The inclusion of cars in photographs of architecture is an interesting tool that can help the viewer to understand the scale of a building. The addition of an automobile to a scene can not only help to transmit a notion of the size of the photographed elements, it can also be used to generate interesting compositional relationships to benefit the photograph as a whole. Below, we've highlighted a selection of 10 images from prominent photographers such as Rafael Gamo, Michael Sinclair and Bruno Candiotto which make effective use of this technique.
With Halloween just around the corner, this week we have prepared a special edition of Photos of the Week featuring nighttime images. Undoubtedly, this effect is among the most spectacular and difficult to achieve in architecture photography. Working in the absence of light is not a simple task for photographers, but by playing with the artificial lights in buildings (and, usually, some dramatic HDR effects) it is possible to achieve adequate exposure for incredible results. Below is a selection of 15 images from prominent photographers such as Ketsiree Wongwan, Laurian Ghinitoiu and Philippe Ruault.
We are accustomed to seeing photographs in which architecture is recorded without any occupants, or perhaps captured only with models who give scale to the spaces shown. However, in recent years architectural photographers have increasingly decided to humanize the houses they document, presenting not only their architecture, but also those who inhabit these buildings. In this week's best photos, we present a selection of 15 houses captured by renowned photographers such as Luc Roymans, Adrien Williams and Fernando Schapochnik.
Designing a subway station in Porto is about influencing the daily lives of thousands of people, where they daily circulate, establishing flows and routes, in a urbanistic and architectural intervention with large-scale dimensions. Although it demands an extremely functional and austere design, it is possible to see the gestures of the architect through the details and surprises.
This week we have prepared a special selection of 20 images of architecture as seen from the sky. This style of image, made possible by the emergence of drones, is increasingly used in architectural photography. It makes it possible to understand, in a single image, the totality of a project, and to see how the project interacts with the context in which it is immersed. Read on to see a selection of renowned photographers such as Hufton + Crow, Fernando Guerra, NAARO, and Jesús Granada.
Located in the Spanish city of Santiago de Compostela, the Galician Center for Contemporary Art was developed in 1993. Its declared horizontality and respect for the surrounding buildings and the urban structure are configured in the most remarkable gestures of this project. The solid and austere volumes form the boundaries of the area to the streets, with subtractions that make it accessible. The center has several permanent and temporary exhibition rooms, auditorium, library, cafeteria and administrative rooms.
The strategic definition of a new cruise terminal had a double objective: improvement of the commercial efficiency and a better urban integration. In this photoset, Fernando Guerra captures the many sides of the Leixões Cruise Terminal, a project that won the 2017 Building of the Year Awards in the "Public Architecture" category.
Get to know all the facets of this building below.
With the new millennium, architectural photography has gained exponential prominence in the relationship that architects have with society. The FG+SG studio has taken on the challenges presented by the greater media impact of architecture, which today constitutes a photographic practice rewarded with international prizes and recognition.
This week we present the Faculty of Architecture of the University of Porto through the lenses of Fernando Guerra. Here we share a complete series from the photographer of this iconic work, along with a brief text on the subject. The University of Porto plays a major role in the world's architectural landscape, always among the highest in rankings and boasting great architects like Eduardo Souto de Moura (Pritzker 2011), Fernando Távora and Álvaro Siza Vieira (Pritzker 1992).
The following photo set by Fernando Guerra focuses on Boa Nova Tea House, a project by Portuguese architect Álvaro Siza Vieira. Completed in 1963, it was one of the first works done by the 1992 Pritzker Prize winner. Built on the rocks that hang over the sea in Leça da Palmeira, the tea house is in close proximity to another iconic project by the same architect, the Leça Swimming Pools, both classified as National Monuments in Portugal.
Last month another building by Álvaro Siza Vieira, the Nadir Afonso Contemporary Art Museum in Chaves, Portugal commemorated its inauguration. To celebrate its opening, Fernando Guerra, from Últimas reportagens shared with us an amazing series of photographs.
See all the photos and learn more about the museum below.
Through 181 images, Guerra shows us Siza's masterful play of light and shadow. The photos allow us to experience a full day at the museum: the morning sun, followed by sunset and finally, the museum illuminated at night.
Below, see the gallery and learn more.
Today, one of the most recognized and respected architects in the world turns 83: Álvaro Siza Vieira. Awarded the Pritzker Prize in 1992, the Portuguese architect charmed the jury at the time, who explained their choice by saying: “his forms, shaped by light, appear deceptively simple, they are honest.”
Due to a fire in 1988, the Chiado district of Lisbon had many of its buildings damaged or partially destroyed by the flames, and an intense restoration and recovery project led by Álvaro Siza has been going on for over a decade.
Among the strategies employed by the Portuguese architect (and winner of the 1989 Pritzker Prize) is the reorganization of routes and walkways, creating elevated walkways to facilitate access to the area and the flow of locals and visitors. According to the Municipal Council of Lisbon, Siza has recently completed the connection between one of the courtyards of the Carmo Convent (Patio B) to the Largo do Carmo square and the Carmo Terraces with a pedestrian path.
Fernando Guerra's stunning image of Richter Dahl Rocha & Associés' EPFL Quartier Nord in Ecublens, Switzerland, has won the Arcaid Images Architectural Photography Award. Announced at the ongoing World Architecture Festival (WAF) in Singapore, the image was selected by a panel of judges for its ability to "translate the sophistication of architecture into a readable and understandable two dimensions."
"The architecture itself is the focus and the image regarded only as the medium. The Arcaid Images Architectural Photography Award aims to put the focus onto the skill and creativity of the photographer," said the Award's organizers.
Each shortlisted image was judged on the merits of the photography for composition, sense of place, atmosphere and use of scale; Guerra had the highest scoring image overall.
"The high level of photography has made it a very difficult the task to choose the winners. The most important thing for us has been the concept and atmosphere of the images. How they have been perceived and expressed through the creativity and inspiration of the photographer," said architects and jury members Fabrizio Barozzi and Alberto Veiga.
The runners up included...
For the recent inauguration of the Museu dos Coches in Lisbon, between September and October Sopro Colectivo hosted their exhibition "Fado Tropical," including 26 photos by Fernando Guerra and an interview with the building's architect, Paulo Mendes da Rocha, who today turns 87 years old.
Constructed on the banks of the Tagus River, the first building in Europe by the Brazilian Pritzker Prize winner was surrounded by controversy during its construction, and today surprise visitors from all over, housing the world's largest collection of carriages. In the interview given at his own office, Mendes da Rocha talks about the specificity of the area, his approach to the historical context and memory related to coaches, and his concise adaptations of the extensive program to the complexity of the surroundings.