SOM has revealed their design for the world’s first floating eco-park along the Chicago River. Called Wild Mile Chicago, the project is sited between Chicago and North avenues along the east side of Goose Island. A group of ecologists and activists called Urban Rivers is working with the city to realize the plan. The mile-long project is being created with government officials and private developers to include new wildlife, recreational and educational additions to the river’s North Branch.
Reiulf Ramstad Architects will inaugurate a new exhibition series “In the World of an Architect” at The Utzon Center, focusing on “architecture and design created in the tension field between local and global.” The exhibition will consist of a number of spatial installations spread across five rooms, setting out the concept of “Nordic” and appreciating the importance of the architects’ standpoint.
Rather than cancel the importance of a regionally-based building tradition in a globalized profession, the exhibition invites a more diverse, nuanced understanding of what it means to be a Nordic architect in a globalized era.
Milan-based Studio PARE has won a competition for the design of a small concert hall in Valsolda, Lake Lugano, Italy. The competition called for a new space to house the 40-person Valsolda Philharmonic Orchestra, with Studio PARE responding with a scheme inspired by the music box: a mechanical device prevalent in the 19th century which could generate melodies without the need for live musician.
The Fundació Joan Miró presents Lina Bo Bardi Drawing, the first exhibition to focus specifically on the role of drawing in the life and work of the Italian-born Brazilian architect.
The exhibition features a carefully selected collection of a hundred drawings from the Instituto Lina Bo e P. M. Bardi, bearing witness to the importance of drawing in all the stages of Bo Bardi’s multifaceted career. The project has been curated by another architect, Zeuler Rocha Lima - also an artist, researcher, and international expert on Bo Bardi - with support from the Fundació Banco Sabadell.
Hulu has announced that they will be adapting a story of H.H. Holmes, America’s first documented serial killer, into a television series on the 1893 World’s Columbian Exposition in Chicago. Based on the nonfiction book The Devil in the White City by Erik Larson, the series will explore murder and architecture around the so-called “Murder Castle." The show will feature the labyrinthine structure that Holmes built and stories around architect Daniel H. Burnham's infamous World Expo.
Rwanda’s largest publicly funded project, Bugesera International Airport is on track to be the first certified green building in the region. A few pieces of this net zero emission complex include: a 30,000 square metre passenger terminal, 22 check-in counters, ten gates, and six passenger boarding bridges. Funded by Public Private Partnership, the project is cost estimated at $414 million USD. The international hub was only one of several initiatives discussed by the Africa Green Growth Forum (AGGF) in Kigali at the end of last year.
Sidewalk Labs has released new renderings from Snøhetta and Heatherwick Studio of the Quayside neighborhood development in Toronto. After announcing plans to create a model smart city, Sidewalk Labs has been working to pioneer a new approach to future urban developments. Plans for Quayside were first revealed last summer, designed to be interconnected smart neighborhood for the city. The latest renderings were released with further documents outlining how the company plans to pay for the ground-up development.
Turkish practice Melike Altınışık Architects (MAA) has won an international competition for the design of a Robot Science Museum in Seoul, South Korea. Hosted by the Seoul Metropolitan Government, the competition called for a “world first” museum to support public education in robotics, and increase public interest in robots.
The principles of robotics, science, technology, and innovation have shaped all aspects of the scheme’s design, from form and structure to material and operation. The main character of the museum is to “create its own universe for robots and their visitors,” manifesting as a non-directional, fluid, spherical structure.
Nestled in a valley north of Beijing, a building will soon be completed that may appear to have always been there, or to have emerged from and grown out of the surrounding stony landscape. OPEN Architecture’s Chapel of Sound in Chengde, China was recently recognized in the 66th annual Progressive Architecture (P/A) Awards, chosen as one of ten projects to receive the commendation. The P/A Awards focus on innovative, ongoing work that promotes new ways of thinking about architecture. The Chapel of Sound was noted for its creation of a new, progressive type of environment and its reimagining of an established typology.
If walls could speak, they would have the most stories to tell - stories of antiquity, war, scandal, and reconciliation. Approaches to preservation are as varied as the architects behind them, but many take on the challenge with flair and restraint in equal measure. It is common to see preservation that combines ancient structure with contemporary features, creating beautiful combinations of old and new.
Take a look at some architectures from our projects database that highlight the beauty in the imperfections of ruins and great combinations of used and new materials.
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The LAGI 2019 competition offers designers and creatives the opportunity to re-imagine energy infrastructure and demonstrate the beauty of a 100% renewable world.
Raise your hand if you’ve ever wanted to go swimming inside a water tower. In reality, it would probably be dark and creepy and not as cool as it sounds, but that’s not the case with Danish firm SquareOne’s design, where the top of an abandoned water tower becomes a public swimming pool and spa. Utilizing the existing structural system of the tower, SquareOne is also proposing adding 40+ student housing units suspended around the tower. This dual-purpose scheme addresses Copenhagen’s desperate housing shortage while also giving new life to an old building.
Rogers Stirk Harbour + Partners have gained planning permission for the proposed extension and full refurbishment of the Grade II-listed Hammersmith Town Hall in London. A joint venture with Hammersmith & Fulham Council and commercial partners a2Dominion, the scheme seeks to promote “the creation of a new high quality civic mixed-use development” derived from the historic structure.
Through the demolition of a 1970s extension, the scheme will create a new public square that enhances the setting of the existing protected Town Hall, reinstating its presence on Kings Street. The main alternations seek to enhance the existing building through a glass box rooftop extension containing council office space.
Studio NAB has released details of their proposed Superfarm project, a six-story exercise in indoor urban farming that “focuses its production on the culture of foods with a high nutritional value.” The project is founded on the principles of pragmatic implementation, high-yielding foods, reducing health risks, promoting short circuits, reviving economies, energy self-sufficiency.
The scheme is a response to the projections that by 2050, 80% of the earth’s population will live in urban centers, demanding an area of farmland 20% more than is represented by the country of Brazil. By moving farm systems indoors, Superfarm represents an “ecological transition” that is resilient, human-sensitive, and technologically advanced.
The hyperreal renderings predicting New York City’s skyline in 2018 are coming to life as the city’s wealth physically manifests into the next generation of skyscrapers. Just like millennials and their ability to kill whole industries singlehandedly, we are still fixated on the supertalls: how tall, how expensive, how record-breaking? Obsession with this typology centers around their excessive, bourgeois nature, but – at least among architects – rarely has much regard for the processes which enable the phenomenon.
The Naomi Milgrom Foundation has announced that the sixth edition of the MPavilion will be designed by Australian architect and Pritzker laureate architect Glenn Murcutt AO. Murcutt's announcement comes as the 2018 edition of the MPavilion, designed by Spanish architect Carme Pinos, closed after a record-breaking season that saw more than 133,000 visitors. Murcutt will be the second Australian to design a pavilion for the Melbourne-based program; Sean Godsell designed the inaugural pavilion in 2014.
A sturdy featherweight table? Sounds... contrary to reason. But this contradiction was the very impetus for the design. Created for a research center that’s pushing the boundaries of design and manufacturing using technology and science, the designers--AIRLab, in collaboration with DManD-- sought to dematerialise the typical structure of a table, creating a sense of instability with the visual counterpoint of a solid surface.
An iconic piece of architecture recognized around the world, the Sydney Opera House was designed by Jørn Utzon, following a 1956 competition that attracted 222 competition entries. Since its opening in 1973, the building has redefined the ambitions of Australia and only last September celebrated its latest milestone: turning completely carbon neutral.
The history behind the Opera House and its creation is as rich as the architecture itself. In 1956 the New South Wales Government called an open competition for the design of two performance halls, for opera and for symphony concerts, hoping to establish Sydney as a major city. Danish architect Jørn Utzon won the competition with an entry that consisted of a few simple sketches that intrigued the jury.
I think that the conversation with Junya Ishigami at his experimental (and very international) studio in Tokyo was one of the most memorable experiences of my recent trip to Japan. Junya's visions for not just of his own architecture but for the profession were wholeheartedly inspiring. He thinks that architecture today is “not free enough.” He wants to diversify it, liberate it from so many architects’ insistence on following particular building types and, in general, our narrow expectations. He wants his architecture to be soft and loose and finds inspiration in such improbable metaphors as clouds or the surface of water. “We need to introduce more varieties of architecture to better address peoples’ dreams…I want to expand architecture into the future by creating new comfortabilities,” says Ishigami, whose two recent manifesto-like exhibitions in Paris questioned the very nature and purpose of architecture. He is a visionary and essential voice in what is perhaps the most unsettled of all professions.
Most architects who are parents have thought, at some point, about designing and building toys for their children. Paula Zasnicoff, a partner at Arquitetos Associados, along with designer Andrea Gomes, decided to go for it and created the Bubud brand.
When the work finally comes to an end, the cleaning is done and preparations for the opening are underway, everything looks perfect. Coatings are all in their proper place, shining and with the intended color; wood surfaces are as yet unmarked and there is even a feeling of freshness and new life. Photographs mean that, for many, this vision of perfection is all that will ever be seen.
But this perfection can be superficial. Failing to consider the damaging power of time during design and specification stages means can hasten the appearance of inevitable imperfections. Small fissures, stains, and scuffs among many other problems (that we have all dealt with at some point) begin to appear. The beautiful wood frame, so lovingly chosen, starts to look greyish. The paint fades where the sun hits the strongest. Boards begin to warp and fall from the facade.
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Every famed design movement has an interesting story of how it managed to influence architecture and design through the years. Despite their impact, not all movements began with the same principles they managed to ultimately lead with, and Bauhaus is no exception. The clean-cut modernist archetype, which has pioneered modern architecture for a century now, was once an experimental design institution of expressionism, unbound creativity, and handcraft, bridging the styles of Art Nouveau and Arts and Crafts with Modernist designs.
“The Flying Photographer” is the name of the documentary that will showcase Sara Nunes (architectural film director from Building Pictures) following the amazing journey of Fernando Guerra during the period of one year of travel to get the best architecture photographs from around the world.
Celebrate Bauhaus 100 through the world's number one visual storytelling platform, Instagram. An essential tool for designers, Instagram is a constantly growing digital database of market sharing and stimulation. Social media has changed not only how we gather precedents and market our designs, but also our designs themselves. "Instagram Culture" drives designers to create more shareable moments. As we continue to seek these dynamic encounters, let us not forget our forefathers of user experience design and the Bauhaus school.
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