Heatherwick Studio offered a first look at the freestanding glass lobby pavilion at Lantern House, the firm’s first residential building in the United States. The project consists of 2 volumes, an east structure standing at 10-stories and a west structure standing at 22-stories, connected under the High Line.
Tower: The Latest Architecture and News
OMA have completed their construction works on their latest addition to the Dutch Skyline. The building composed of stacked three shifted triangular volumes will host the Nhow Amsterdam RAI Hotel, expected to become the largest hotel of the Benelux union once inaugurated.
Zaha Hadid Architects partnered up with Southbank Tower, for the company's first interior refurbishment project, in order to renovate the building’s lobby. The office structure, designed by Richard Seifert in 1972, had already gone through massive renovation works, led by KPF in 2015.
Architectural firm Tham & Videgård won the international competition to elaborate a new addition for the Swedish Exhibition and Congress Centre in Gothenburg. The selected proposal puts in place a new hotel tower and a main entrance for the venue.
4 Hudson Square is Walt Disney’s new headquarters in the Big Apple, designed by Skidmore, Owings & Merrill LLP (SOM). Located in the Lower Manhattan district, in the neighborhood of Hudson Square, the project will create a space for the company’s New York operations.
Adrian Smith + Gordon Gill Architecture has unveiled new images for the competition of the South HeXi Yuzui Financial District, the foundation for a new world-class, waterfront business district. The 500-meter-tall tower, part of the development will become the new focal point for the district, attracting businesses and tourism from China and the international market.
Centered over Central Park in Midtown Manhattan, 111 West 57th Street, the second tallest residential building in the Western Hemisphere has topped out at 1,428 feet. Designed by SHoP Architects with interior architecture by Studio Sofield, the tower is considered the most slender skyscraper in the world.
Rocco Design Architects created a vertical church, on a challenging site in Wan Chai District, Hong Kong. The Wesleyan House Methodist Church, with its 11,000m² program, sits on a tight 800m² plot, making it inevitable to go up and generate a skyscraper structure.
The international competition for the Rolex USA headquarters in New York selected the English firm, David Chipperfield Architects as the winning practice to design the anticipated tower. The new construction will replace the existing building, home to the Rolex company since the ’70s.
EID Architecture has revealed their design for OCT’s Second Headquarters in Kunming, China. One of three winning schemes selected from a shortlist of six international firms, the EID proposal aims to create a headquarters that responds to the cultural and natural characteristics of the city, while reflecting the ethos of OCT’s commitment to innovation in technology, art, and cultural tourism.
Skidmore, Owings & Merrill LLP (SOM), Architectus, and Dexus Property Group have celebrated the completion and opening of 100 Mount Street, a 35-story mixed-use tower in North Sydney’s Central Business District. Inspired by the city’s rich architectural landscape, and shaped by SOM’s legacy of innovation in architecture and engineering, the scheme features a cross-braced exoskeleton structure surrounding a glass-enclosed interior.
XTU architects have published their competition entry for the Founder’s Memorial in Singapore’s Bay East Garden. Inspired by the mangroves and banyans of Singapore which stand tall along the coastal regions of tropical areas, the memorial dives its routes into the ground, before shooting skywards.
Kohn Pedersen Fox Associates (KPF) has celebrated the groundbreaking of their first residential tower in Philadelphia, titled Arthaus. The 47-story condominium tower is situated at Broad and Spruce streets along the famed Avenue of the Arts, and directly across the street from the Kimmel Center for the Performing Arts. The scheme aims to create a rich, holistic experience from top to bottom, inside and out, an in the interiors for all residences and amenities.
Bjarke Ingels Group and Uribe & Schwarzkopf have designed a 24-story rose-colored tower in Quito, Ecuador inspired by natural beauty, diversity, and the community of the city. EPIQ is BIG’s second building in the city, with a dynamic, porous structure clad in colored titles to echo the beauty of Quito, and to be the face of a new sustainable urbanism in the growing city.
odD+ architects have released details of their proposed Grove Tower in Quito, Ecuador. A 10,000-square-meter office building for one of the country’s most prestigious law firms, the scheme has been designed as a “monumental structure that represents the values of the firm on an extremely narrow terrain.”
Studio Gang is celebrating a significant milestone with the topping out of their twisting high-rise MIRA tower in San Francisco. Construction of the 400-foot-tall tower began in mid-2017, with steady progression leading to projected occupancy in late 2019. The scheme's design is centered on the evolution of the bay window element, a feature common to San Francisco’s early houses. The bay window is reimagined in a high-rise context, twisting across the full height of the tower to offer views across the city.
Gerkan, Marg and Partners (GMP) has won an international competition for the design of a new tower complex in Shenzhen’s “Super Bay City” business district. Consisting of three distinct blocks linked at the base, the primary tower of the Hengli International Building rises 250 meters to become an impressive landmark and a cultural destination for the new business district.
Located in Shenzhen Bay, to the west of the Chinese megacity, the urban masterplan containing the GMP scheme seeks to become a “high-density urban development with high-rise buildings of up to 600 meters.” Contributing significantly to the area’s skyline, the GMP proposal features three distinct volumes: a 250-meter-high office tower, a 36-meter-high conference center, and an 80-meter-high “culture tower.” Providing a rhythm to the tower’s verticality, “sky gardens” have been designed at various levels to be used as public amenity areas on the main tower, and the adjacent conference center and “culture tower.”
An exciting new manifesto from the Why Factory, Porocity: Opening Up Solidity makes a case for the intervention of the public realm into the private sphere of the city. The Why Factory raises a critique of the city as excessively closed off, and offers tools for the prying open and aerating of the city in such a way that is socially, environmentally and economically valuable to its citizens. How can we introduce pockets for encounters, for streams of circulation, for green areas, for tunnels of cooling? What structures can be imagined to allow for this openness? Creating grottos? Splitting towers?