Chicago

+ 20

• Architects

  Vladimir Radutny Architects

• Location

  Chicago, Illinois, United States

• Lead Architects

  Vladimir Radutny, Ryan Sarros, Fanny Hothan

• Area

  4000.0 m2

• Project Year

  2018

• Photographs

  Mike Schwartz Photography

As 2018 draws to a close, accommodation website Airbnb has dived into their data to reveal the most creative cities and countries from the year. Based on the percentage of hosts who are in the creative industries, the list builds on a previous survey by Airbnb which found that one in 10 Airbnb hosts and one in three Experience hosts identify as members of the creative community.

Read on below for the list of top creative countries and cities according to the new Airbnb study. For architects already planning a New Year’s getaway, check out an article we published of ten projects previously featured by ArchDaily, now available for booking through Airbnb.

As architects face up to the need for ethical, sustainable design in the age of climate change awareness, timber architecture is making a comeback in a new, technologically impressive way. Largely overlooked in the age of Modernism, recent years have seen a plethora of advancements related to mass timber across the world. This year alone, Japan announced plans for a supertall wooden skyscraper in Tokyo by 2041, while the European continent has seen plans for the world’s largest timber building in the Netherlands, and the world’s tallest timber tower in Norway.

The potential for mass timber to become the dominant material of future sustainable cities has also gained traction in the United States throughout 2018. Evolving codes and the increasing availability of mass timber is inspiring firms, universities, and state legislators to research and invest in ambitious projects across the country.

Where the Chicago River meets Lake Michigan, a pivotal node in Chicago’s cityscape, bKL Architecture has designed three towers along the waterfront, which connect the natural elements of the landscape with the urban center and neighboring communities.

The urban development is located at a prominent junction utilized by both pedestrians and automobiles; the site’s new master plan separates the two, providing seamless integration between the active green space surrounding bLK’s three towers and the lakefront.

The state of Illinois has launched a new testing program for connected and automated vehicles. Called Autonomous Illinois, the research initiative was announced by Governor Bruce Rauner's office. As Curbed Chicago reports, Created by executive order, multiagency program will be state-wide and led by the Illinois Department of Transportation to advance the state’s research in self-driving cars.

In an effort to reinvent an iconic American fast-food brand, McDonald’s U.S. has announced a new direction for the corporation, beginning with rethinking the restaurant’s current archetypal design both in its interior eating spaces and exterior urban landscape. A primary example of this commitment can be seen in the recently completed design for McDonald’s Global Flagship in Chicago by Ross Barney Architects.

The structure, which fills an entire city block in the heart of Chicago, was envisioned as a hallmark example of both the architect and the corporation's shared commitment to environmentally sustainable design. Cross Laminated Timber (CLT), an essential material for the project, replaced many of the commonly-used building materials such as steel, concrete, and plastics that have a larger environmental footprint.

Architecture firm SOM has designed Kinematic Sculpture, an origami-like pavilion installation for Chicago Design Week. Exploring kinematics as the science of motion, the sculpture was formed as one of the firm's ongoing interdisciplinary research projects. As a test in integrated design, the structure aims to establish ideas that foster new architectural and structural solutions for pressing challenges in the built environment.

+ 8

The United States had made an admirable showing for itself at the very first World’s Fair, the Crystal Palace Exhibition, held in the United Kingdom in 1851. British newspapers were unreserved in their praise, declaring America’s displayed inventions to be more ingenious and useful than any others at the Fair; the Liverpool Times asserted “no longer to be ridiculed, much less despised.” Unlike various European governments, which spent lavishly on their national displays in the exhibitions that followed, the US Congress was hesitant to contribute funds, forcing exhibitors to rely on individuals for support. Interest in international exhibitions fell during the nation’s bloody Civil War; things recovered quickly enough in the wake of the conflict, however, that the country could host the Philadelphia Centennial Exhibition in 1876. Celebrating both American patriotism and technological progress, the Centennial Exhibition was a resounding success which set the stage for another great American fair: the World’s Columbian Exposition of 1893.[1]

+ 16

This article was originally published on September 28, 2013. To read the stories behind other celebrated architecture projects, visit our AD Classics section.

Hospital buildings, with their high standards of hygiene and efficiency, are a restrictive brief for architects, who all too often end up designing uninspiring corridors of patient rooms constructed from a limited palette of materials. However, this was not the case in Bertrand Goldberg's 1975 Prentice Women's Hospital. The hospital is the best example of a series of Goldberg-designed medical facilities, which all adhere to a similar form: a tower containing rooms for patient care, placed atop a rectilinear plinth containing the hospital's other functions.

+ 7

Read on for more about this masterwork of humanist brutalism...

After graduating from Tecnológico de Monterrey, a leading technical school in Mexico, Francisco Gonzalez Pulido worked on design-build projects for six years before leaving for the US where he earned his Master’s degree from Harvard’s GSD in 1999. The same year the architect started working with Helmut Jahn in Chicago where he stayed for 18 years – from intern to becoming the president of the company in 2012, at which point he renamed the firm into Jahn. By then he developed his own body of work there. Last year Gonzalez Pulido started FGP Atelier in his adopted home city.

Today the studio, counts a dozen of architects and is overseeing the design of a couple of high-rises in China, a baseball stadium in Mexico City, and university buildings in Monterrey, among other projects. The following interview was conducted at FGP Atelier in Chicago, during which the architect was explicit about transmitting his view: “Architecture is too rigid, too formal. It is time to break free…I want to build lighter. I want to build smarter.”

+ 41

+ 25

• Architects

  Ross Barney Architects

• Location

  600 N Clark St, Chicago, IL 60654, United States

• Project Year

  2018

• Photographs

  Kendall McCaugherty, Hall+Merrick Photographers

+ 10

• Architects

  Gensler, IA Interior Architects, O+A Studio

• Location

  110 N Carpenter St, Chicago, IL 60607, United States

• Lead Core + Shell Architects

  Gensler Chicago

• Area

  774000.0 ft2

• Project Year

  2018

• Photographs

  Garrett Rowland

Known as Chicago's "Father of Skyscrapers," Louis Sullivan (September 3, 1856 – April 14, 1924) foreshadowed modernism with his famous phrase "form follows function." Sullivan was an architectural prodigy even as a young man, graduating high school and beginning his studies at MIT when he was just 16. After just a year of study he dropped out of MIT, and by the time he was just 24 he had joined forces with Dankmar Adler as a full partner of Adler and Sullivan.

+ 8

After their previous announcement back in January, the Chicago Architecture Center (CAC) is officially open to the public this Friday, August 31st. Formerly known as the Chicago Architecture Foundation, the 20,000 square foot CAC opens in a new location at 111 East Wacker Drive. Featuring programs, exhibitions and tours, the center aims to be "home to everything architecture in Chicago." The CAC includes a range of custom designed spaces, from an architecture store and lecture hall to interactive exhibits.

+ 7

+ 11

• Architects

  The Miller Hull Partnership

• Location

  Chicago, IL, United States

• Area

  35000.0 m2

• Project Year

  2006

• Photographs

  Nic Lehoux

This article was originally published on Metropolis Magazine as "Will the Culture of Good Taste Devour McDonald's?"

At a new corporate headquarters in Chicago’s West Loop neighborhood, there’s a double-height lobby filled with green walls and massive art installations. Travel to its top floor roof deck and you’ll find a cozy fire pit next to a fitness center and bar (happy hours are on Thursday). Elsewhere, stair-seating terraces face floor-to-ceiling windows with views of the Chicago skyline. This vertical campus settles in peaceably among its tony Randolph Street neighbors—Michelin stars, tech giants, and boutique hotels. At first glance, it’s refined and tasteful enough to be any one of these.