The Prince Moulay Abdellah Stadium in Rabat has officially opened as Morocco's new national stadium, following its inauguration by Crown Prince Moulay El Hassan on September 4, 2025. Designed by Populous, the stadium has a capacity of 68,700 and was developed under the direction of the National Agency for Public Facilities of Morocco to meet FIFA standards, enabling it to host matches up to the semi-finals of the 2030 FIFA World Cup. The redevelopment replaces the original 1983 stadium, positioning it as Morocco's flagship sports venue ahead of a series of international events.
SANAA, led by architects Kazuyo Sejima and Ryue Nishizawa, has unveiled its design for the Taichung Art Museum in central Taiwan. The new institution is scheduled to open on December 13, 2025, as part of the Taichung Green Museumbrary project, developed in collaboration with local firm Ricky Liu & Associates. Conceived as a major cultural initiative, the project combines a contemporary art museum, library resources, and public parkland. It aims to create a new institutional model for Taichung, one that supports artistic exchange and public programming while positioning the city as an international cultural hub.
The preservation of the environment and the harmonious integration of the built and natural elements are fundamental principles in contemporary architecture. Various design strategies are employed to achieve this balance, ranging from the revival of vernacular techniques to the use of advanced technologies. However, this concern goes beyond the choice of specific construction systems or innovative materials; it also manifests in the design approach that ensures the preservation of the site's natural elements. In this context, we present 15 homes designed to protect local trees, showcasing how architectural decisions can adapt to nature rather than impose on it.
Series 8670 Casement Window. Image Courtesy of Western Window Systems
Windows have long held an ambivalent role in architecture, as they both define and enclose interiors while simultaneously creating a link to the outdoors. This dual function goes beyond simply meeting construction needs or providing daylight, directly influencing how occupants experience and engage with the views. The 20th century saw the introduction of materials such as steel, aluminum, and glass, which enabled different types of windows with thinner frames and expansive panes, enhancing transparency and reinforcing the visual connection with the surrounding setting.
American architects such as Frank Lloyd Wright and Philip Johnson explored these possibilities to harmonize architecture with landscape. In Fallingwater House, windows and terraces seamlessly connect the house to the waterfall and surrounding forest, whereas the Glass House's minimal framing nearly dissolves the boundary between interior and exterior, bringing the natural environment to life inside the house. Through its evolution, windows have become an element that unites space, materials, and perception, opening new pathways for exploring the relationship between architecture and its environment.
https://www.archdaily.com/1034016/framing-interiors-and-landscapes-in-aluminum-and-glass-to-master-the-viewEnrique Tovar
What is architecture? For some, its traditional role is to bring together imagination, technical knowledge, and problem-solving, allowing architects to design and construct while balancing ideas with the means to realize them. From the stone and wood of early buildings to the steel and concrete of the 20th century, each era demanded not only an understanding of form but also of the properties and potential of the materials in use. This grasp of materials has always been a core part of the creative process, though its scope was limited by the know-how and technologies available.
Over time, that balance has begun to shift. Architects have moved from merely using materials to actively designing them, applying scientific principles and experimenting with biological, chemical, and computational processes. This evolution has expanded the possibilities of architecture, intersecting nature, technology, and art, while pushing the role of the architect into a more experimental, science-driven dimension, where the manipulation and creation of materials becomes central to the creative act rather than merely a means to achieve forms or structures.
Foster + Partners Gstaad House project in Switzerland. Render. Image Courtesy of Foster + Partners
Foster + Partners has received planning permission for a new timber residential building in Gstaad, Switzerland. Designed as a house in the Alpine resort town, the project combines residential use with exhibition, storage, and social spaces. According to the architects, it will be the first purpose-built facility in Gstaad to accommodate the specialised requirements of fine art, cars, fashion, and antique collections.
Urban policymakers and developers increasingly brand projects as temporary, piloting pop-up parks, art installations, and interim structures across global cities. Initiatives are often framed as experimental interventions that activate vacant sites. In practice, however, they frequently serve as provisional strategies to manage underutilized land until more profitable forms of development materialize. The temporary label functions as urban camouflage, obscuring permanent agendas behind provisional rhetoric.
On June 24, 2019, the International Olympic Committee (IOC) announced that Milan and Cortina d'Ampezzo would host the 2026 Winter Olympic Games. The last Winter Games to take place in Italy were held in Turin in 2006, and since then, climate change in the European continent has impacted traditional skiing venues. In this context, Italy has the advantage of a portion of the Alps, a strip of about 1,200 km along the borders with France, Switzerland, Austria, and Slovenia. The Italian Alpine region hosts most of the facilities that have been prepared over the past five years for the Winter Olympics, which will take place from February 6 to 22, 2026, followed by the Paralympic Games from March 6 to 15. Set to be the most geographically widespread Olympic Winter Games in history, this edition continues the sustainable model established by the Paris 2024 Olympic Games by relying almost entirely on existing and reconditioned sports infrastructure.
Innovation is at the core of architecture, expressed through new approaches to design, material experimentation, and, of course, ways of living. As a result, the conception of buildings and indoor spaces is constantly evolving. This evolution is especially evident in regions with a rich cultural heritage, such as Spain, where innovation reinterprets traditional ways of relating to space. This attentiveness to memory and daily life extends into interiors, where each intervention has the potential to actively reshape how people experience a space and open new possibilities for living and interaction.
Transcending their role as mere infrastructure, bridges have long served as powerful architectural statements. This expressive potential is now being explored with renewed vigor across South-East Asia, where a growing number of architects are re-evaluating traditional materials. By championing wood and bamboo, these designers are creating distinctive structures that integrate local craftsmanship with contemporary needs, resulting in landmarks that are both functional and deeply rooted in their landscape.
Blending vernacular techniques with contemporary experimentation, Mexico's architectural landscape is shaped by a continuous dialogue between tradition, materiality, and modernity. As the fifth most biodiverse country in the world, Mexican architecture seeks to respond to its vast range of natural environments, climates, and cultural traditions, all within a territory marked by striking contrasts. Reflecting a visible duality, it can embody both exclusivity and act as a catalyst for social transformation.
An architecture degree may provide a vast curriculum, but many of the skills needed for a project lie outside the discipline. This is especially true for urban-scale projects. They demand expertise in areas like traffic studies, structural calculations, landscape design, and technical installation forecasting. These are often seen as "complementary" but are, in fact, fundamental to the overall design.
In a country like Portugal, with a relatively small but geographically diverse territory, the challenge of connecting different parts of the territory – whether to cross a river or link one level of a city to another – is a constant one. Its largest metropolitan areas, such as Lisbon and Porto, share a rugged geography of steep valleys and hills. These features led to the development of elevators and funiculars, like the Santa Justa Lift and the Bica Funicular in Lisbon, and the Guindais Funicular in Porto. Today, besides improving urban mobility, they have become tourist landmarks.
October will see the opening of Ibraaz, a new cultural space reimagined by Architect-in-Residence Sumayya Vally in central London. The initiative is led by the Kamel Lazaar Foundation and aims to highlight art, culture, and ideas from the Global Majority: communities of African, Asian, Indigenous, and Latin American heritage that together represent most of the world's population. The project seeks to bridge local and global conversations by creating a "world of many worlds" within a single venue: a six-floor, 10,000-square-foot building that has undergone multiple transformations, from synagogue to residence, club, and now cultural center.
Toronto Paramedic Services Multi-function Station 02. Image Courtesy of Diamond Schmitt Architects
As cities and infrastructures evolve to meet shifting cultural, environmental, and social demands, new architectural projects are redefining how public spaces and civic institutions operate. This edition of Architecture Nowbrings together proposals spanning different contexts and scales: on Yakushima Island, Jean Nouvel embeds a boutique retreat for NOT A HOTEL into a UNESCO-listed forest landscape; in New York City, Rossetti and WSP are preparing a major renovation of Arthur Ashe Stadium to expand capacity and enhance the visitor experience; in Toronto, Diamond Schmitt and gh3* have broken ground on a mass-timber, net-zero paramedic station; and across the English Channel, Hollaway Studio is leading a transformation of LeShuttle's UK and French terminals into more seamless and sustainable gateways. Together, these projects reflect how design is being used to adapt existing systems and landscapes to new forms of public life.
"Dance, dance… otherwise we are lost." This oft-cited phrase by Pina Bausch encapsulates not only the urgency of movement, but its capacity to reveal space itself. In her choreographies, space is never a neutral backdrop, it becomes a partner, an obstacle, a memory. Floors tilt, chairs accumulate, walls oppress or liberate. These are architectural conditions, staged and contested through the body. What Bausch exposes — and what architecture often forgets — is that space is not simply built, it is performed. Her work invites architects to think not only in terms of materials and forms, but of gestures, relations, and rhythms. It suggests that architecture, like dance, is ultimately about how we inhabit, structure, and emotionally charge the spaces we move through.
Historically, architecture and dance have operated in parallel, shaping human experience through the body's orientation in space and time. From the choreographed rituals of classical temples to the axial logics of Baroque palaces, built space has always implied movement. The Bauhaus took this further, as Oskar Schlemmer's Triadic Ballet visualized space as a geometric extension of the body. This was not scenery, but spatial thinking made kinetic. In the 20th century, choreographers like William Forsythe and Anne Teresa De Keersmaeker integrated architectural constraints into their scores, while architects such as Steven Holl, Diller Scofidio + Renfro, and Toyo Ito designed buildings that unfold as spatial sequences, inviting movement, drift, and delay.
