trained as a civil engineer left behind an extensive legacy of published works, conferences, buildings, houses, and gardens that remain relevant to this day. While Barragán was known for his far-reaching research in customs and traditions, above all, the architect spent his life in contemplation. His sensitivity to the world and continued effort to rewrite the mundane has made him a lasting figure in Mexico, and the world.

Undoubtedly, Luis Barragán's legacy represents something so complex and timeless that it continues to inspire and surprise architects across generations. It is because of this that, 30 years after his death, we've compiled this series of testimonies from some of Mexico's most prominent contemporary architects, allowing them to reflect on their favorites of Barragan's works and share just how his work has impacted and inspired theirs. 

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Color, inherited from indigenous cultures of Mexico, is a defining characteristic of Mexican architecture. Vibrant colors have been used by architects and artists such as Luis Barragán, Ricardo Legorreta, Mathias Goeritz, Juan O'Gorman, and Mario Pani.

Color in Mexican architecture has reinforced the identity of different regions and areas within the country. For example, it is almost impossible to think of San Miguel de Allende or Guanajuato without the facade colors that weave the landscape.

How many lives does a great work of architecture have? The first begins when it is built and inhabited, judged based on the quality of life it provides for its residents. The second comes generations later when it becomes historically significant and perhaps its original function no longer suits the demands of society. The value of such buildings is that they inform us about the past and for that reason their conservation is necessary.

However, in Latin America, there are countless cases of buildings of great architectural value that are in tragic states of neglect and deterioration. Seven such examples are:

In a somewhat poetic proposal, Jill Magid, the American artist, offered Federica Zano, owner and archivist of the Barragan Foundation in Switzerland, a two-carat diamond ring made from ashes from Barragan’s cremation, in exchange for returning Barragan’s professional archive to Mexico.

This gesture was the pinnacle of an art project that “posed fundamental questions about the consequences and implications of converting cultural legacy into private corporate property.” Magid’s work, titled “A Letter Always Arrives at its Destination,” held an exhibition at the University Museum of Contemporary Art at the UNAM.

Wall thickness, color, scale, solar dynamic, spaces built with a subtle metaphor immersed around the meaning of life, seem to be elements found throughout all of Luis Barragán's architecture. Elements of an enduring legacy, away from the ephemeral world of fashion, textiles and haute couture; however, it’s the search for the heightening of the senses, present in the architecture of Barragán, that inspired designers to put the name of the architect on catwalks and the world of apparel. 

Transcending his architecture to a particular line of design, major names in the clothing industry have used the mystical language of Barragán. A language in which fashion manages to live a furtive beauty in geometry, color, texture, but especially a totally emotional search. 

Check out 10 labels whose collections have been partially inspired by Barragán's work and ideas .

I want you to let me do all the ideas I still have in my head.

In the latest installment of the In Residence series, NOWNESS visits the last house designed by legendary Mexican architect Luis Barragán, Casa Gilardi. By the time current homeowner Martin Luque and advertising agency partner Pancho Gilardi approached Barragán to ask for a house design in 1975, the architect had already formally retired. He originally declined to take on the project – until he made a visit the site, where he was captivated by a remarkably beautiful jacaranda tree. Changing his mind, Barragán remarked, “Don’t chop down this tree, because the house will be built around it.”

Check out the video to learn the rest of the story behind the masterwork and to see the vibrant house as it stands today.