In addition to photographing the studios, Goodwin asked each practice the same question: "What makes for a good office space and office culture for you?" Their responses accompany the images, offering insight into how architects define the atmosphere of their workplaces. Studio Okami describes its workplace as a "home office away from home," while Brut highlights the role of shared meals and greenery in softening their penthouse space.
Blending vernacular techniques with contemporary experimentation, Mexico's architectural landscape is shaped by a continuous dialogue between tradition, materiality, and modernity. As the fifth most biodiverse country in the world, Mexican architecture seeks to respond to its vast range of natural environments, climates, and cultural traditions, all within a territory marked by striking contrasts. Reflecting a visible duality, it can embody both exclusivity and act as a catalyst for social transformation.
Architectural photography provides a window into the built world, making significant structures more accessible to people who may never have the chance to visit them. A good architectural photograph captures more than just the physical structure; it conveys the mood, scale, and context of a space. Each photograph is unique and shaped by the photographer's eye, which conveys their sensitivity and perception of the built environment through their lens.
The Cristo Rei Cathedral is Oscar Niemeyer's design for the cathedral of Belo Horizonte, the capital of the state of Minas Gerais in southeastern Brazil. Conceived between 2005 and 2006, it is one of the late architect's final projects in the country. The design features a domed structure approximately 60 meters in diameter, suspended by two towering elements rising 100 meters high. Niemeyer referred to the project as a "square," consisting of a cathedral with a capacity for 3,000 people and an external altar designed to accommodate up to 20,000 worshippers for mass and public events. Construction began in 2013 and is still ongoing. Earlier this year, photographer Paul Clemence visited the site, documenting the building process and capturing the emergence of Niemeyer's signature curves.
In early 2025, photographer Paul Clemence documented Kö-Bogen II, a commercial and office complex designed by ingenhoven architects in Düsseldorf, Germany. The photo series focuses on the building's signature feature: its vast green façade, considered one of the largest in Europe. Referred to as a "green heart" and an "urban mountain," the building has become a landmark in the city due to its sloping surfaces wrapped in over 30,000 hornbeam plants. For Clemence, this was an unforeseen encounter during his first visit to Düsseldorf, which he describes as an unexpected meeting with a "stunning green pyramid."
For over five decades, Swiss photographer Thomas Mayer has developed a serene, emotional, and documentary language for architecture. His lens captures the random and memorable moments of our built environment - reflections in the rain, long blue hours in Nordic summers, and the quiet darkness of sacred spaces. Recognized by ArchDaily as one of the top architectural photographers, Mayer carries an abundant fascination for light and space.
The exhibition "Nosso Barco Tambor Terra" by Brazilian artist Ernesto Neto, held at the recently renovated Grand Palais in Paris from June 6 to July 25, 2025, is a large-scale, immersive installation that invites visitors to reconnect with nature and community through sensory experience. Drawing inspiration from Brazilian and Indigenous cultures, Neto uses textiles, scents, and organic materials to create a space for reflection and interaction. The textile installation was recently captured by photographer Paul Clemence, who sought to portray its architectural qualities.
Porto's architectural legacy has long been shaped by the weight of history and the clarity of form. From the work of Álvaro Siza to the dense network of studios emerging from the city's schools, Porto offers a unique blend of continuity and reinvention. Here, architecture is not only a matter of design but often one of endurance — of working within constraints, of drawing with precision, and of navigating a built environment marked by permanence and resistance to spectacle.
Yet within this persistent context, a new generation of architects has been reshaping the field with quiet determination. Often formed in shared spaces, these practices balance autonomy with collaboration and meticulous detailing with broader urban concerns. Their studios tend to reflect this ethos: modest in scale, defined by adaptive reuse, and rooted in the material reality of the city. In these workspaces, architecture unfolds as a process — sometimes speculative, sometimes grounded — but always reflective of a practice that is deeply local and increasingly global.
Now in its 18th edition, the Sony World Photography Awards serve as a global platform for both established and emerging artists, offering an annual glimpse into contemporary photography. This free-to-enter competition provides exposure across 10 categories, including Architecture, Landscape, Travel, and Street Photography. Each category awards a winner, features a shortlist of selected works, and culminates in the title of Open Photographer of the Year. For the 2025 Open competition, participants were invited to submit their strongest single images from 2024, with a focus on capturing and distilling a singular moment while evoking a broader narrative.
The Paul Klee Center, designed by Renzo Piano Building Workshop, is a tribute to the renowned German-Swiss artist Paul Klee. Blending architecture with the natural landscape of Bern, Switzerland, the museum echoes the rolling hills and fields of the region. Situated on the city's easter outskirts, the structure aims to harmonize with its surroundings. Renowned as an iconic structure, Bern-based photographer Katerina Skarka has recently captured it through her lens, showcasing the architectural landmark.
In his latest photographic journey, Paul Clemence explores the architectural essence of SwissMuseums at Le Salon Suisse, Miami Art Week. Delving into the architectural artistry of the region and the museum's significance in today's urban landscape, the photographer showcases a comprehensive exhibition. Titled "Shapes, Rhythm, Abstraction: Swiss Museums," the photo series includes Geneva, Lausanne, Basel, Zurich, and St. Gallen.
Beyond just a visual record, architectural photography is a powerful medium that holds the ability to reveal and explore architectural spaces from unique perspectives. Through the lens of a skilled photographer, architecture showcases its interplay of lights and shadows, the tectonics of its structural elements, the careful detailing of joined materials, and the larger narratives of cultural heritage. On World Photography Day 2024, we celebrate this unique art form by highlighting the work of 25 distinguished photographers who have captured architecture in its most evocative forms.
Among the featured photo series, Paul Clemence explores the minimalist precision of Swiss museums, Iwan Baan offers a visual narrative of Prague, while Simone Bossi highlights the contrast between man-made structures and their natural surroundings. Additionally, Marc Goodwin continues his series on architecture studios from around the world, providing a glimpse into the profession’s creative spaces. Erieta Attali’s work transports viewers to ancient ruins to explore historical juxtapositions and cultural landscapes.
To create this collection, Marc Goodwin collaborated with Italian architect, publisher, teacher, and curator Alessandro Martinelli, who is based in Taipei. He selected the participants with the help of Mr. Chung-Hsiung Wang, the curator of the Taiwan Pavilion at the Venice Architecture Biennale 2018. The series will continue to develop with the creation of scale models for each studio, which will be exhibited alongside the photographs in the Taiwan Pavilion of the Venice Biennale.
With the 2024 Olympic Games opening ceremony fast approaching, Paris has captured global attention. In addition to the venues being prepared for the Olympics, the city offers a wide range of architectural projects that showcase its efforts to improve the urban environment and promote a greener and more inclusive city. Among these, the new Clichy Batignolles Eco-District in the 17th arrondissement of Paris is a 54-hectare development that set out to transform the former SNCF rail yard into a new neighborhood. The initiative features contributions from internationally recognized architects including MAD Architects, Architect Périphériques, and RPBW, among others. Read on to discover the urban development through the lens of architecture photographer Paul Clemence.
Paul Clemence has released a new series of images showcasing the ongoing construction works in The Los Angeles County Museum of Art (LACMA). Undergoing massive transformations, including a new building by Swiss architect Peter Zumthor, the LACMA is the largest art museum in the western United States. Approved in 2019, Zumthor’s design, known as the David Geffen Galleries, aims to modernize the museum’s campus.
As an architect I find it truly interesting to read cities and architecture through films, and this is why I went to see the latest film by one of my favourite directors Wim Wenders: Perfect Days. In Wenders’ cinema, his gaze over the city is always the protagonist. He possesses the remarkable ability to make the space of the photographic image the central focus of his filmmaking. It is not only the story that is important to him, but the time and space in which the story takes shape almost by chance.
Renowned French architect Jean Nouvel has unveiled his design for Samsung’s pop-up store on the iconic Avenue des Champs-Élysées in Paris, France. The store aims to represent the company’s role as a Worldwide Olympic Partner, offering visitors a space where they can engage with the newest mobile technologies and Olympic-related activities. The first images by architectural photographer Jad Sylla highlight Jean Nouvel’s design of the immersive retail space.