The 2018 Milan Design Week is now underway, a festival which this year is expected to attract over 300,000 visitors. Every year, the festival brings together a wide range of practitioners and design companies resulting in unusual yet fascinating collaborations and installations.
Below, we have compiled a list of collaborations to look out for throughout the week, including investigations into water, healthcare, and micro-living.
Having studied at the Architectural Association in London, Frampton has taught at the Graduate School of Architecture, Planning, and Preservation at Columbia University, New York since 1972. He has also lectured at several leading institutions, including ETH Zurich, the Royal College of Art in London, and the Berlage Institute in Amsterdam. Perhaps his most influential work, “Modern Architecture: A Critical History,” was described by Biennale President Paulo Baratta as a book which “no student of the faculties of architecture is unfamiliar with.”
https://www.archdaily.com/892831/kenneth-frampton-awarded-golden-lion-for-lifetime-achievement-at-2018-venice-biennaleNiall Patrick Walsh
eVolo Magazine has announced the winners of its 2018 Skyscraper Competition. Now in its 13th year, the annual award was established to recognize “visionary ideas for building [high-rise] projects that through [the] novel use of technology, materials, programs, aesthetics, and spatial organizations, challenge the way we understand vertical architecture and its relationship with the natural and built environments.”
This year, 3 winners and 27 honorable mentions were selected from a pool of 526 entries. Among this year’s winners are a foldable skyscraper inspired by origami, an urban building for rice farming, and a prototype for vertical housing in areas damaged by wildfires.
Studio Gang’s 10-story commercial “Solar Carve Tower” has topped out in New York’s Meatpacking District. Officially named “40 Tenth Avenue,” the scheme responds to a perceived lack of site-specific design in New York, with Studio Gang prioritizing “intentionality and contextuality” as their guiding principles. The scheme is therefore defined by a dramatic curtain wall, chiseled shape, and a dynamic relationship with its surrounding environment.
UK-based design studio NEWSUBSTANCE has debuted at the Coachella Valley Music & Art Festival with a seven-floor pavilion taking visitors on an “ever-changing journey of light, color and perspective.” The 75-foot-high (23-meter-high) pavilion named “Spectra” consists of a spiral form featuring an observation deck at its peak, projecting a rainbow band of color.
The dazzling color scheme is produced by the separation of light waves by their varying degrees of refraction, embodying the lively spirit of the Coachella festival. Through this manipulation of the physical properties of light, Spectra is capable of producing over 16 million colors.
https://www.archdaily.com/892652/newsubstances-coachella-pavilion-takes-visitors-on-a-journey-of-light-and-colorNiall Patrick Walsh
The Italian artist has established a reputation for wire mesh sculptures, having been named by Forbes as one of the 30 most influential European artists. The Etherea sculpture represents the artist’s investigation into architecture as a tool for contemplation, a “dedicated space where the sky and clouds are narrated through the language of classical architecture.”
Adjaye Associates has unveiled images of its proposed reconceptualization of the protective façade of an electrical switching station into an engaging “Art Wall” in Newark, New Jersey. The 30-foot-high walls of the Fairmount Heights switching station will be transformed into a canvas for original works of 14 local and international artists, exploring themes of youth, education, and community, while a canopied passageway will house a market, art installations, and gathering space.
Set across a 116-acre (470,000-square-meter) subtropical park in the southern Taiwanese city of Kaohsiung, the scheme will occupy a former military training base, symbolizing the city’s transition from a major international harbor into a rich, diverse, cultural hub, connecting local and international artistic talent.
https://www.archdaily.com/892518/worlds-largest-single-roof-performing-arts-center-by-mecanoo-nears-completion-in-taiwanNiall Patrick Walsh
Past recipients of the award have included Bjarke Ingels, Norman Foster, Peter Bohlin, Daniel Libeskind, Robert A.M. Stern, Rafael Viñoly and César Pelli.
https://www.archdaily.com/892460/david-adjaye-honored-with-2018-louis-kahn-memorial-awardNiall Patrick Walsh
MVRDV has won a competition for the design of an art installation in the Dutch coastal city of Den Helder, seeking to strengthen the connection between land and sea through a new public landmark. The “SeaSaw” consists of a viewing platform balanced in equilibrium atop the city’s flood defenses, a distinguishable structure praised by the jury for capturing “the energetic spirit of the city represented as an infinite form.”
BIG-Bjarke Ingels Group has unveiled images of their proposed Audemars Piguet Hotel des Horlogers, a ski hotel set in the scenic Vallée de Joux, Switzerland. The compact scheme, designed in collaboration with Cche Architecture, is defined by a zig-zag form seamlessly integrated into the smooth topography of the surrounding valley, forming a connection with the nearly Musée Atelier.
The Terminal 5 building will accommodate 50 million passengers per year, giving Changi Airport a total capacity of 135 million by the late 2020s. The scheme is being developed within the context of a $1.2 billion expansion programme, which has seen the completion of a Terminal 4 building by Benoy, and a mixed-use “Jewel” biodome by Safdie Architects, pictured above, set to contain the world’s largest indoor waterfall.
https://www.archdaily.com/892371/heatherwick-reportedly-prevails-in-competition-for-airport-super-terminal-in-singaporeNiall Patrick Walsh
On a hillside forest outside of Moscow, amongst 65-foot-high (20-meter-high) pine and birch trees, sits the only private house to be designed and built by Zaha Hadid in her lifetime. With a form defined by its natural surroundings, the Capital Hill Residence is divided into two components, one merging with the sloping hillside, and another “floating” 72 feet (22 meters) above ground to unlock spectacular views across the Russian forested landscape.
Throughout the spring and summer of 2018, the Palazzo Strozzi in Florence, Italy will host a new site-specific project seeking to further our understanding of ecology, and the relationship between humans and the natural world. “The Florence Experiment” will connect internal and external spaces of the famed Renaissance palace through two separate experiences: an intertwined set of 65-foot-high (20-meter-high) slides, and a “live analysis” of the impact of human emotion on plant growth.
The Florence Experiment has been devised by German artist Carsten Höller and plant neurobiologist Stefano Mancuso, with the vision of turning the Palazzo Strozzi’s façade and courtyard into engaging areas of scientific and artistic experiment. Inspired by the Renaissance alliance between art and science, the project aims to create a new awareness of the way we see, understand, and interact with plant life.
OMA founder Rem Koolhaas has joined his colleague Stephan Petermann and artist Wolfgang Tillmans in calling for ideas on re-branding the European Union, at a time when the EU is experiencing increased pressure from the rising tide of far-right nationalism. Working with a group of artists, creatives, and communications experts from across Europe, the “Eurolab” team will present the outcomes of their initiative at the Forum on European Culture on June 3rd, 2018.
Eurolab argues that, although the EU is a project aimed at peace, cooperation, and solidarity, it has failed to present itself as a progressive, positive organization to European citizens. As support for nationalism and the far-right grows across Europe, Eurolab will embark on a 4-day fact-finding mission to investigate why the voices of European unity are been drowned out by the voices of European division. Going beyond the identification of issues surrounding disdain for the EU, Eurolab seeks to help re-brand the organization, asking “how can cooperation and solidarity be communicated to a large audience in a fresh and compelling way?”
https://www.archdaily.com/892199/rem-koolhaas-and-eurolab-call-for-creative-ideas-on-how-to-re-brand-the-euNiall Patrick Walsh
Skidmore, Owings & Merrill (SOM) has unveiled images of its proposed 54-story mixed-usetower in Hangzhou, China. Standing at a height of 945 feet (288 meters), the "Hangzhou Wangchao Center" seeks to act as a gateway to the eastern Chinese city’s newly-planned Qianjang Century Town district. With 1.3 million square feet (125,000 square meters) of office, hotel, and retail space, the scheme represents the ambitions of Hangzhou to become a global destination, spurred by its hosting of the Asian Games in 2022.
Foster + Partner’s Musée de la Romanité Narbonne (Roman Museum of Narbonne) has moved closer to completion, with the scheme's building envelope now fully constructed. The museum seeks to become one of the most significant cultural attractions in the Southern French region, hosting more than 1000 Roman artifacts. The scheme’s progress was celebrated at a topping out ceremony on 30th January 2018, with the installation of VELUX Modular Skylights marking the completion of the building envelope.
Once a major Roman port, the city of Narbonne has amassed an abundance of ancient buildings, relics, and archaeological sites. The Foster + Partners scheme, designed in collaboration with museum specialist Studio Adrien Gardere, centers on the prime exhibit for the museum: a collection of over 1000 Roman funerary stones recovered from the city’s medieval walls in the 19th century. The stones are to be placed at the heart of a simple rectilinear structure, separating the public galleries from private research spaces.