Interior design has been characterized by infinite alternatives in coatings, finishes, and furniture to achieve unique and unrepeatable spaces. Designers are constantly coming up with innovative solutions and materials specifically created for a distinctive spatial perception. However, there is also a trend that seeks the warmth of the interior spaces by exposing the raw building materials as they are. The richness of materials such as wood and concrete gives that feeling of durability and low maintenance that, combined with an attention-to-detail design, makes spaces look warm yet stay true in essence. See below for 35 examples of interior spaces where concrete and wood appear in their almost purest state.
Centralbadet public swimming and sports center project in Sweden. Entrance render. Image Courtesy of Plankton Group
Henning Larsen has been selected to design Gothenburg's new Centralbadet, a public swimming and sports facility intended to strengthen the city's network of community and health-oriented spaces. The winning team includes Winell & Jern Architects, Ramboll, and John Dohlsten, Sports Science Lecturer at the University of Gothenburg. Organized by the City of Gothenburg, the competition included teams such as BIG and Wingårdh Arkitektkontor. The new center is planned as a multifunctional public facility that supports both everyday recreation and organized sport for residents of all ages.
In the Dutch city of Hilversum, a municipal building completed in 1931 redefined the very idea of what a town hall could be. More than a house for local administration, the Hilversum Town Hall became the architectural expression of a community in transformation. With its tower rising above reflective ponds, its brick masses composed around courtyards, and its carefully detailed interiors, the building asserted that civic architecture could unite function with symbolism, efficiency with ceremony.
The architect behind this vision, Willem Marinus Dudok, was not only responsible for individual buildings but for the broader shaping of Hilversum itself. As a city architect and planner, he designed schools, housing districts, and parks, developing a language that fused Dutch craftsmanship with Modernist clarity. The town hall represented the culmination of this trajectory: a civic centerpiece where urban ambition, material refinement, and human scale converged in a single, coherent form.
French-Lebanese architect Lina Ghotmehhas been recognized on the TIME100 Next 2025 list, an annual ranking of emerging leaders and innovators across disciplines. Known for her sensitive approach to context and materiality, Ghotmeh has built an international portfolio that bridges tradition and modernity. In her TIME profile, written by Danish architect Bjarke Ingels, Ghotmeh is praised for combining historical awareness with forward-looking experimentation. The acknowledgment positions her as the only architect on this year's list, highlighting the continued presence of design voices in a ranking that typically spans entertainment, politics, science, and business.
Across China, a legacy of vast industrial structures stands decommissioned, as a direct result of the nation's economic shift to different forms of industry. These buildings are defined by their colossal height and deep structural capacity. Today, they present an architectural challenge for contemporary urban renewal and a new topic for heritage preservation. As they become absorbed by growing urban developments, architects are tasked with translating them into functional, public-facing assets. Thus, recent interventions are capitalizing on defining elements such as furnaces and chimneys to help reposition these massive complexes as critical urban landmarks.
The first images have been released of the completed Athletes' Village for the 2026 Winter Olympics in Milan, following its official handover to the Milano Cortina Foundation ahead of the Games in February. Developed by COIMA and designed by Skidmore, Owings & Merrill (SOM), the project has been envisioned as both a temporaryresidence for athletes and a long-term urban asset for the city. Delivered in 30 months and ahead of schedule, the Village is located within the Porta Romana railway yard, and comprises six new residential buildings and the restoration of two historic structures: the former Squadra Rialzo locomotive workshop and the Basilico building. Together, they provide housing for athletes during the Games, along with 40,000 square meters of community spaces, landscaped courtyards, and three sports courts.
A blast destroyed 40% of the city of Beirut on August 4, 2020. Five years after the port explosions, the UNESCO Director-General visited Lebanon to assess the institution's work in the capital city. UNESCO's efforts have been based on the recognition that the explosion destroyed numerous buildings and historic neighborhoods that were home to a community of cultural professionals, leaving a void in the city's cultural landscape and economy. The organization mobilized international efforts to restore, reactivate, and safeguard Beirut's heritage buildings, schools, museums, and cultural institutions, seeking to provide a comprehensive response to protect the city's cultural fabric. During the visit in September, new restoration and reconstruction programs were announced, including the rehabilitation of the Mar Mikhael train station and Beirut's Grand Theatre, as well as support for cultural industries in Tyre and Baalbek.
When exposed to heat, the body activates several physiological mechanisms to maintain thermal homeostasis. However, these natural defenses are often overwhelmed in our modern cities.In an urban environment defined by heat-absorbing asphalt, concrete, and a lack of green spaces, these mechanisms become inefficient. If the surroundings are excessively hot, humid, or poorly ventilated—conditions amplified by the Urban Heat Island effect—the core body temperature begins to rise, and the risk of serious complications increases, ranging from cramps and exhaustion to potentially fatal heat strokes.
Farrells, the London-based architecture and urban design practice, announced earlier today the death of its founder, architect Sir Terry Farrell. The firm highlighted Farrell's commitment to questioning architectural convention and his advocacy for more responsible, contextual, and community-driven approaches to urban development, seeking creative alternatives to wholesale demolition and rebuild. His death follows that of his early collaborator Nicholas Grimshaw, with whom he founded the Farrell/Grimshaw Partnership in 1965. Together they produced functionalist, modern buildings defined by their structural clarity, before Farrell established his independent voice as one of the leading figures of British Post-Modernism, designing some of the movement's most recognisable works, including London's MI6 Building and the TV-am studios in Camden.
What is the link between architecture and pastry? What design strategies are applied in the contemporary interiors of bakeries and pastry shops? While architecture can serve as inspiration for the design of forms and configurations of edible elements, it also contributes the techniques of descriptive drawing, architectural composition, and staged planning to the culinary language. Focusing their thinking on people and their needs, both disciplines strive for precision, with interior design being a broad field where the use of figures, colors, materials, and various equipment can be explored to enhance user experiences.
"The public square and civic infrastructure are the front lines against this kind of attack", proclaimed then-President of the American Institute of Architects, Thomas Vonier. The decades since 9/11 and mass violence have pressured cities, in the United States and globally, to reconsider what "safety" means. Is it about barriers, bollards, surveillance? Or is it about trust, visibility, evidence, resilience? Several projects confront these questions at various scales to demonstrate how architecture and forensic thinking can collectively protect communities and civic life.
The first phase of the Barbados National Performing Arts Centre, designed by Adjaye Associates, has officially opened in Bridgetown, marking the commencement of a significant cultural initiative. Originally conceived as a temporarypavilion for Carifesta XV, the timber structure serves as both a functional venue for performances and the foundation for the forthcoming 85,000-square-foot permanent complex, slated for completion in 2026. Developed in collaboration with structural engineer StructureCraft, the project features mass timber construction, low-carbon design strategies, and adaptive reuse of components. This approach provides Barbadians with a "meanwhile use" venue while laying the groundwork for a future national hub within the Barbados Heritage District.
The Brazilian Pavilion at the 19th International Architecture Exhibition – La Biennale di Venezia, open since May 10, 2025, is curated by Plano Coletivo, a group formed by architects Luciana Saboia, Eder Alencar, and Matheus Seco. Titled "(RE)INVENTION," the exhibition represents Brazil through a multidisciplinary approach that connects architecture, nature, and social infrastructure. Presented at the Giardini pavilion, the project is organized by the Fundação Bienal de São Paulo in collaboration with Brazil's Ministry of Culture and Ministry of Foreign Affairs. The exhibition reflects on the recent archaeological discovery of ancestral infrastructure in the Amazon to examine the socio-environmental contradictions of contemporary cities. It invites visitors to learn from ancestral knowledge and explore the interdependence between humans, land, and nature as a foundation for more sustainable futures.
Architecture's design process has always been shaped by the tools at hand. We once drew with pen and ink on fragile sheets, copied by blueprint and guarded against smudges and tears; then Mylar arrived, making revisions and preservation easier and nudging drawings toward a leaner, more deliberate economy of lines. Computer-aided drafting followed, speeding coordination and changing how we think about scale and precision. Today, AI adds another layer—gathering information in seconds and spinning images on command—promising new efficiencies while raising fresh questions about authorship and craft. What we make, and how we make it, has evolved with each tool; the history of our methods is the history of our ideas.
Beginning in the post-war era, Mylar (developed in the 1950s) eased drawing reproduction and hastened the shift from blueprint to whiteprint processes. Before Mylar, simply preserving drawings—keeping an idea intact, legible, and undamaged—was a significant task. Post-war design priorities often leaned toward efficiency, simplicity, and an industrial minimalism aligned with reconstruction needs. The tools reinforced this: architectural work remained predominantly hand-drawn, where every line took time to lay down and even more time to erase. That labour sharpened the economy of drawing; each stroke had to earn its place.
Quarries can be seen as indelible abandoned scars of human resource extraction. Man-made spaces, perceived as voids, and material gain, have fundamentally shaped our accelerating built environment. All the while, the earth stands still as a silent witness. For decades, these open-pit mines have been viewed as a necessary consequence of consumerism and urban growth, their raw, imposing forms a testament to the large-scale extraction of materials essential for building our cities. However, a global architectural movement is now emerging to engage with these existing forms, transforming these subtractive spaces into sites of innovation, collaboration, and renewed purpose.
