Orange Architects + KCAP have created a Golden City Block for St. Petersburg, Russia. Bordering the Finnish Gulf, the new urban development is part of Vasilievsky Island. Three of Orange and KCAP's projects in the development are already underway, including the towers of block 6, as well as construction for block 7 and block 8. Inspired by the morphology and structure of St. Petersburg’s city center, the design utilizes urban blocks with enclosed gardens and courtyards.
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Heneghan Peng’s proposal for a new National Centre for Contemporary Arts (NCCA) in Moscow has been abandoned. As reported by the Calvert Journal, public officials were unwilling to foot the $240million bill for the flagship project, which Heneghan Peng were selected to design in late 2013.
For the last eight years, Moscow has hosted the Moscow Urban Forum, a yearly gathering for experts to reunite to discuss pressing issues of today’s metropolises. Some of the most renowned architects and urbanists, city mayors, government officials, economists, developers, academics, citizens and professionals from diverse fields and nationalities come together in the iconic Russian city and its important venues like Menage or VDNKh. But it was the presence of two of the world’s most influential men in their respective areas of influence which marked the importance of this year Moscow Urban Forum: Rem Koolhaas and Vladimir Putin.
Sergey Skuratov, founder of Sergey Skuratov Architects, an award-winning Russian practice (2008 Architect of the Year), is known for his sleek and well-composed portfolio. Projects such as Copper House, Art House, and House on Mosfilmovskaya Street demonstrate his sensitivity to materiality and ability to retain his vision from concept to reality. Over the last two decades Skuratov has succeeded in producing a whole strata of world-class architecture in Moscow, far more than any other local practitioner. His projects, predominantly residential and office complexes, have remained attractive and versatile without ever veering into conservatism.
Russia’s history of mass housing development can be divided into several distinct periods, each manifested by its own specific type of residential building. These houses reveal what lifestyle, comfort level, construction cost and distinctive traits were considered preferable in any given decade. Every new stage saw its own experiments and had its achievements, which together can be regarded as a line of lessons, discoveries, and experiences, helping to understand a specific character of Russian standard housing.
The Lakhta Center, a 400,000-square-meter complex which includes Europe's tallest skyscraper, is approaching completion in St Petersburg. Designed by RMJM (authoring team led by Tony Kettle), the complex provides a new landmark in the northwest of the city—an area on the coastline of the Gulf of Finland which has seen significant development in recent years with the completion of the St Petersburg Stadium, a passenger seaport, and a number of park spaces including the Park of the 300th Anniversary of Saint Petersburg.
Beautifully integrating graphic design and architecture, the newest release from Blue Crow Media's transit series recognizes a selection of the most unique public transit stations in Moscow. Moscow Metro Architecture & Design, the second installment in the series, was curated by architectural historian Nikolai Vassiliev with photography by Alexei Narodizkii. It features the most unique and influential examples of architecture and decoration across what is widely considered to be "the most impressive network of stations in the world."
The House of Soviets is a Russian brutalist building designed by architect Yulian L. Shvartsbreim. Located in the center of Kaliningrad, the building has been abandoned since mid-construction. However, its inhabitants recognize it as the most important urban landmark in their city. They usually refer to the structure as "the face of the robot," since its strange shape conjures images of a robot buried up to its neck, only showing its face.
As part of our 2018 Venice Architecture Biennale coverage, we present the completed Russian Pavilion. To read the inital proposal, refer to our previously published post, "Russian Pavilion at 2018 Venice Biennale to Explore Rich Railway History."
When the Greeks carved stone steps into the side of a hill, they were aiming to create a seated area for people to rest and from which to have an excellent view of the stage at the amphitheater's center. over two millennia later, these objectives are still key to stadium design principles, however, with an ever-increasing global reach and the need for multiple functions, the goal posts for what makes a successful arena are always being moved. As you prepare to watch the 2018 World Cup hosted in Russia, take a look at this list of notable stadium designs in World Cup history which have influenced the evolution of stadium design.
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