Architecture from Russia

What would historic cities look like if scale didn’t exist and functions were manipulated?

London-based practice JTP won the competition to create a 760ha masterplan for a new eco-city district in Kazan, Russia. Working with OXO Architects, Terra Scape and XTU Architects, the team proposed the development outside the regional capital of Tatarstan. Dubbed Ecopolis, the design centers on a series of "green fingers" that connect to a landscape ring around the district.

Architectural bureau Tsimailo Lyashenko and Partners have unveiled their concept for "Brodsky", a new residential building on a high-density plot in the central district of Moscow. Situated along a river embankment, the scheme seeks to create a strong functional and visual connection between itself and the surrounding context.

MODUL architectural bureau has released details of their proposed transformation of an old factory building into a modern showroom in Voskresensk, on the outskirts of Moscow. The scheme, dedicated to the exhibition of stone materials, is organized around a wide-ranging series of immersive spaces, serving clients and designers with work and recreational infrastructure.

Architectural education has always been fundamentally influenced by whichever styles are popular at a given time, but that relationship flows in the opposite direction as well. All styles must originate somewhere, after all, and revolutionary schools throughout centuries past have functioned as the influencers and generators of their own architectural movements. These schools, progressive in their times, are often founded by discontented experimental minds, looking for something not previously nor currently offered in architectural output or education. Instead, they forge their own way and bring their students along with them. As those students graduate and continue on to practice or become teachers themselves, the school’s influence spreads and a new movement is born.

The urban consultancy Strelka KB has announced the winners of the international competition for alternative housing in Russia. Designed to test the country's new Integrated Guidelines for Urban Development, the competition asked participants to rethink standardized housing and apartment typologies. 689 projects were submitted from 37 countries to address issues of adaptability, ergonomic efficiency and functional diversity.

2019 has already witnessed a series of bridge-related milestones marked, from the world’s longest bridge nearing completion in Kuwait to the world’s largest 3D-printed concrete bridge being completed in Shanghai. As we remain fixated on the future-driven, record-breaking accomplishments of realized bridge design, "911 Metallurgist” has chosen to look back in history on some of the visionary ideas for bridges which never saw the light of day.

Moscow-based visual artist Danila Tkachenko has developed a project researching the boundaries of historical memories in Russian Orthodox churches. “Monuments” involved the sensitive appropriation of the abandoned rural churches, erecting lightweight structures in abstract modernist shapes.

A holographic pyramid by SYNDICATE Architects has been selected as the winner of the Garage Museum of Contemporary Art's Summer Cinema Pavilion competition. The project was selected from six shortlisted competitors, and the competition organized by Strelka KB offered up-and-coming Russian architects the opportunity to design a multi-functional temporary pavilion that would be accessible and meet the museum’s standards of environmental responsibility.

Either as singular outcroppings or as part of a bustling center, skyscrapers are neck-craning icons across major city centers in the world. A modern trope of extreme success and wealth, the skyscraper has become an architectural symbol for vibrant urban hubs and commercial powerhouses dominating cities like New York, Dubai, and Singapore.